Narrative Space in the Films of Nanni Moretti
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Köp båda 2 för 839 krThis book examines the ways in which the house appears in films and the modes by which it moves beyond being merely a backdrop for action. Specifically, it explores the ways that domestic spaces carry inherent connotations that filmmakers exploit ...
Nanni Morettis films are not as well known in the US as they should be. His is an important body of work that follows in the footsteps of the great Italian neorealists and French New Wave filmmaker Eric Rohmer. Moretti (b. 1953) is much better known and acclaimed in his native Italy and across Europe, but this study by Andrews should bring more American viewers to his work. Andrewss book, which grew from her dissertation, is only the second on Moretti available in Englishafter Ewa Mazierska and Laura Rascaroli's The Cinema of Nanni Moretti (CH, Dec'04, 42-2112)and it does much to advance the scholarship on this director. As the title indicates, Andrews focuses on the significance of spaces in Morettis films. . . .Andrews organized her discussion around the different kinds of spacesinterior, exterior, thresholds, domestic, and so onin the films and the relationships between spaces and themes and characters. Particularly strong are the chapters on Moretti's cinematic narrators as connected to perspective and on Morettis use of different settings and their connections to film genre. Summing Up: Recommended. Graduate students, researchers, faculty, professionals. * CHOICE *
Eleanor Andrews is Senior Lecturer in Italian and Course Leader for Film Studies at the University of Wolverhampton, UK.
Acknowledgments Clarifications List of Figures Chapter One: Introduction Part One: Place Chapter Two: Nearly All Roads Lead To Rome Chapter Three: Battling With Nature Chapter Four: Inside Chapter Five: Outside Part Two: Setting Chapter Six: Laughter and Tears Chapter Seven: The Scene of the Crime Chapter Eight: Sweet Dreams? Chapter Nine: Whose Space Is It Anyway? Part Three: Perspective Chapter Ten: Inside and Outside the Frame Chapter Eleven: A Certain Point of View Chapter Twelve: An Artist at Work Filmography Bibliography