The Road

'Grossman deserves a special, if not revered, place as a recorder of some of the worst excesses of the 20th century - indeed, of any century. A casual reader may be lured into thinking this to be a collection of fictional short stories depicting the hardships and privations of Soviet life. But on page 126 comes an abrupt and horrifying awakening 'The Hell of Treblinka' ... nothing prepares us for the force of Grossman's description; his detailed, harrowing reconstruction of what happened' Scotsman. * Scotsman * a richness and clarity to a fascinating period and define Grossman as one of the great literary figures of the last century' Good Book Guide. * Good Book Guide * ''Grossman's trajectory is clear in his short fiction and essays: early essays explore the ardent patriotism that fired Russia; later ones such as the title story, 'The Road', an allegory of a beaten mule pulling a munitions train that offers a bitter reflection on life, hint at dangerous disillusionment ... The Road is an excellent introduction to Grossman's hauntingly powerful fiction and reportage' James Urquhart, Financial Times. * Financial Times * ...his vivid dispatches, some newly translated for this superb collection, retain a freshness that only the finest journalism can. The 11 short stories also collected here show a writer of infinite variety, and the bulk of them will enhance his reputation ... his is a powerful voice of conscience' Sunday Times. * Sunday Times * ''This superbly edited compendium of his writing, containing short stories, journalism and letters to his dead mother, allows us to access the nature and success of his enterprise. Through its lucid notes and essays it also serves as a first-class companion to the terrible history of mid-20th-century central Europe.' Jewish Chronicle. * Jewish Chronicle * ... it has become accepted that Vasily Grossman was one of the giants of 20th Century literature. This anthology of his stories and journalism, brilliantly translated by Robert and Elizabeth Chandler, charts his growing disillusionment with communism as well as his frontline role in the war against the Nazis' Mail on Sunday. * Mail on Sunday * ''The collection has humour, pathos, satire and tragedy. Grossman's superlative ability is to relay through sparse writing the fear, anxiety and compassion of those he writes of. This is an utterly absorbing, compassionate and necessary collection and once read will linger and cause true reflection, as the best writing ought.' Journal of the Law Society of Scotland. * Journal of the Law Society of Scotland * ''From satire to comedy and tragedy this is a fantastic collection translated into English for the first time. Including Stalin's purges and the Holocaust, these short stories and articles are accompanied by introductions that put Grossman's life into context' Daily Express. * Daily Express * ''For today's reader, Grossman's work excavates from the Soviet rubble vital artefacts of the bitter, the tragic, the self-sacrificing, the indomitable and, ultimately, the inspiring' Ken Kalfus, International Herald Tribune. * International Herald Tribune * ''Grossman's stories are so affecting partly because they look so unflinchingly at human nature, combining a journalist's eye with a fascination for humanity enduring under near-intolerable circumstances.' Metro. * Metro * No one knew better than Grossman what people are capable of. These stories and essays are one of the cultural monuments of the 20th century' David Herman, New Statesman. * New Statesman * ''Readers familiar with his novels will be surprised by his short fiction. They show a writer of infinite variety' Victor Sebestyen, Sunday Times. * Sunday Times * The mystery of how to improve the human condition continued to fascinate him and

VASILY SEMIONOVICH GROSSMAN (1905-1964) was born into a Jewish family in Berdichev, in what is now Ukraine. In 1934 he published both "In the Town of Berdichev" - a short story that won him immediate acclaim - and the novel Glckauf, about Donbas miners. During the Second World War, he worked as a reporter for the army newspaper Red Star; his "The Hell of Treblinka" (1944) was one of the first accounts of a Nazi death camp to be published in any language. His long novel Stalingrad was published in 1952. During the next few years Grossman worked on his second Stalingrad novel: Life and Fate. In February 1961, the KGB confiscated his typescript, but he was able to continue working on Everything Flows, which is yet more critical of the Soviet regime, until his last days. The short stories he wrote during his last three years are among his supreme achievements; English translations are included in The Road. Grossman died on 14 September 1964, on the eve of the twenty-third anniversary of the massacre of the Jews of Berdichev, in which his mother had died.

Part One - The 1930s: Introduction; In the Town of Berdichev; A Small Life; A Young Woman and an Old Woman. Part Two - The War, The Shoah: Introduction; The Old Man; The Old Teacher; The Hell of Treblinka; The Sistine Madonna. Part Three - Late Stories: Introduction; The Elk; Mama; Living Space; The Road; The Dog; In Kislovodsk. Part Four - Three Letters: Introduction; Letter 1950; Letter 1961. Part Five - Eternal Rest: Introduction; Eternal Rest. Appendices: Grossman and Treblinka; Natalya Khayutina and the Yezhovs; Afterword by Fyodor Guber; Chronology; Notes; Further Reading; Translator's acknowledgements; About the author; About the translators.