Music in Germany since 1968 (häftad)
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Format
Häftad (Paperback)
Språk
Engelska
Antal sidor
294
Utgivningsdatum
2017-02-02
Förlag
Cambridge University Press
Illustratör/Fotograf
4 b, w illus 4 tables 35 music examples
Illustrationer
4 b/w illus. 4 tables 35 music examples
Volymtitel
Music in Germany since 1968
Dimensioner
244 x 170 x 16 mm
Vikt
472 g
Antal komponenter
1
Komponenter
67:B&W 6.69 x 9.61 in or 244 x 170 mm (Pinched Crown) Perfect Bound on White w/Gloss Lam
ISBN
9781316641941

Music in Germany since 1968

Music Since 1900

av Alastair Williams
Häftad,  Engelska, 2017-02-02
390
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Music in Germany since 1968 modifies the dominant historiography of music in post-war Germany by shifting its axis from the years of reconstruction after 1945 to the era following the events of 1968. Arguing that the social transformations of 1968 led to a new phase of music in Germany, Alastair Williams examines the key topics, including responses to serialism, music and politics, and the re-evaluation of tradition. The book devotes central chapters to Helmut Lachenmann and Wolfgang Rihm, as focal points for areas such as postmodernism, musical semiotics and action-based gestures. Further chapters widen the scope by considering the precursors and contemporaries of Rihm and Lachenmann, especially in relation to the idea of historical inclusion. Williams's study also assesses the development of the Darmstadt summer courses, addresses the significance of German reunification, and considers the role of Germany in a new stage of musical modernism.
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Övrig information

Alastair Williams is Reader in Music at Keele University. He is the author of New Music and the Claims of Modernity (1997) and Constructing Musicology (2001); and a contributor to The Cambridge Companion to John Cage (2002) and The Cambridge History of Twentieth-Century Music (2004). He has also published articles in a wide range of music journals, including Music and Letters, Music Analysis and twentieth-century music.

Innehållsförteckning

Preface; 1. Contexts and institutions; 2. Expanded horizons: established composers after 1968; 3. The refusal of habit: Helmut Lachenmann; 4. Music and signs: Wolfgang Rihm; 5. Contemporaries of Lachenmann and Rihm: the younger generation; Epilogue.

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