Anthology Film and World Cinema (häftad)
Fler böcker inom
Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
224
Utgivningsdatum
2024-11-28
Förlag
Bloomsbury Academic USA
Originalspråk
English
Dimensioner
229 x 152 x 28 mm
Vikt
503 g
Antal komponenter
1
ISBN
9781441168917

Anthology Film and World Cinema

Häftad,  Engelska, 2024-11-28
257
Ännu ej utkommen – klicka "Bevaka" för att få ett mejl så fort boken går att köpa.
Finns även som
Visa alla 1 format & utgåvor
With new forms of production, distribution and viewing growing steadily over the last two decades, it is the anthology film form that will prevail in the age of new technologies and growing world cinema. This book shows how film theory could be understood in the light of these developments through an examination of key concepts such as auteurism, spectatorship, intertextuality and the utility of short films. Shekhar Deshpande discusses films from around the world, including Emmanuel Benbihy's Paris, I Love You (2006) and New York, I Love You (2009). Deshpande expands upon Mark Betz's seminal work in this area by focusing on one particular kind of "omnibus" film, where specific collective projects are commissioned for the purpose of including them in a feature-length film structured around a common theme. Anthology Film and World Cinema fills a significant gap in the field by restoring the genre to its proper place, situating it firmly within the current developments in film theory and analyzing its specific achievements.
Visa hela texten

Fler böcker av Shekhar Deshpande

  • World Cinema

    Shekhar Deshpande, Meta Mazaj

    World Cinema: A Critical Introduction is a comprehensive yet accessible guide to film industries across the globe. From the 1980s onwards, new technologies and increased globalization have radically altered the landscape in which films are distrib...

Övrig information

Shekhar Deshpande is Associate Professor of Communications and English and also the Director of the Communications Program at Arcadia University, Pennsylvania, USA.

Innehållsförteckning

Preface Part I: Theoretical Approaches Chapter I What is an Anthology Film? Chapter II Producer as Creative Director in Anthology Films Chapter III Auteur in Anthology Films Chapter IV Spectatorship in Dispersed Texts Chapter V Intertextuality Part II: Themes and Issues Chapter VI National Imaginings and Transnational Transactions Chapter VII Anthology Films as Political Interventions Chapter VIII Inscriptions of the City Chapter IX Nostalgic Cinephilia Chapter X Sexuality Part III: The Future Chapter XI Anthology, the Internet and the New Media Index