A Global Introduction
De som köpt den här boken har ofta också köpt Troubled av Rob Henderson (inbunden).
Köp båda 2 för 763 krThe Routledge Companion to Cinema and Gender comprises forty-three innovative essays that offer both an overview of and an intervention into the field of cinema and gender. The contributions in this volume address a variety of geographical and cul...
If socialism did not end as abruptly as is sometimes perceived, what remnants of it linger today and will continue to linger? Moreover, if postsocialism is an umbrella term for the uncertain times of various transitions that followed in socialism'...
"Film Feminisms is an accessible, comprehensive, theoretically informed text on feminist film studies that is both responsible to the fields history and responsive to the current wave of interest in gender and representation as the topic intersects with other identities and social forces." Patricia White, Swarthmore College "Film Feminisms integrates an impressive amount of work on the various connections and interactions between film and feminism. Besides its expansive scope, its decidedly transnational orientation and its intersectional approach are very refreshing." Aniko Imre, University of Southern California "Film Feminisms is an accessible, comprehensive, theoretically informed text on feminist film studies that is both responsible to the fields history and responsive to the current wave of interest in gender and representation as the topic intersects with other identities and social forces." Patricia White, Swarthmore College "Film Feminisms integrates an impressive amount of work on the various connections and interactions between film and feminism. Besides its expansive scope, its decidedly transnational orientation and its intersectional approach are very refreshing." Aniko Imre, University of Southern California
Kristin Len Hole is an Assistant Professor in Film Studies at Portland State University. She is the author of Towards a Feminist Cinematic Ethics: Claire Denis, Emmanuel Levinas, and Jean-Luc Nancy (2016) and co-editor of The Routledge Companion to Cinema and Gender (with Dijana Jelaa, E. Ann Kaplan, and Patrice Petro, 2017). Dijana Jelaa is Adjunct Professor in the Film Department at Brooklyn College. She is the author of Dislocated Screen Memory: Narrating Trauma in Post-Yugoslav Cinema (2016).
Introduction Chapter One: Women Filmmakers and Feminist Authorship Chapter Two: Spectatorship and Reception Chapter Three: Cinema and the Body Chapter Four: Stars: Gendered Texts, Circulating Images Chapter Five: Documentary: Local Realities, (Trans)National Perspectives Chapter Six: Feminism and Experimental Film and Video Chapter Seven: Narrative Film: Gender and Genre Chapter Eight: From Film to New Media: Emergent Feminist Perspectives