Fashion and Modernity

'Fashion and Modernity offers both the conceptual framework and the kind of 'thick' historical and contemporary analyses required to move forward a number of debates in fashion studies. The contributions to this remarkable volume generate a lively, interdisciplinary exchange of perspectives, individually and collectively putting to rest any semblance of a notion of modern, western fashion history as a seamless, linear narrative.' Susan Kaiser, Professor and Chair of the Division of Textiles and Clothing, University of California at Davis.

Christopher Breward is Deputy Director of Research at the Victoria and Albert Museum, London. He is the author of Fashioning London and Fashion. Caroline Evans is a Reader in Fashion Studies at Central Saint Martins College of Art and Design. She is the author of Fashion at the Edge: Spectacle, Modernity and Deathliness.

Acknowledgements Notes on Contributors Illustrations Introduction Christopher Breward and Caroline Evans Fashion and Modernity Elizabeth Wilson Part 1. Producing Identities 1.James Morrison (1789-1857), 'Napoleon of Shopkeepers', Millionaire Haberdasher, Modern Entrepreneur Caroline Dakers Response John Styles 2.Lee Miller and the Limits of Post-war British Modernity: Femininity, Fashion, the Problem of Biography Becky Conekin Response Carol Tulloch 3.People dress so badly nowadays: fashion and late modernity Andrew Hill Response Adam Briggs Part 2.Performing Bodies 4.Court Masques: Tableaux of Modernity in the Early 17th Century Andrea Stuart Response Susan North 5.Ambiguous Role Models : Fashion, Modernity and the Victorian Actress Christopher Breward Response Lynda Nead 6.Multiple, Movement, Model, Mode: The Mannequin Parade 1900-1929 Caroline Evans Response Andrew Bolton Part 3.Processes of Modernity 7.The Fingerprint of the Second Skin Kitty Hauser Response Esther Leslie 8.Cuttings and Pastings Alistair O'Neill Response Barry Curtis 9.entropy (fashion) and emergence (fashioning) Jamie Brassett Response Ben Highmore