A Workbook for Further Study
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Köp båda 2 för 766 krAn accessible survey of the development of naturalism and its effects on modern-day theatre. Taking into account the philosophical, scientific and aesthetic ideas that constituted the movement during the nineteenth and early twentieth centuries, t...
An invaluable companion which enables the reader to acquire and understand a vocabulary for discussion and critical thinking on all aspects of the subject. The clear explanations of the concepts support students in their practical and theoretical ...
Kenneth Pickering is Honorary Professor of Drama at the University of Kent, UK. He was previously Professor of Theatre at Gonzaga University, USA, and Chief Examiner for Musical Theatre at the London College of Music, Trinity College London and Guildhall School of Music & Drama. He is the author of five successful stage musicals and several books on musical theatre, drama and performance. He is a consultant to Rockschool, the Council for Dance Education and Training and Stage Coach Theatre Arts. David Henson is Head of Subject in Music Performance, Composition and Performing Arts at the London College of Music, University of West London, UK. He has worked as Director and Musical Director on numerous contemporary musical theatre productions and has developed several qualifications and courses in musical theatre, acting, theatre production and voice. He is currently External Examiner for the BA Dance (Musical Theatre) course at London Studio Centre.
PART I: WAYS OF WORKINGIntroduction: Using this book 1. The World of Musical Theatre 2. Creating a Reflective Journal PART II: UNDERSTANDING MUSICAL THEATRE Using part two 3. The making of a musical 4. Making the musical your own PART III: PREPARING FOR PERFORMANCE Using part three 5. Deciding the condition of our tools 6. Sharpening our physical and vocal tools 7. Sharpening our mental tools: energy, curiosity and imagination 8. Exploring the context of a song and the creation of a dramatic a role 9. Talking with choreographers PART IV: CRITICAL THINKING IN MUSICAL THEATRE. Using part four 10. Rehearsal, performance and reflection 11. Writing a review Index of Topics and Bibliography.