Narratives and Journeys in Rock Art: A Reader

GEORGE NASH is an Associate Professor at Geosciences Centre of Coimbra University (u. ID73-FCT), Polytechnic Institute of Tomar (IPT), Portugal. Dr Nash is a specialist in openair rock art and contemporary street art and has recently undertaken fieldwork and research in Andean Chile, the Negev Desert in southern Israel, central Portugal and Wales. | ARON MAZEL is a Reader in Heritage Studies at Newcastle University, United Kingdom. Dr Mazel has done extensive recording of rock art in the uKhahlamba-Drakensberg (South Africa) and Northumberland (United Kingdom).

1. Seeing and Construing: The Making and Meaning of a Southern African Rock Art Motif by J.D. Lewis-Williams; 2. An Introduction to the Problems of Southern African Rock Art Regions: The Rock Art of Bongani Mountain Lodge and its Environs by Jamie Hampson, William Challis, Geoffrey Blundell and Conraad De Rosner; 3. Fluvial erosion of inscriptions and petroglyphs at Siega Verde, Spain by Robert G. Bednarik; 4. The Location of Prehistoric Rock Art in North-East England: An Experimental Approach to Field Survey by Richard Bradley, Tess Durden and Nigel Spencer; 5. Beyond Art and Between the Caves: Thinking About Context in the Interpretive Process by Margaret W. Conkey; 6. Transculturation, Rock Art and Cross-Cultural Contact by Thomas Heyd; 7. The Cultural Context of Hunter-Gatherer Rock Art by Robert Layton; 8. Who Thought Rock Art Was About Archaeology? The Role of Prehistory in Algerias Terror by Jeremy Keenan; 9. The power of a place in understanding southern San rock engravings by Janette Deacon; 10.Acoustic elements of (pre)historic rock art landscapes at the Fourth Nile Cataract by Cornelia Kleinitz; 11. Unsettled times: shaded polychromes and the making of hunter-gatherer history in the southeastern mountains of southern Africa by Aron D. Mazel; 12. Engraved in Place And Time: A Review of Variability in the Rock Art of the Northern Cape and Karoo by David Morris; 13. Rock art and the material culture of Siberian and Central Asian shamanism by Ekaterina Devlet; 14. Chronological Trends in Negev Rock Art: The Har Michia Petroglyphs as a Test Case by Davida Eisenberg-Degen and Steven A. Rosen; 15. Making sense of obscure pictures from our own history: exotic images from Callan Park, Australia by John Clegg; 16. Religious Spatial Behaviour: Why Space is Important to Religion by Matthew Kelleher; 17. Bedrock notions and isochrestic choice: evidence for localised stylistic patterning in the engravings of the Sydney region by Jo McDonald; 18. Rainbow Colour and Power among the Waanyi of Northwest Queensland by Paul S. C. Taon; 19. Caves as Landscapes by Jean Clottes; 20. Landscape representations on boulders and menhirs in the Valcamonica-Valtellina area (Alps, Italy) by Angelo Fossati; 21. Roaring Rocks: An Audio-Visual Perspective on Hunter-Gatherer Engravings in Northern Sweden and Scandinavia by Joakim Goldhahn; 22. Rock Art and Archaeological Excavationin Campo Lameiro, Galicia: A new chronological proposal for the Atlantic rock art by Manuel Santos Estvez and Yolanda Seoane Veiga; 23. The Shore Connection: Cognitive landscape and communication with rock carvings in northernmost Europe by Knut Helskog; 24. Rock art as visual representation or how to travel to Sweden without Christopher Tilley by Liliana Janik; 25. A discovery of possible Upper Palaeolithic Parietal art in Cathole Cave, Gower Peninsula, South Wales by George Nash, Peter van Calsteren, Louise Thomas and Michael J. Simms; 26. Images as Messages in Society: Prolegomena to the Study of Scandinavian Petroglyphs and Semiotics by Jarl Nordbladh; 27. Approaches to Passage Tomb Art by Muiris OSullivan; 28. Ritual Landscapes: Toward a Reinterpretation of Stone Age Rock Art in Trndelag, Norway by Kalle Sognnes; 29. Excavation of a rock art site at Hunterheugh Crag, Northumberland by Clive Waddington with Benjamin Johnson and Aron Mazel; 30. From natural settings to spiritual places in the Algonkian sacred landscape: an archaeological, ethnohistorical, and ethnographic analysis of Canadian Shield rockart sites by Daniel Arsenault; 31. In Small Cupules Forgotten: Rock Markings, Archaeology, and Ethnography in The Deep South by Johannes H. N. Loubser; 32. Shamanism, Natural Modeling and the Rock Art Hunter-Gatherers by David S. Whitley; 33. Tsagiglalal, She Who Watches: Rock Art as an Interpretable Phenomenon by James