The Film Experience (häftad)
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Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
518
Utgivningsdatum
2017-12-21
Upplaga
5th ed. 2017
Förlag
Bedford/Saint Martin's
Illustrationer
518 p.
Dimensioner
279 x 215 x 25 mm
Vikt
960 g
Antal komponenter
1
Komponenter
1 Paperback / softback
ISBN
9781319059514

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The Film Experience (häftad)

The Film Experience

An Introduction

av Timothy Corrigan, Patricia White
(4 röster)  |  Läs 1 recension
Häftad Engelska, 2017-12-21
Studentlitteratur
549
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The new edition of this popular textbook offers a fresh approach to the study of film, combining print and digital media to enhance the learning experience. The Film Experience enables students to link their personal experiences of watching movies to a greater overall understanding of the medium's full scope, covering everything from editing to cinematography to narrative genres. The Film Experience can also be purchased with the breakthrough online resource, LaunchPad, which offers innovative media content, curated and organised for easy assignability. LaunchPad's intuitive interface presents quizzing, flashcards, animations and much more to make learning actively engaging.
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Kundrecensioner

Det finns 1 recension av The Film Experience. Har du också läst boken? Sätt ditt betyg »
  1. Bra
    Danny, 29 januari 2020

    Lättläst och begriplig
    Innehåller referenser till många moderna filmer som man känner igen men även gamla klassiker. Var tvungen att ha den i kursen jag läser men känns värt pengarna

    Tyckte du att den här recensionen var till hjälp?

    Ja Nej Anmäl
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Timothy Corrigan, Patricia White

Bloggat om The Film Experience

Övrig information

Timothy Corrigan is Professor of English, Cinema Studies and History of Art at the University of Pennsylvania, USA. Patricia White is Associate Professor and Chair of the Program in Film and Media Studies at Swarthmore College, USA.

Innehållsförteckning

PART I: CULTURAL CONTEXTS: MAKING, WATCHING, AND STUDYING MOVIES.- Introduction: Studying Film: Culture, Practice, Experience.- Encountering Film: From Preproduction to Exhibition.- PART II: FORMAL COMPOSITIONS: FILM SCENES, SHOTS, CUTS, AND SOUNDS.- Exploring a Material World: Mise-en-Scene.- Framing What We See: Cinematography.- Relating Images: Film Editing.- Listening to the Cinema: Film Sound.- PART III: ORGANIZATIONAL STRUCTURES: FROM STORIES TO GENRES.- Telling Stories: Narrative Films.- Representing the Real: Documentary Films.- Challenging Form: Experimental Film and New Media.- Rituals, Conventions, Archetypes, and Formulas: Movie Genres.- PART IV: CRITICAL PERSPECTIVES: HISTORIES, METHODS, WRITING.- History and Historiography: Hollywood and Beyond.- Reading about Film: Critical Theories and Methods.- Writing about Film: Observations, Arguments Research, and Analysis.