Sharing Dance and Choreographic Practice
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Köp båda 2 för 1316 krThis book addresses the need for critical scholarship about contemporary dance practices in Ireland. Bringing together key voices from a new wave of scholarship to examine recent practice and research in the field of contemporary dance, it examine...
'This timely book is a welcome update to the discourse on the enduring topics of process and performance that remain critical for situating, and provoking, artistic practice.' -- Alexandra Baybutt, Dance Research, Vol. 37, No. 1: 118-120 'In focusing on relationships between process and product, this book offers insights for choreographers, dance students, and those interested in knowledge-generative features of creative pro-cesses. [...] The increased growth in practice-as-research within the academy, as well as the benefits for practitioners and audiences demonstrated throughout its chapters, reinforce why this book is vital for both the artistic and scholarly future of our discipline.' -- Luca Piquero lvarez, Dance Research Journal
Emma Meehan is a research fellow in the Centre for Dance Research (C-DaRE) at Coventry University. Hetty Blades is a research fellow at Coventry University.
Introduction - Hetty Blades and Emma Meehan Part 1: Philosophy of Process Chapter 1: Atomos EChOs and the Process-ing of Dances - Stephanie Jordan and Anna Pakes Chapter 2: Choreographic Knowledge and Aesthetic Empiricism - Hetty Blades Part 2: Methods and Formats Chapter 3: Enhancing Choreographic Objects: Traces, Texts and Tales of a Journey through Dance - Sarah Whatley Chapter 4: Research as Co-Habitation: Experimental Composition across Theory and Practice - Erin Brannigan, Matthew Day and Lizzie Thomson Chapter 5: Process as Performance or Variations of Swinging - Annette Arlander Chapter 6: Crystallisations, Constellations and Sharings: Exploring Somatic Process with Sandra Reeve - Emma Meehan Part 3: Documentation, Dissemination and Scores Chapter 7: Exploring Creative Thought in Choreography Together: Process Documentation with the Australian Dance Theatre - Scott deLahunta, Jordan Beth Vincent, Elizabeth Old, Garry Stewart, James Leach and Catherine J. Stevens Chapter 8: Architectural and Choreographic Diagrams as Processual Modes of Sharing Creative Practices - Ariadne Mikou Chapter 9: Dancing on the Page/Writing on the Stage: Sharing Dance (and) Theatre Process Documents - The Drawings of Jan Fabre - Edith Cassiers Chapter 10: Animating the Archive: Voguing, Sampling and Queering Tatsumi Hijikata - Sara Jansen Part 4: Politics and Labour Chapter 11: The 'Visible Choreographer': Trust and Power, Reviewing Choreography as a Social Practice - Kathinka Walter-Heg Chapter 12: The Use of Uselessness - Claudia Kappenberg Chapter 13: Resisting Explanation: The Politics of Audience Development and Possibilities of Form - Nicola Conibere Contributors Index