Watching Human Rights

Mark Gibney has not only collected 101 films that challenge us to empathize and mobilize, he has woven their plots into the larger story of the human rights movement, showing how each illustrates a part of the struggle for human dignity. Reed Brody, Human Rights Watch Whether you are a film buff, a human rights scholar, or a casual observer of humanity, you will want to absorb this beautiful book. It is approachable and engaging while also frank and unblinking. Like the films in this book, Gibney succeeds in the crucial role of putting human faces on human rights. Niklaus Steiner, University of North CarolinaChapel Hill Mark Gibney has compiled a wonderful list of filmsboth fiction and documentarythat illustrate the entire range of human rights violations, from torture to poverty to indigenous rights and beyond, with commentary that explains their relevance to international human rights law. The volume is an excellent source for teachers of human rights who want to recommend films to their students. This is a book Ive wanted for years. Rhoda E. Howard-Hassmann, Wilfrid Laurier University Today human rights is increasingly studied and understood through images, specifically film. Yet scholars and teachers have lacked an all-in-one guide to the best films on the subject. Mark Gibneys Watching Human Rights is thus the perfect resource, as it profiles both mainstream films and lesser-known international and independent films and vividly shows how visualizing human suffering or triumph can give us deeper insight into the meaning and significance of human rights. Safia Swimelar, Elon University

Mark Gibney is the Carol G. Belk Distinguished Professor in Humanities at the University of North CarolinaAsheville. He has authored numerous books and is an award-winning scholar of human rights.

Introduction; Part I Feature Films; Chapter 1 Schindler's List (Steven Spielberg, 1993); Chapter 2 The Lives of Others (Florian Henckel von Donnersmarck, 2006); Chapter 3 Missing (Costa-Gavras, 1982); Chapter 4 The Official Story (Luis Puenzo, 1985); Chapter 5 The Killing Fields (Roland Joff, 1984); Chapter 6 Once Were Warriors (Lee Tamahori, 1994); Chapter 7 Hunger (Steve McQueen, 2008); Chapter 8 Precious: Based on the Novel 'Push' by Sapphire (Lee Daniels, 2009); Chapter 9 (tie) Sometimes in April (Raoul Peck, 2005) Hotel Rwanda (Terry George, 2004); Chapter 11 Dead Man Walking (Tim Robbins, 1995); Chapter 12 The Pianist (Roman Polanski, 2002); Chapter 13 Journey of Hope (Xavier Koller, 1990); Chapter 14 Midnight Cowboy (John Schlesinger, 1969); Chapter 15 Gandhi (Richard Attenborough, 1982); Chapter 16 Slumdog Millionaire (Danny Boyle, 2008); Chapter 17 Milk (Gus Van Sant, 2008); Chapter 18 Norma Rae (Martin Ritt, 1979); Chapter 19 The Insider (Michael Mann, 1999); Chapter 20 V for Vendetta (James McTeigue, 2005); Chapter 21 A Dry White Season (Euzhan Palcy, 1989); Chapter 22 Philadelphia (Jonathan Demme, 1993); Chapter 23 Good Night, and Good Luck (George Clooney, 2005); Chapter 24 To Kill a Mockingbird (Robert Mulligan, 1962); Chapter 25 Days of Glory (Indignes) (Rachid Bouchareb, 2006); Chapter 26 District 9 (Neill Blomkamp, 2009); Chapter 27 Sophie's Choice (Alan J. Pakula, 1982); Chapter 28 Bloody Sunday (Paul Greengrass, 2002); Chapter 29 Omagh (Pete Travis, 2004); Chapter 30 Paradise Now (Hany Abu-Assad, 2005); Chapter 31 Persepolis (Marjane Satrapi and Vincent Paronnaud, 2007); Chapter 32 Waltz with Bashir (Ari Folman, 2008); Chapter 33 Amazing Grace (Michael Apted, 2006); Chapter 34 Mississippi Burning (Alan Parker, 1988); Chapter 35 The Circle (Jafar Panahi, 2000); Chapter 36 Bamako (Abderrahmane Sissako, 2006); Chapter 37 4 Months, 3 Weeks and 2 Days (Cristian Mungiu, 2007); Chapter 38 Vera Drake (Mike Leigh, 2004); Chapter 39 Lilya 4-Ever (Luka