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Köp båda 2 för 2384 kr"Michael Robertson marshals the information with admirable clarity, drawing attention to neglected treasures, and showing that there is always something to learn, even from incomplete sources." - Richard Carter, Viola Da Gamba Society Journal "This study is based on meticulous research... and breaks new ground. [...] The volume is copiously illustrated with musical examples. For specialists and music library collections, this study will be a valuable reference tool." - Robert Manning, The Consort Early Music Journal, vol.73, Summer 2017
Michael Robertson completed his PhD in 2004. In addition to working as a teacher, harpsichordist and organist, he writes about seventeenth-century music and has a fruitful music-editing partnership with a leading German publisher of early music. He is a visiting research fellow at the University of Leeds.
List of figures List of tables List of examples Abbreviations Acknowledgements and preface 1 The towns: governance, patronage and status 2 Dances and collections 3 The aftermath of war 4 Concepts of careful organisation 5 A time of decline 6 Leipzig 7 Hamburg 8 Keyboard suites by town composers 9 Note blackening and mensural notation Appendix Bibliography