Artistic Pluralism, Politics, and the New Art Market
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Köp båda 2 för 780 kr"This is a provocative book that devotes sustained attention to a period that is still from many points of view enigmatic. It does achieve its main purpose of illustrating the multiple stylistic strands that characterized late-trecento Sienese painting." -Julian Gardner, University of Warwick, Journal of Medieval Studies
"Solid scholarship on an understudied Sienese painter, Bartolommeo Bulgarini, active from 1338 to 1373." -Renaissance Quarterly
Judith Steinhoff is Assistant Professor of Art History at the University of Houston. She has contributed to Renaissance Studies, Zeitschrift fr Kunstgeschicte, and The Art Bulletin.
Part I. Trecento Art History and Historiography: 1. General introduction; 2. Meiss and method: historiography of scholarship on mid-Trecento Sienese painting; Part II. Artists and Patrons: Working Relationship in Transition: 3. Patrons and artists; 4. Economic, social and political conditions and the art market after 1348; 5. Artists' working relationships in the early Trecento; 6. A Sienese 'compagnia', c.1348-63; Part III. Transmission and Transformation of Civic-Religious Imagery; 7. The crafting and consolidation of Sienese civic-religious imagery; 8. Sienese civic-religious imagery at the mid Trecento; Part IV. Artistic Style: Tradition and Transition: 9. Stylistic pluralism in the 1330s and 1340s; 10. The politics of style in the 1350s and 1360s: the case of Santa Maria della Scala; 11. Style as iconography: general reflections; Part V. Conclusion.