The Story of Art without Men

Katy Hessel is a brilliant chronicler of the overlooked. I am so thrilled this book exists as an empowering, enlightening guide to the unforgettable vision of these brilliant artists. Essential reading -- Elizabeth Day An inspiring, beautifully written corrective -- Bidisha Mamata * Observer * Will change the history of art... thank God. -- Tracey Emin Excellent, authoritative, exuberant and elegantly written -- Simon Sebag Montefiore, author of STALIN: THE COURT OF THE RED TSAR I was not aware how hungry I was for this book until I dropped everything and ate it from cover to cover. I was not aware how angry I was that this book did not exist until it existed. It's an urgently needed, un-put-downable, joyful, insightful, glorious, perspective-shifting revision of the Story of Art. -- Es Devlin A book for every aspiring art historian - whatever their sex -- '10 best art books of 2022' * The Times * A long overdue, revisionist history of art by the brilliant Katy Hessel ... Never stuffy or supercilious, Hessel's book is a revelation and an important first step towards redressing the balance of an art world in which women have been sidelined, stepped over and trampled upon for far too long * Refinery29 * An extraordinary achievement that will have a disruptive cultural legacy and help determine the landscape for years to come. -- Helena Lee * Harper's Bazaar * Well-researched and enlightening * Daily Express * Unapologetically revisionist * Financial Times * In this astounding, generous book, Katy Hessel has given us such a gift. Her research is profound, scholarly and wide-ranging, her writing authoritative yet accessible. I found so much to surprise and delight in these pages, so many works of art pulsating with life and intelligence, beauty and power. This book is a long-overdue corrective, and Hessel has executed it to perfection, echoing the passion and skill of the very artists she writes about. An astonishing achievement. -- Jessie Burton, author of The Miniaturist Via chronological chapters focusing on periods of change, Hessel leads the reader back through this story, reinstating the countless women whose contributions were missed. * RA Magazine * Vital... has firmly cracked open the canon -- Chlo Ashby, author of WET PAINT * Spectator * A spirited, inspiring, brilliantly illustrated history of female artistic endeavour... The Story of Art Without Men should be on the reading list of every A-level and university art history course and on the front table of every museum and gallery shop. -- Laura Freeman * The Times * A magnificent read and a beautiful book -- David Walliams Exhilarating ... a dazzling array marshalled by a talented young art historian who grinds her axe sharply and with skill ... [Hessel's] scholarship, enthusiasm and humour make this lavish book a must for any woman who loves art * Daily Mail * An illuminating celebration of female artists and their often overlooked place in history * Stylist * Passionate, enthusiastic and witty... I wish I had had this book as a teenager * The i * A touchpoint for a new generation who will go on to define the future of those exhibitions, collections, and auctions * Dazed Digital * This eye-opening read is an overdue revisionist history of art - ignoring the pale, male canon to celebrate female artists who have been overlooked for centuries -- Best non-fiction books of 2022 * iPaper * The early centuries are thin simply due to the paucity of surviving work by talented women painters but her story becomes fuller and more persuasive the closer it gets to today. Hessel is clear-sighted and impartial enough not to over-claim for her subjects but show that they are full of interest and every bit as worthy of attention as their male peers. -- Michael Prodger * New Statesmen * Katy Hessel's first book The Story of Art without Men is a necessary and urgent book. A truly empowering title, the volume celebrates the rise of women artists and

Katy Hessel is an art historian, broadcaster and curator dedicated to celebrating female artists. The founder of @thegreatwomenartists on Instagram and the podcast of the same name, she writes a fortnightly column in the Guardian, is a fellow of Cambridge University and a Trustee of Charleston. She has lectured at the National Gallery and Guggenheim, and presented programmes for the BBC.