Igor Stravinsky

"A composer of extraordinary works and a man of extraordinary talents (and contradictions), the famously guarded Igor Stravinsky is brilliantly unpicked in a new biography. . . . Cross's musical readings are vivid and jargon-free, and even when we leave the colourful familiarity of the early ballets for the complexity of The Rake's Progress and Stravinsky's serial experiments, we lose none of the narrative clarity. . . . Whatever his personal weaknesses, Stravinsky stood on the cusp of worlds in both art and life, straddling not only the East-West divide but also pre- and post-war eras, modernism, and the neo-classical. The result is a unique vantage point, a 'creative life full of extraordinary encounters.' With Cross as our guide, these are encounters that we too share--drawn in, intimately close, to a composer who kept the world at arm's length."-- "Sinfini Music" "As a compelling survey of the life and compositional career in relation to the changing cultural contexts, Cross's brilliantly written book is now an essential acquisition. The debates will continue and new perspectives emerge, for we long to know where this extraordinary art sprang from. This book, especially in its reflections on dislocation and the emotional distancing of certain stylistic elements, will play a valuable part in that debate. The music itself endures, indestructible and indispensable."-- "Music Web International" "Cross's work on an artist often regarded as the greatest (or at least the most influential) composer of the twentieth century tells his story fluently and authoritatively. . . . Cross's approach intersperses biography with a discussion of the works themselves, including some technical description. There's a sprinkling of appropriate photographs throughout, and the text is consistently easy to read."-- "Opera" "Elegant, often resonant study."-- "Gramophone" "Here is an up-to-date introduction, which addresses more recent discoveries and 'revelations'--genuine or otherwise--within a beautifully written and thought-provoking narrative. . . . Drawing on recent scholarship, Cross depicts Stravinsky's character and private life in vivid detail and persuasively demonstrates how the composer was very much a man of his time--not simply a lone genius who impacted the musical world."-- "BBC Music Magazine" "This is a concise and stimulating account of Stravinsky's life and works. All the major compositions are discussed in some detail, and very few of the smaller gems are neglected. . . . This life-and-works is absolutely essential, a model of its kind."--John Garratt "Classical Music Magazine" "True to form for Critical Lives, Jonathan Cross packs a rich life into a lean yet bountiful biography in Igor Stravinsky."--John Garratt "PopMatters" "In my view, Jonathan Cross's brief Stravinsky in the Reaktion series of Critical Lives could not be bettered. Indeed, it is a model of elegant lucid writing and clear organization, providing an overview of the composer's life and work with a useful light-handed apercu of current scholarship and enlivened by the author's own distinctive literary persona and critical perceptions. Much additional color, too, is provided by his evident visual sensibility--not, I'm afraid, a conspicuous feature of most musicological publications. . . . Cross also vividly emphasizes the importance of the wider cosmopolitan cultural context of interwar Paris with which Stravinsky totally identified himself in the genesis of his neoclassical works."-- "Musical Times" "Cross is a well-known Stravinsky scholar, having written The Stravinsky Legacy and edited The Cambridge Companion to Stravinsky. True to form, his contribution to the 'Critical Lives' series is deeply insightful, highly engaging, but not technical, and he gives the reader a multifaceted understanding of St

Jonathan Cross joined the Oxford Faculty of Music in 2003, where he is Professor of Musicology, and Student and Tutor in Music at Christ Church. He was previously Lecturer at the University of Sussex (1986-95) and Lecturer, later Reader, at the University of Bristol (1996-2003).