A History of Danish Cinema (häftad)
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Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
336
Utgivningsdatum
2023-08-31
Förlag
Edinburgh University Press
Medarbetare
Thomson, C. Claire (ed.), Thorsen, Isak (ed.), Chow (ed.)
Illustratör/Fotograf
40 B, W illustrations
Illustrationer
40 B/W illustrations
Dimensioner
234 x 156 x 18 mm
Vikt
472 g
Antal komponenter
1
ISBN
9781474461139

A History of Danish Cinema

Häftad,  Engelska, 2023-08-31
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The first English-language book to cover Danish cinema from the 1890s to the present day Contextualises the work of renowned filmmakers including Carl Th. Dreyer, Lars von Trier, Thomas Vinterberg, Susanne Bier Discusses national genres and traditions, including popular comedies, heritage film, children's film, porn, documentary and immigrant filmmakers Examines a range of film institutions and policies, including production companies, state support, talent development, regional film funds and international collaborations This wide-ranging collection places well-known auteurs such as Carl Th. Dreyer, Lars von Trier and Susanne Bier in their cultural context, and introduces a number of genres and themes that are less familiar to international audiences, including film stars of the silent era, children's film, folk comedies, porn film, trends in documentary and Greenlandic cinema. With twenty-two chapters, all of them specially commissioned for this volume, A History of Danish Cinema explores the role of screen representations and film policy in shaping Denmark's cultural identity, but also emphasises just how internationally mobile Danish films and filmmakers have always been showcasing this small nation's extraordinary contribution to world cinema.
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"Danish cinema has had a worldwide impact at least twice, through the Nordisk company's spectacular success before the First World War, then when Dogme 95 revitalised independent filmmaking on the threshold of the digital era. But of course there's much more to discover and assess. This shrewdly planned new history sheds fresh light on many aspects of Denmark's rich screen heritage, and also offers an exemplary model for 'small country' media history." -Ian Christie, Birkbeck College, University of London

Övrig information

Dr C. Claire Thomson is Professor of Cinema History at University College London (UCL), where she is the Director of Film Studies and teaches Nordic cinema and cultural history, as well as translation from the Scandinavian languages. Her previous publications include the monographs Thomas Vinterberg's Festen (U Washington P, 2013) and Short Films from a Small Nation: Danish Informational Cinema 1935 1965 (EUP 2018), the edited volume Northern Constellations: New Readings in Nordic Cinema (Norvik, 2006), and numerous articles on short films, film and public health, multisensory cinema and the work of Carl Th. Dreyer and Thomas Vinterberg. She is an editor of the journals Scandinavica and Kosmorama.Dr Isak Thorsen holds a doctorate in Film Studies from the University of Copenhagen with a dissertation titled 'Isbj rnens anatomi Nordisk Films Kompagni som erhvervsvirksomhed i perioden 1906 1928'. A revised English-language version was published by John Libbey in 2017, as Nordisk Films Kompagni 1906 1924: The Rise and Fall of the Polar Bear. He is the editor and author of the Danish entries in the Historical Dictionary of Scandinavian Cinema (2012). He has contributed to the anthologies 100 Years of Nordisk Film (2006), International Western Films: Re-Locating the Frontier (2013), Dansk-tyske krige kulturliv og kulturkampe (2020) and written for journals such as Film History, Kintop, Scandinavian-Canadian Studies, 16:9, Journal of Scandinavian Cinema and Kosmorama.Dr Pei-Sze Chow is Assistant Professor of Media and Culture at the University of Amsterdam. She is the author of Transnational Screen Culture in Scandinavia: Mediating Regional Space and Identity in the resund Region (Palgrave Macmillan, forthcoming 2021). Her interdisciplinary work takes a spatial, media-geographic approach to film and media research, focusing on representations of space and place, the cinemas of small nations and cities and peripheries on film and television. She has published and co-edited work on Nordic noir and geopolitics, urban space and architecture, and more recently on artificial intelligence and film.