History, Ethics, and the Recognition of the Other (inbunden)
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Format
Inbunden (Hardback)
Språk
Engelska
Antal sidor
214
Utgivningsdatum
2015-10-09
Förlag
Routledge
Illustratör/Fotograf
black and white 1 Illustrations 1 Halftones black and white
Illustrationer
1 Halftones, black and white; 1 Illustrations, black and white
Dimensioner
241 x 165 x 12 mm
Vikt
453 g
Antal komponenter
1
Komponenter
14:B&W 6 x 9 in or 229 x 152 mm Case Laminate on White w/Gloss Lam
ISBN
9781138951259
History, Ethics, and the Recognition of the Other (inbunden)

History, Ethics, and the Recognition of the Other

A Levinasian View on the Writing of History

Inbunden Engelska, 2015-10-09
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This book introduces a new way of looking at the writing of history. Rather than as the production of knowledge or the telling of stories, it sees writing history as an ethical, existential and emotional engagement with the people from the past. The conceptual and philosophical basis for this view is provided by the philosophy of Emmanuel Levinas. In the first part, the view is presented and contrasted with other, competing views, such as those of Hans-Georg Gadamer and Michel Foucault. In the second part, the view is argued for, most importantly by an in-depth discussion of one specific tradition of history-writing (microhistory), and a series of close readings of several classical works from the history of historiography. The third part, finally, explores some of the methodological consequences of this view, and applies it to a non-academic way of dealing with the past, namely historical performance practice in music. The book features a foreword by Frank Ankersmit.
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Anton Froeyman is a post-doc in the Philosophy Department at Ghent University, Belgium.

Innehållsförteckning

Foreword Frank Ankersmit. Preface. Acknowledgments. Part I: The Possibility of an Ethical Perspective 1. On Ethics 2. Emmanuel Levinas 3. An Ethics of Representation 4. Hermeneutics, Post-Structuralism and Levinas Part II: The Plausibility of an Ethical Perspective Introduction to Part II 5. Experiencing the Past? 6. History With a Face: On Microhistory 7. Leaving the Laboratory: Levinas, Ethics and Experience in Other Ways of Writing History Part III: The Consequences of an Ethical Perspective 8. Virtues of History 9. Academic History, Public History and Historical Performance Practice in Music Conclusion Conclusion