Prehistoric Art as Prehistoric Culture (häftad)
Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
190
Utgivningsdatum
2015-11-30
Förlag
Archaeopress Archaeology
Illustrationer
Illustrated throughout in colour and black & white
Dimensioner
290 x 205 x 10 mm
Vikt
704 g
Antal komponenter
1
ISBN
9781784912222
Prehistoric Art as Prehistoric Culture (häftad)

Prehistoric Art as Prehistoric Culture

Studies in Honour of Professor Rodrigo de Balbin-Behrmann

Häftad Engelska, 2015-11-30
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Professor Rodrigo de Balbin has played a major role in advancing our knowledge of Palaeolithic art, and the occasion of his retirement provides an excellent opportunity to assess the value of prehistoric art studies as a factor in the study of the culture of those human groups which produced this imagery. The diverse papers in this volume, published in Professor de Balbin's honour, cover a wide variety of the decorated caves which traditionally defined Palaeolithic art, as well as the open-air art of the period, a subject in which he has done pioneering work at Siega Verde and elsewhere. The result is a new and more realistic assessment of the social and symbolic framework of human groups from 40,000 BP onwards.
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Prehistoric Art as Prehistoric Culture (Primitiva Bueno-Ramirez and Paul Bahn); `Science' versus Archaeology: Palaeolithic Rock Art at the beginning of the 21st century (Jose-Javier Alcolea-Gonzalez and Cesar Gonzalez-Sainz); Raman spectroscopy of prehistoric pictorial materials (Antonio Hernanz); Prehistoric rock art and non-invasive analysis. Rouffignac as a case study (Patrick Paillet); Reasoning processes in prehistoric art interpretation (Sophie A. de Beaune); Are hand stencils in European cave art older than we think? An evaluation of the existing data and their potential implications (Paul Pettitt, Pablo Arias, Marcos Garcia-Diez, Dirk Hoffmann, Alfredo Maximiano Castillejo, Roberto Ontanon-Peredo, Alistair Pike and Joao Zilhao); Regional ontologies in the Early Upper Palaeolithic: the place of mammoth and cave lion in the `belief world' (Glaubenswelt) of the Swabian Aurignacian (Shumon T. Hussain and Harald Floss); Aurignacian art in the caves and rock-shelters of Aquitaine (France) (Brigitte and Gilles Delluc); Fuente del Trucho, Huesca (Spain): Reading interaction in Palaeolithic art (Pilar Utrilla and Manuel Bea); Open-air Ice Age art: the history and reluctant acceptance of an unexpected phenomenon (Paul G. Bahn); Decorated sites and habitat: social appropriation of territories (Denis Vialou); Deep caves, ritual and graphic expression: a critical review of the archaeological evidence on hypogean human activity during the Upper Palaeolithic/Magdalenian (Pablo Arias); Magdalenian settlement-subsistence systems in Cantabrian Spain: contributions from El Miron Cave (Lawrence G. Straus, Manuel Gonzalez Morales, Ana B. Marin-Arroyo and Lisa M. Fontes); The Upper Palaeolithic rock art of Portugal in its Iberian context (Andre Tomas Santos, Maria de Jesus Sanches and Joana Castro Teixeira); Old panels and new readings. La Pileta and pre-Solutrean graphics in Southern Iberia (Miguel Cortes Sanchez, Maria D. Simon Vallejo, Ruben Parrilla Giraldez, and Lydia Calle Roman); Palaeolithic art in the Iberian Mediterranean region. Characteristics and territorial variation (Valentin Villaverde); Small seeds for big debates: Past and present contributions to Palaeoart studies from North-eastern Iberia (Jose Maria Fullola, Ines Domingo, Didac Roman, Maria Pilar Garcia-Arguelles, Marcos Garcia-Diez and Jorge Nadal); Throwing light on the hidden corners. New data on Palaeolithic art from NW Iberia (Ramon Fabregas Valcarce, Arturo de Lombera-Hermida, Ramon Vinas Vallverdu, Xose Pedro Rodriguez-Alvarez, and Sofia Soares Figueiredo)