Enchanted Ground

Parkinsons extensive knowledge of the field allows him to navigate with ease between continents, following the various developments and reception of modern art in the twentieth century. His ability to modify the length of his focus from detailed textual analysis to wider comparative geographical and art historical contexts makes this book one of the most astute on the movement to date. * French History * Enchanted Ground [...] is a work that further confirms Parkinson's reputation as one of the most original of today's writers on Surrealism. * The Burlington Magazine * Gavin Parkinson had the novel idea to reconsider the canonical figures of late nineteenth century French painting as they appear within the discourse of Surrealism: Czanne or Gauguin through Breton or Dal. His gambit pays off brilliantly. He ferrets out a shadow history of French modernism, tracking long-lost interpretive metaphors that shift from positive to negative and back again. The surrealist alternative to traditional criticism generates an unfamiliar constellation of cultural significance. From out of its obscurity, Parkinson reveals the mythic, poetic or magic resonance of the practice otherwise known as modernism. * Richard Shiff, Effie Marie Cain Regents Chair in Art and Director of Center for the Study of Modernism, University of Texas at Austin, USA * Gauguin, Czanne, Seuratthose canonical modernists we thought we kneware reinvested with myth, magic and poetry in this lively and polemical account of their 'Surrealisation' in the mid-20th century. Parkinson pulls no punches in voting for the Surrealists as the most perceptive interpreters of this alternative cast of 19th-century precursors. * Linda Goddard, Senior Lecturer and Director of Postgraduate Studies, University of St. Andrews, UK * Enchanted Ground highlights Parkinsons skill in asking unexpected questions of modern art, matched with astute answers; and in taking Surrealism seriously, as a source of vivid and relevant ideas rather than just an art movement. This books great strength lies in shining a searchlight at its material, not simply to look at Surrealism, but look with it and through it, alert to the refractions that illuminate adjacent histories in fresh ways. Enchanted Ground is on high alert to details, anomalies and the overlooked, using them to unpick received wisdom about Surrealism, modernism and art history itself. * Krzysztof Fijalkowski, Professor of Visual Culture, Norwich University of the Arts, UK * Gavin Parkinsons text is a timely reminder that there are other ways of seeing the founding fathers of modernist painting than through the lens of Greenbergs formalism. He explores the posthumous critical fortunes of Czanne, Gauguin, Van Gogh and Seurat in the writings of the doyen of Surrealism, Andr Breton. Part intricate historiography, gathering together writings that have hitherto been overlooked because dispersed and difficult of access, Enchanted Ground brings us familiar art from an unfamiliar, indeed magical, Surrealist perspective. This is an arresting, ambitious and important book. * Belinda Thomson, Honorary Professor of Art History, University of Edinburgh, UK *

Gavin Parkinson is Senior Lecturer in European Modernism at The Courtauld Institute of Art, London, UK. He is the author of Futures of Surrealism: Myth, Science Fiction and Fantastic Art in France 1936-1969 (2015), Surrealism, Art and Modern Science: Relativity, Quantum Mechanics, Epistemology (2008), The Duchamp Book (2008) and Enchanted Ground: Andr Breton, Modernism and the Surrealist Appraisal of Fin-de-Sicle Painting (2018), as well as the editor of Surrealism, Science Fiction and Comics (2015).

Introduction: Art After Impressionism After Surrealism 1. Greengrocer, Bricklayer or Seer? Psychoanalyzing Paul Czanne 2. Painting as Propaganda and Prophecy: Ren Magritte and Pierre-Auguste Renoir 3. Method and Poetry: Georges Seurats Surrealist Dialectic 4. Between Dog and Wolf: Georges Seurat, Brassa and the City of Light 5. Civilization, Realism, Abstraction: Paul Gauguin and Surrealism, 1948-53 6. Dialectic of Brittany: From Myth to Folklore in Paul Gauguin and Surrealism Epilogue: Disenchanted Ground, or Vincent van Gogh, Antonin Artaud and Magic in 1947 Conclusion: On Andr Breton Bibliography List of Illustrations Index