Turkish German Cinema in the New Millennium (inbunden)
Format
Inbunden (Hardback)
Språk
Engelska
Antal sidor
264
Utgivningsdatum
2012-10-29
Förlag
Berghahn Books
Medarbetare
Mennel, Barbara (ed.)
Illustrationer
1, black & white illustrations
Dimensioner
228 x 152 x 19 mm
Vikt
476 g
Antal komponenter
1
Komponenter
HC gerader Rücken kaschiert
ISBN
9780857457684
Turkish German Cinema in the New Millennium (inbunden)

Turkish German Cinema in the New Millennium

Site, Sounds, and Screens

Inbunden Engelska, 2012-10-29
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In the last five years of the twentieth century, films by the second and third generation of the so-called German guest workers exploded onto the German film landscape. Self-confident, articulate, and dynamic, these films situate themselves in the global exchange of cinematic images, citing and rewriting American gangster narratives, Kung Fu action films, and paralleling other emergent European minority cinemas. This, the first book-length study on the topic, will function as an introduction to this emergent and growing cinema and offer a survey of important films and directors of the last two decades. In addition, it intervenes in the theoretical debates about Turkish German culture by engaging with different methodological approaches that originate in film studies. Sabine Hake is the Texas Chair of German Literature and Culture at the University of Texas at Austin. Barbara Mennel is Associate Professor of German Studies and Film and Media Studies at the University of Florida, Gainesville.
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"This volume presents an impressive array of essays ... which will be essential reading in German and European culture programs, cinema studies, and minority/diasporic culture studies. The collection emphasizes not only the variety of cultural products here summarized under "Turkish German cinema," ... but also methodological diversity." * Katrin Sieg, Georgetown University "I believe [this volume] is going to be a genuine contribution to a very lively yet underresearched area of film studies. [It] will serve as a rich model for scholarly study in film departments, as well as appealing to a wide range of readers, particularly inter- and multi- disciplinary minded scholars." * Nezih Erdogan, Izmir University of Economics

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Övrig information

Sabine Hake is the Texas Chair of German Literature and Culture at the University of Texas at Austin. She is the author of six books, including German National Cinema (2008, second revised edition), Topographies of Class: Modern Architecture and Mass Society in Weimar Berlin (2008), and Screen Nazis: Cinema, History, and Democracy (2012) and has published numerous articles and edited volumes on German film and Weimar culture. Her new book project is tentatively titled "Fragments of a Cultural History of the German Proletariat." Barbara Mennel is Associate Professor of German Studies and Film and Media Studies at the University of Florida, Gainesville. She is author of The Representation of Masochism and Queer Desire in Film and Literature (2007), Cities and Cinema (2008), and Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys (2012). She co-edited Spatial Turns: Space, Place, and Mobility in German Literature and Visual Culture with Jaimey Fisher (2010). Her current book project, tentatively titled "Reproducing Europe," addresses women, labor, and migration in the films of the New Europe.

Innehållsförteckning

Introduction PART I: CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES Chapter 1. My Big Fat Turkish Wedding: From Culture Clash to Romcom Daniela Berghahn Chapter 2. The Oblivion of Influence: Transmigration, Tropology, and Myth-Makingin Feo Aladag's When We Leave David Gramling Chapter 3. The Minor Cinema of Thomas Arslan: A Prolegomenon Marco Abel PART II: MULTIPLE SCREENS AND PLATFORMS: FROM DCOUMENTARY AND TELEVISION TO INSTALLATION ART Chapter 4. Roots and Routes of the Diasporic Documentarian: A Psychogeography of Fatih Akin's We Forgot to Go Back Angelica Fenner Chapter 5. Gendered Kicks: Buket Alakus's and Aysun Bademsoy's Soccer Films Ingeborg Majer-O'Sickey Chapter 6. Location and Mobility in Kutlug Ataman's Site-specific Video Installation Kuba Nilgun Bayraktar Chapter 7. Turkish for Beginners: Teaching Cosmopolitanism to Germans Brent Peterson Chapter 8. "Only the Wounded Honor Fights": Zuli Aladag's Rageand the Drama of the Turkish German Perpetrator Brad Prager PART III: INSTITUTIONAL CONTEXTS: STARS, THEATRES, AND RECEPTON Chapter 9. The German Turkish Spectator and Turkish Language Film Programming: Karli-Kino, Maxximum Distribution, and the Interzone Cinema Randall Halle Chapter 10. Mehmet Kurtulus and Birol Unel: Sexualized Masculinities, Normalized Ethnicities Berna Gueneli Chapter 11. The Perception and Marketing of Fatih Akin in the German Press Karolin Machtans Chapter 12. Hyphenated Identities: The Reception of Turkish German Cinema in the Turkish Daily Press Ayca Tunc Cox PART IV: THE CINEMA OF FATIH AKIN: AUTHORSHIP, IDENTITY, AND BEYOND Chapter 13. Cosmopolitan Filmmaking: Fatih Akin's In July and Head-On Mine Eren Chapter 14. Remixing Hamburg: Transnationalism in Fatih Akin's Soul Kitchen Roger Hillman and Vivien Silvey Chapter 15. World Cinema Goes Digital: Looking at Europe from the Other Shore Deniz Gokturk Notes on Contributors Works Cited Index of Names Index of Films