- Inbunden (Hardback)
- Antal sidor
- New ed
- Ashgate Publishing Limited
- Woolley, Dr Andrew (series ed.)/Smith, Professor David J. (series ed.)/Woolley, Dr Andrew (series ed.)/Smith, Professor David J. (series ed.)
- Includes 9 b&w illustrations and 102 music examples
- 234 x 156 x 19 mm
- Antal komponenter
- 52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam
- 640 g
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Interpreting Historical Keyboard Music
Sources, Contexts and Performance
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' ... there is much interesting scholarship here, and many important subjects visited, ... this is certainly an important contribution to our understanding of keyboard music through the centuries, and should be welcomed as such.' Douglas Hollick, The Consort 'Ashgate has served the present editors and contributors well in a major book produced to a high standard.' The Musical Times 'There is plenty written on the subject of keyboard interpretation, but the present collection, with it breadth of materials and scope, makes a unique contribution to a contextualized understanding of the creative processes in keyboard music, and ideas that intertwined with these processes. ... this collection shows the extent to which discourses on keyboard interpretation have matured and diversified over the years. Woolley and Kitchen are to be commended for their outstanding editorial work and for performing the Herculean task of providing coherence to the collection .... The book will appeal to a wide readership, particularly to those who are concerned with the broader issues of keyboard interpretation. As the inaugural volume of the Ashgate Historical Keyboard Series, this book sets an extremely high standard.' Music and Letters 'This book is intended for scholars of keyboard music interested in music of the sixteenth to the nineteenth centuries. ... If Ashgate's series can generate some momentum this book will be the beginning of an important initiative in keyboard music studies.' David Rowland, Ad Parnassum
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Andrew Woolley is a musicologist and performer with research interests in music of the seventeenth and eighteenth centuries, performance practice, and keyboard music. To date he has published several articles on British and Italian music of the late seventeenth and eighteenth centuries. John Kitchen is a Senior Lecturer in Music, Organist to the University of Edinburgh, and Edinburgh City Organist. He also directs both University and church choirs, gives many solo organ and harpsichord recitals, and is in demand as a continuo player, accompanist, lecturer, writer, adjudicator and reviewer and recording artist.
Contents: Preface; Introduction; Part I Renaissance Keyboard Music: Some aspects of P-Cug, MM 242: Antonio Carreira's keyboard tentos and fantasias and their close relationship with Jacques Buus's ricercari from his Libro primo (1547), Filipe Mesquita de Oliveira; Making connections: William Byrd, 'virtual' networks and the English keyboard dance, David J. Smith; William Byrd's My Ladye Nevells Booke (1591): negotiating between the stile antico and the stile modern in the solo keyboard repertory, Walter Kurt Kreyszig. Part II 17th-Century Keyboard Music: Giovanni Maria Trabaci and the New Manner of Inganni: a musical mockery in the early seicento ricercare, Massimiliano Guido; Places of memory and invention: the compositional process in Frescobaldi's manuscripts, Christine Jeanneret; The Libro di Fra Gioseffo da Ravenna: a little light on a 17th-century Italian keyboard collection, Barbara Cipollone; A discourse of styles: contrasting gigue types in the A minor Jig from the Purcell partial autograph, GB-Lbl, MS Mus.1, Terence Charlston. Part III Performance Practice: Questions of keyboard temperament in the 16th century, John Koster; 17th-century harpsichords: playing the four-foot stop, Peter Mole; 'In playing those bells, his amazing dexterity raised my wonder much higher': carillon performance practice in the 17th and 18th centuries, Carl Van Eyndhoven; Dynamics and orchestral effects in late 18th-century Portuguese organ music: the works of Jose Marques e Silva (1782-1837) and the organs of Antonio Xavier Machado e Cerveira (1756-1828), Joao Vaz; Czerny and the organ: pragmatism, prestige and performance practice, Iain Quinn. Part IV Perspectives on 18th-Century Repertoire: Some reflections on Francois Couperin's 'new and diversified character', Jane Clark; Music for connoisseurs and amateurs: C.P.E. Bach and the keyboard, Susan Wollenberg; Joao Cordeiro da Silva (1735-1808?): a Portuguese Galant keyboard composer, Mario Marques Trilha. Part V The 19th-Century Piano and Repertoire: Grand and grander: economic sidelights on piano design and piano salesmanship in early 19th-century Vienna, Tilman Skowroneck and Andrew Pinnock; Left-hand techniques in Carl Czerny's pedagogical piano works and 19th-century pianism, Katherine Wong; In the footsteps of Jean Paul: sonority and pedalling in Robert Schumann's Papillons, Op. 2, Balder Neergaard; A forgotten repertoire: the emergence of female piano composers in 19th-century Portugal, Nancy Lee Harper; Bibliography; Index.