At Hawthorn Time

A magical, hypnotically strange book of love and dreams, tragedy and myth, At Hawthorn Time sent shivers down my spine. Soaked deep in hedgerows and fields, it is a profoundly unsentimental yet deeply compassionate meditation on searching for myth and meaning, on our need to belong, and the place of history in the history of place. Harrison is writing us a new kind of modern pastoral: peopled, raw, messy, and shining * <b>Helen Macdonald, author of <i>H is for Hawk</b></i> * At Hawthorn Time is intensely moving, a book overshadowed by disaster but still careful, precise, and hypnotically beautiful * <b>Evie Wyld</b> * A heartbreaking exploration of love and loss -- <b>Viv Groskop</b> * <b><i>Red</b></i> * Her perceptions encompass both the beauty and the indifference of nature to us and the way human beings are doing their best to destroy nature Harrison plays with our expectations very skilfully. Every time someone gets into their car or goes near a road, you wonder whether this will be the moment; the rich vitality of the season underscores the poignancy of what is to come Harrison has mastered a kind of writing which links people to place in a manner that amplifies both An absorbing work of fiction one that promises bigger things in the future from this notably gifted author -- <b>Amanda Craig</b> * <b><i>Literary Review</b></i> * The novel is as much a hymn to the ancient life-force of nature as it is a reminder of the underlying fragility of our busy modern world Harrison writes with impressive detail about our hedgerows, fields, and woodlands Carefully crafted writing -- <b>Holly Williams</b> * <b><i>Independent on Sunday</b></i> * Acute, effortless So much unforced life is here that Harrison is readily comparable with Elizabeth Taylor and Penelope Lively; but she has a distinction all her own and her growing audience must hope to live long enough to read everything she writes * <b><i>Spectator</b></i> * Harrisons love of the natural world and its traditions vibrates poetically through every page, but this is an up-to-date reading of the national psyche Harrisons imagination is wonderfully strange, her writing beautifully assured and controlled. At Hawthorn Time is social satire, but also a political protest against the intensive and increasing privatisation of the countryside, and a love letter to the power of nature which persists whether we understand it or not -- <b>Kate Saunders</b> * <b><i>The Times</b></i> * If Robert Macfarlane and Helen Macdonald were to co-author a book with John Burnside and Adam Foulds, it might end up something like At Hawthorn Time In this elegant and gently melancholy tale what Harrisons naturalism highlights most is that as Jamie, Howard and Jack variously struggle to pull up or put down roots, their hopes and disappointments are seasonal. Like the road with which she starts, their lives, live everything in nature, however vibrant, will be overlaid by others -- <b>Michael Prodger</b> * <b><i>Financial Times</b></i> * Nature blossoms from every page of this fine second novel, a slow and marvellous unfurling An unsentimental, celebratory look at land and the love it inspires * <b><i>Psychologies</b></i> * One of the most atmospheric and memorable novels of recent years -- Alex Preston * Observer * A gripping story which lingers in the mind * Independent, This Years Best Nature Writing *

Melissa Harrison is the author of the novels Clay and At Hawthorn Time, which was shortlisted for the Costa Novel Award and longlisted for the Baileys Womens Prize, and one work of non-fiction, Rain, which was longlisted forthe Wainwright Prize. She is a nature writer, critic and columnist for TheTimes, the Financial Times and the Guardian, among others. Her new novel All Among the Barley is due for publication in August this year. @M_Z_Harrison