Circulations in the Global History of Art

Like people and ideas, art objects travel, and they have been doing so from time immemorial. Surprisingly, art history has largely neglected to systematically examine these artistic circulations and their various consequences. By analysing the traffic of material cultural around the globe, this volume boosts the study of a key dynamic feature of art worldwide, characteristically investigated by a modern-day art history that is increasingly rejuvenating itself by developing a global perspective in both time and space. Wilfried van Damme, Leiden University, The Netherlands, co-editor of World Art Studies: Exploring Concepts and Approaches 'Do globalisation studies in art history have a future? Thomas DaCosta Kaufmann in his fine introductory essay on the historiography of globalism proposes that the study of objects on the move, of their circulation across cultures, is the way forward. His essay is enhanced with the strength of multiple voices in the accompanying essays. Their approach allows art history to move forward, away from nationalism and away from the limits of Western art historical questions. The book is rich in new ideas and globalisation becomes a process rather than an ideology. This process is defined in the essay by Catherine Dossin and Batrice Joyeux-Prunel on how a geopolitical understanding may transform modernism and lead us away from Paris and New York.' Jaynie Anderson, Australian Institute of Art History, University of Melbourne, Australia

Thomas DaCosta Kaufmann is Frederick Marquand Professor of Art and Archaeology, Princeton University, USA. Catherine Dossin is Associate Professor of Art History, Purdue University, USA. Batrice Joyeux-Prunel is Associate Professor of Art History, cole normale suprieure, France.

Introduction, Thomas DaCostaKaufmann, CatherineDossin, Batrice Joyeux-Prunel; Chapter 1, Thomas DaCosta Kaufmann; Chapter 2 Art History and Iberian Worldwide Diffusion, SergeGruzinski; Chapter 3 Circulation and BeyondThe Trajectories of Vision in Early Modern Eurasia, MonicaJuneja; Chapter 4 Circulations, Carolyn C.Guile; Chapter 5 Cultural Transfers in Art History, MichelEspagne; Chapter 6 Spatial Translation and Temporal Discordance, ChristopheCharle; Chapter 7 Mapping Cultural Exchange, MicheleGreet; Chapter 8 The Global Network, PiotrPiotrowski; Chapter 9 Global Conceptualism? Cartographies of Conceptual Art in Pursuit of Decentering, SophieCras; Chapter 10 The German Century? How a Geopolitical Approach Could Transform the History of Modernism, CatherineDossin, BatriceJoyeux-Prunel; Chapter 101 Afterword, JamesElkins;