The Close-Up and Scale in the Cinema
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Köp båda 2 för 680 krIn this work of feminist film criticism, Mary Ann Doane examines questions of sexual difference and knowledge in cinematic, theoretical, and psychoanalytic discourses. "Femmes Fatales" examines Freud, the female spectator, the meaning of...
Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the nineteenth century as an unprecedented means of capturing time--and this at a moment when disciplines from physics to philosophy, and historical trends from ...
Matching her earlier, masterful treatment of cinematic time, Mary Ann Doane here offers a brilliant probing of cinematic space. She explores cinemas dynamic use of scale, from the magnification of the face in close-up to new screen technologies ranging from the iPhone to IMAX. Drawing on a range of film styles and practices, including early cinema, avant-garde experiments, and Shanghai cinema of the 1930s, Doane reveals how cinema has shaped a modern abstract and even dematerialized world. -- Tom Gunning, Professor Emeritus, University of Chicago Mary Ann Doanes highly innovative, theoretically brilliant, and eloquently incisive consideration of the history of the filmic close-up and its relation to scale will undoubtedly make Bigger Than Life a field-changing work. -- Maggie Hennefeld, author of * Specters of Slapstick and Silent Film Comediennes * "Bigger Than Life opens with a unique and crucial examination of the history and historiography of the close-up, its conclusion offers a look at cinema in its biggest and most impactful forms, even cinema beyond cinema itself this is where Doanes work becomes truly colossal." -- Harrison Whitaker * Historical Journal of Film, Radio and Television * "Bigger Than Lifes wide-ranging interrogation of its subject makes for a thrilling and rewarding read. [It] is altogether awe-inspiring and overwhelming in ways appropriate to its subject, constituting an important meditation on the dialogue between new and old media." -- Alicia Byrnes * Film-Philosophy *
Mary Ann Doane is Class of 1937 Professor of Film and Media at the University of California, Berkeley, and author of The Emergence of Cinematic Time: Modernity, Contingency, the Archive and Femmes Fatales: Feminism, Film Theory, Psychoanalysis.
Acknowledgments ix Introduction: Scale, the Cinematic Image, and the Negotiation of Space 1 Part I. Close-Up/Face 1. The Delirium of a Minimal Unit 29 2. The Cinematic Manufacture of Scale, or Historical Vicissitudes of the Close-Up 53 3. At Face Value 89 Part II. Scale/Screen 4. Screens, Female Faces, and Modernities 135 5. The Location of the Image: Projection, Perspective, and Scale 189 6. The Concept of Immersion: Mediated Space, Media Space, and the Location of the Subject 239 Notes 283 Bibliography 325 Index 343