Mapping Mental Illness in the Austro-Hungarian Empire
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Köp båda 2 för 2492 krAn engaging look at how the middle classes of fin-de-sicleVienna used innovative portraiture to define their identity During the great flourishing of modern art in fin-de-sicleVienna, artists of that city focused on images of individuals. Their po...
The chapters are of consistently high quality and, when taken together, nicely illuminate what Plumley calls the rich interdisciplinary seam of madness and artistic modernity. They unearth interesting linkages between the different disciplines and convincingly show the centrality of madness and mad spaces to a wide range of cultural expressions fascinating interrogation of the borders, boundaries, and spaces of madness and modernism at the turn of the century. German Studies Review Beyond meeting its own expectations as delineated by its editors, this volume demonstrates extremely well the range of questions that remain to be explored regarding the cultural history of the Austro-Hungarian Empire. This achievement is an additional reason for its inclusion in advanced undergraduate and graduate seminars. Austrian History Yearbook The essays, representing a variety of disciplines and approaches, contribute new ways to look at mental illness in the Austrian contexta valuable collection that provides insight into the way mental illness was understood and functioned at a particular time and place in history, topic that is still relevant for today and the future. Habsburg H-Net Reviews
Gemma Blackshaw is Reader in Art History at Plymouth University. She is currently working on a Leverhulme-funded book on portraiture in Vienna circa 1900. She co-curated the exhibition Madness and Modernity: Art, Architecture and Mental Illness in Vienna 1900 (London and Vienna, 200910) and co-edited the exhibition catalogue.
Note on Contributors Introduction Gemma Blackshaw and Sabine Wieber Chapter 1. The Mad Objects of Fin-de-Sicle Vienna: Journeys, Contexts and Dislocations in the Exhibition Madness and Modernity Leslie Topp Chapter 2. Solving Riddles: Freud, Vienna and the Historiography of Madness Steven Beller Chapter 3. Symphonies and Psychosis in Mahlers Vienna Gavin Plumley Chapter 4. Creating an Appropriate Social Milieu: Journeys to Health at a Sanatorium for Nervous Disorders Nicola Imrie Chapter 5. Travel to the Spas: the Growth of Health Tourism in Central Europe 1850-1914 Jill Steward Chapter 6. Viennas Most Fashionable Neurasthenic: Empress Sisi and the Cult of Size Zero Sabine Wieber Chapter 7. Peter Altenberg: Authoring Madness in Vienna circa 1900 Gemma Blackshaw Chapter 8. Hell is not interesting, it is terrifying. A Reading of the Madhouse Chapter in Robert MusilsThe Man without Qualities Geoffrey Howes Chapter 9. Reason Dazzled: Klimt, Krakauer and Eyes of the Medusa Luke Heighton Chapter 10. Mapping the Sanatorium: Heinrich Obersteiner and the Art of Psychiatric Patients in Oberdbling around 1900 Anna Lehninger Chapter 11. The Wuerttemberg Asylum of Schussenried: a Psychiatric Space and its Encounter with Literature and Culture from the Outside Thomas Mueller and Frank Kuhn Bibliography