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Transnational Cinema at the Borders
Borderscapes and the cinematic imaginary
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Bloggat om Transnational Cinema at the Borders
Ana Cristina Mendes is Assistant Professor of English Studies in the School of Arts and Humanities at the University of Lisbon, Portugal. Her areas of specialization are cultural and postcolonial studies, with an emphasis on the representations and reception of alterity in the global cultural marketplace. John Sundholm is Professor of Film Studies and Head of the Department of Media Studies at Stockholm University, Sweden. He has published widely on minor cinemas and memory studies. He also works as a film programmer/curator and is affiiated to the PhD program in Fine Arts at the University of the Arts in Helsinki, Finland.
Introduction - Walls and fortresses: borderscapes and the cinematic imaginary Ana Cristina Mendes and John Sundholm 1. Walled in/walled out in the West Bank: performing separation walls in Hany Abu-Assad's Omar Ana Cristina Mendes 2. Mediating migration in Ceuta, Melilla and Barcelona: border thinking and transnationalism from below in independent documentary Josetxo Cerdan and Miguel Fernandez Labayen 3. Spaces of becoming: the Stockholm Film Workshop as a transnational site of film production Lars Gustaf Andersson and John Sundholm 4. An island of madness: the social force of mental fortresses - a visual essay Mieke Bal and Michelle Williams Gamaker 5. After the wall: touring the European border space in post-1989 French-language cinema Michael Gott 6. Digital technology, aesthetic imperfection and political film-making: Illegal bodies in motion Vicente Rodriguez Ortega 7. Looking from the Border: A Cosmopolitan Approach to Contemporary Cinema Celestino Deleyto