Film History: An Introduction (häftad)
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Häftad (Paperback)
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McGraw-Hill Education
Bordwell, David
8 Illustrations, unspecified
275 x 215 x 27 mm
1511 g
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Film History: An Introduction (häftad)

Film History: An Introduction

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Häftad Engelska, 2018-07-18
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written by two of the leading scholars in film studies, Film History: An Introduction 4e is a comprehensive, global survey of the medium that covers the development of every genre in film, from drama and comedy to documentary and experimental. Concepts and events are illustrated with frame enlargements taken from the original sources, giving students more realistic points of reference.
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Kristin Thompson is an Honorary Fellow at the University of Wisconsin-Madison.  She holds a masters degree in film from the University of Iowa and a doctorate in film from the University of Wisconsin-Madison.  She has published eisenstein's ivan the terrible: a neoformalist analysis (Princeton University Press, 1981), exporting entertainment: america in the world film market 1907-1934 (British Film Institute, 1985), breaking the glass armor: neoformalist film analysis (Princeton University Press, 1988), wooster proposes, jeeves disposes, or, le mot juste(James H. Heineman, 1992), storytelling in the new hollywood: understanding classical narrative technique (Harvard University Press, 1999), storytelling in film and television (Harvard University Press, 2003), herr lubitsch goes to hollywood: german and american film after world war i (Amsterdam University Press, 2005), and the frodo franchise: the lord of the rings and modern hollywood (University of California Press, 2007).  She blogs with David at  She maintains her own blog, "The Frodo Franchise," at  In her spare time she studies Egyptology.

David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison.  He  holds a master's degree and a doctorate in film from the University of Iowa.  His books include the films of carl theodor dreyer (University of California Press, 1981), narration in the fiction film (University of Wisconsin Press, 1985), ozu and the poetics of cinema (Princeton University Press, 1988), making meaning: inference and rhetoric in the interpretation of cinema (Harvard University Press, 1989), the cinema of eisenstein (Harvard University Press, 1993), on the history of film style (Harvard University Press, 1997), planet hong kong: popular cinema and the art of entertainment (Harvard University Press, 2000), figures traced in light: on cinematic staging (University of California Press, 2005), the way hollywood tells it: story and style in modern movies (University of California Press, 2006), and the poetics of cinema (Routledge, 2008).  He has won a University Distinguished Teaching Award and was awarded an honorary degree by the University of Copenhagen.  His we site is



Part One: Early Cinema
1 The Invention and Early Years of the Cinema, 1880s - 1904
2 The International Expansion of the Cinema, 1905 - 1912
3 National Cinemas, Hollywood Classicism and World War I, 1913 - 1919

Part Two: The Late Silent Era, 1919 - 1929
4 France in the 1920s
5 Germany in the 1920s
6 Soviet Cinema in the 1920s
7 The Late Silent Era in Hollywood, 1920 - 1928
8 International Trends of the 1920s

Part Three: The Development of Sound Cinema, 1926 - 1945
9 The Introduction of Sound
10 The Hollywood Studio System, 1930 - 1945
11 Other Studio Systems
12 Cinema and the State: The USSR, Germany, and Italy, 1930 - 1945
13 France: Poetic Realism, the Popular Front and the Occupation, 1930 - 1945
14 Leftist, Documentary, and Experimental Cinema, 1930 - 1945

Part Four: The Postwar Era, 1945 - 1960s
15 American Cinema in the Postwar Era, 1945 - 1960
16 Postwar European Cinema: Neorealism and its Context, 1945 - 1959
17 Postwar European Cinema: France, Scandinavia, and Britain, 1945 - 1959
18 Postwar Cinema Beyond the West, 1945 - 1959
19 Art Cinema and the Idea of Authorship
20 New Waves and Young Cinema, 1958 - 1967
21 Documentary and Experimental Cinema in the Postwar Era, 1945 - Mid 1960s

Part Five: The Contemporary Cinema Since the 1960s
22 Hollywood's Fall and Rise, 1960 - 1980
23 Politically Critical Cinema of the 1960s and 1970s
24 Documentary and Experimental Film Since the Late 1960s
25 New Cinemas and New Developments: Europe and the USSR Since the 1970s
Western Europe
Eastern Europe and the USSR
26 A Developing World: Continental and Subcontinental Cinemas since 1970New Cinemas, New Audiences
27 Cinema Rising: Pacific Asia and Oceania since 1970

Part Six: Cinema in the Age of New Media
28 American Cinema and the Entertainment Economy: The 1980s and After
29 Toward a Global Film Culture
30 Digital Technology and the Cinema