Barbarian Days (häftad)
Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
512
Utgivningsdatum
2016-05-10
Utmärkelser
Winner of Pulitzer Prize for Biography 2016 (UK); Short-listed for Cross Sports Book Awards General Outstanding Sports Writing 2016 (UK); Short-listed for William Hill Sports Book of the Year Award 20
Förlag
Corsair
Illustrationer
b/w integrated photos, approx 12
Dimensioner
179 x 170 x 32 mm
Vikt
394 g
Komponenter
,
ISBN
9781472151414
Barbarian Days (häftad)

Barbarian Days

A Surfing Life

Häftad Engelska, 2016-05-10
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Winner of the Pulitzer Price and William Hill Sports Book of the Year: Barbarian Days is a deeply rendered self-portrait of a lifelong surfer looking for transcendence 'that recalls early James Salter' (Geoff Dyer, Observer) Surfing only looks like a sport. To devotees, it is something else entirely: a beautiful addiction, a mental and physical study, a passionate way of life. New Yorker writer William Finnegan first started surfing as a young boy in California and Hawaii. Barbarian Days is his immersive memoir of a life spent travelling the world chasing waves through the South Pacific, Australia, Asia, Africa and beyond. Finnegan describes the edgy yet enduring brotherhood forged among the swell of the surf; and recalling his own apprenticeship to the world's most famous and challenging waves, he considers the intense relationship formed between man, board and water. Barbarian Days is an old-school adventure story, a social history, an extraordinary exploration of one man's gradual mastering of an exacting and little-understood art. It is a memoir of dangerous obsession and enchantment. 'Reading this guy on the subject of waves and water is like reading Hemingway on bullfighting; William Burroughs on controlled substances; Updike on adultery. . . . a coming-of-age story, seen through the gloss resin coat of a surfboard' Sports Illustrated
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An astounding book. * Matt Haig * William Finnegan's absorbing surfing memoir, Barbarian Days will have you studying the ocean with new eyes * Anthony Doerr, Pulitzer Prize-winning author of All the Light We Cannot See * Barbarian Days is one of the few surfing books for a wider audience. * Guardian * A skillful, masterful memoir . . . it's a book about surfing, of course, but it's not just for surfers. Finnegan's skill sees him trace memories and emotions with honesty. * The Skinny * A dream of a book by a masterful writer long immersed in surfing culture. Finnegan recaptures the waves lost and found, the euphoria, the danger . . . the allure * BBC.com * It's always fabulous when an incredible writer happens to also have a memoir-worthy life; Barbarian Days bodes well * GQ.com * Irresistible * O, The Oprah Magazine * Gorgeously written and intensely felt . . . With Mr Finnegan's bravura memoir, the surfing bookshelf is dramatically enriched. It's not only a volume for followers of the sport. Non-surfers, too, will be treated to a travelogue head-scratchingly rich in obscure, sharply observed destinations . . . Dare I say that we all need MrFinnegan...as a role model for a life fully, thrillingly, lived * Wall Street Journal * Which is precisely what makes the propulsive precision of Finnegan's writing so surprising and revelatory . . . Finnegan's treatment of surfing never feels like performance. Through the sheer intensity of his descriptive powers and the undeniable ways in which surfing has shaped his life, Barbarian Days is an utterly convincing study in the joy of treating seriously an unserious thing . . . As Finnegan demonstrates, surfing, like good writing, is an act of vigilant noticing * The New York Review of Books * Without a doubt, the finest surf book I've ever read . . . All this technical mastery and precise description goes hand in hand with an unabashed, infectious earnestness. Finnegan has certainly written a surfing book for surfers, but on a more fundamental level, Barbarian Days offers a clear eyed vision of American boyhood. Like Jon Krakauer's Into the Wild, it is a sympathetic examination of what happens when literary ideas of freedom and purity take hold of a young mind and fling his body out into the far reaches of the world * New York Times Magazine * Overflowing with vivid descriptions of waves caught and waves missed, of disappointments and ecstasies and gargantuan curling tubes that encircle riders like cathedrals of pure stained glass . . . These paragraphs, with their mix of personal remembrance and subcultural taxonomies, tend to be as elegant and pellucid as the breakers they immortalize . . . This memoir is one you can ride all the way to shore * Entertainment Weekly * Terrific . . . Elegantly written and structured, it's a riveting adventure story, an intellectual autobiography, and a restless, searching meditation on love, friendship and family . . . A writer of rare subtlety and observational gifts, Finnegan explores every aspect of the sport - its mechanics and intoxicating thrills, its culture and arcane tribal codes - in a way that should resonate with surfers and non-surfers alike. His descriptions of some of the world's most powerful and unforgiving waves are hauntingly beautiful . . .Finnegan displays an honesty that is evident throughout the book, parts of which have a searing, unvarnished intensity * Washington Post * The kind of book that makes you squirm in your seat on the subway, gaze out the window at work, and Google Map the quickest route to the beach. In other words, it is, like Jon Krakauer's Into the Wild, a semi-dangerous book, one that persuades young men . . . to trade in their office jobs in order to roam the world, to feel the ocean's power, and chase the waves * The Paris Review * How many ways can you describe a wave? You'll never get tired of watching Finnegan do it. A staff writer at The New Yorker, he leads a counterlife as an obsessive surfer, traveling aroun

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Övrig information

WILLIAM FINNEGAN is the author of Cold New World, A Complicated War, Dateline Soweto, and Crossing the Line. He has twice been a National Magazine Award finalist and has won numerous journalism awards, including two Overseas Press Club awards since 2009. A staff writer at The New Yorker since 1987, he lives in Manhattan.