- Häftad (Paperback / softback)
- Antal sidor
- Main Market Ed.
- Long-listed for Walter Scott Prize for Historical Fiction 2017 (UK)
- 197 x 131 x 25 mm
- In UK, a category of paperback characterized by page 2 size (normally 198 x 129 mm approx)
- 280 g
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The Good People
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Fler böcker av Hannah Kent
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The Good People is a sensitively drawn tale of love, grief, and terrible loss, set in a tiny Irish village in the early 19th century . . . filled with descriptions of ritual and rhythm * Canberra Times * A sensitively drawn tale of love, grief, and terrible loss * The Age * Remarkable . . . Kent displays an uncanny ability to immerse herself in an unfamiliar landscape and to give that landscape a life - a voice - that is utterly convincing . . . a haunting novel, shrewdly conceived and beautifully written * The Australian * Hannah Kent has terrific form as a historical novelist - her highly acclaimed debut, Burial Rites, set in a 19th-century Icelandic village, was shortlisted for the Bailey's Women's Prize for Fiction. This novel, based on a true story, is even better. As the tale slowly builds, Kent creates an immersive, startlingly lyrical portrait of a time when the borders between logic and superstition were dangerously porous and where the Catholic church is determined to strengthen its grip . . . thrillingly alive to the dynamic of poor, close-knit communities, where fear of the outsider trumps reason and compassion * Metro * An imaginative tour-de-force that recreates a way of perceiving the world with extraordinary vividness . . . With its exquisite prose, this harrowing, haunting narrative of love and suffering is sure to be a prize-winner * Daily Mail * The Good People transports us to Co Kerry, west Ireland, in 1826 . . . Kent doesn't just show us rural Ireland; she lets us smell it, touch it and feel it too, from the heat of the turf fires to the sharp, bitter smell of a woman, fresh in from the rain . . . The Good People lies somewhere between Andrew Michael Hurley's gothic The Loney and Emma Donoghue's latest novel, The Wonder . . . an absorbing and imaginative novel about superstition and the old ways * Times * Hannah Kent's second novel is a thorough study of the faiths and rituals of a rural community, as well as a poignant portrayal of grief * Financial Times * The Good People is a novel about how competing systems of thought - religious, medical, folkloric and, eventually, legal - attempt to make sense of the bad stuff that happens. Significantly, the novel is set in a valley, a place cut off from the outside world. The community - and the novel - feels claustrophobic. The characters are trapped in their crucible of mutterings and gossip by a combination of geography, ancestry and poverty. It is to Kent's credit that she never passes judgment on her protagonists' beliefs, even as they lead them to ever more extreme, even insane, behaviour . . . Kent has a terrific feel for the language of her setting. The prose is richly textured with evocative vocabulary - skib, spancel, creepie stool . . . the overall result is to transport the reader deep into the rural Irish hinterlands. This is a serious and compelling novel about how those in desperate circumstances cling to ritual as a bulwark against their own powerlessness -- Graeme Macrae Burnet * Guardian * Beautiful . . . the setting and the characters drew me in immediately and kept me completely absorbed -- Claire King, author of <i>The Night Rainbow</i> The Good People is, like Burial Rites, a thoroughly engrossing entree into the macabre nature of a vanished society, its virtues and its follies and its lethal impulses. The Good People takes us straight to a place utterly unexpected and believable, where amidst the earnest mayhem people impose on each other, there is no patronizing quaintness, but a compelling sense of the inevitability of solemn horrors -- Thomas Keneally, author of <i>Schindler's Ark</i> (winner of the Booker Prize) Lyrical and unsettling, The Good People is a vivid account of the contradictions of life in rural Ireland in the 19th century. A literary novel with the pace and tension of a thriller, Hannah Kent takes us on a frightening journey towards an unspeakable tragedy. I am in awe of Kent's gifts as a storytel
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Hannah Kent was born in Adelaide in 1985. Her first novel, Burial Rites, has been translated into nearly thirty languages and was shortlisted for the Baileys Women's Prize for Fiction (formerly the Orange Prize), the Guardian First Book Award and the International IMPAC Dublin Literary Award. In Australia it won the ABIA Literary Fiction Book of the Year, the Indie Awards Debut Fiction Book of the Year and the Victorian Premier's People's Choice Award, amongst others. Hannah is also the co-founder and publishing director of Australian literary journal Kill Your Darlings. The Good People is her second novel.