- Häftad (Paperback / softback)
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- 2 Revised edition
- Lone Eagle Publishing Co
- 230 x 150 x 18 mm
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- 440 g
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Writing Short Films, 2nd Edition - Structure and C ontent for Screenwriters
Structure and Content for Screenwritersav L CowgillSteven Spielberg, Martin Scorsese, Francis Ford Coppola, and George Lucas all began their careers making a short film. By contrasting and comparing the differences and similarities between feature films and short films, "Writing Short Films, 2nd Edition", offers readers the essential requirements necessary to make their writing crisp, sharp and compelling. Emphasising characters, structure, dialogue and story, Linda Cowgill dispels the 'magic formula' concept that screenplays can be constructed by anyone with a word processor and a script formatting program. This new edition has been completely updated and revised along with the addition of several new chapters and new film examples. Currently, this title remains the best selling university text book on writing short film screenplays.
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Fler böcker av L Cowgill
Plot must be as much about the emotions of the characters as it is about the events of the story. That's the message in "The Art of Plotting", which teaches screenwriters how to integrate plot, characterisation and exposition to make sto...
Linda J. Cowgill, author of Writing Short Films and Secrets of Screenplay Structure, currently heads the screenwriting department at the Los Angeles Film School. She has written for film and television, and taught at the American Film Institute, Loyola Marymount University, and the Boston Film Institute. She has presented The Art of Plotting seminar in Los Angeles, New York, and Miami.
Before We Start -- The Principles of Drama; Starting Out -- What's It About?; Character and Emotion -- Who Does What and Why; The Three-Part Nature of Film Structure; Plotting -- The Twists and Turns; Fade In: Openings and the Main Exposition; The Middle -- Keeping the Story Alive; Fade Out: Revelation, Climax and Resolution; Constructing the Scene; Dialogue: The Search for the Perfect Line; The Subtext of Meaning; Keeping Focused: What Does My Protagonist Really Want?; Index.