Medieval English Theatre 40 (häftad)
Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
211
Utgivningsdatum
2019-05-07
Förlag
D.S. Brewer
Medarbetare
Carpenter, Sarah (ed.), Dutton, Elisabeth (ed.), Meg Twycross, Gordon Kipling (ed.)
Illustrationer
10 Illustrations, black and white
Dimensioner
230 x 166 x 13 mm
Vikt
382 g
Antal komponenter
1
ISBN
9781843845287
Medieval English Theatre 40 (häftad)

Medieval English Theatre 40

Häftad Engelska, 2019-05-07
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Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic mystery cycles, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays. The articles in this fortieth volume engage with the key communities for early theatre: royalty, city and household, and religious institutions. Topics include the Royal Entry of Elizabeth Woodville into Norwich (1469); Henry VIII's Robin Hood entertainment for Catherine of Aragon; the sun's contribution to stage effects in the York Corpus Christi Play: the engagement with local worthies in Mankind; and the convent drama of Huy, in the Low Countries. Contributors include: Aurelie Blanc, Philip Butterworth, Clare Egan, John Marshall, Olivia Robinson, Michael Spence, Meg Twycross.
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Innehållsförteckning

Producing the Journal over Forty Years - Meg Twycross William Parnell, supplier of staging and ingenious devices, and his role in the visit of Elizabeth Woodville to Norwich in 1469 - Philip Butterworth and Michael Spence The Huy Nativity from the Seventeenth to the Twenty-First Century: Translation, Play-Back, and Pray-Back - Olivia Robinson and Aurelie Blanc A 'Gladnes' of Robin Hood's Men: Henry VIII Entertains Queen Katherine - John Marshall Reading Mankind in a Culture of Defamation - Clare Egan The Sun in York (Part One): Illumination, Reflection, and Timekeeping for the Corpus Christi Play - Meg Twycross