Creative Industries (inbunden)
Inbunden (Hardback)
Antal sidor
Berg Publishers
Moeran, Brian (ed.), Alacovska, Ana (ed.)
Illustrations (black and white)
254 x 177 x 88 mm
3039 g
Antal komponenter
Contains 4 Hardbacks
Creative Industries (inbunden)

Creative Industries

Critical Readings

Inbunden Engelska, 2011-08-01
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Across post-industrial societies worldwide, the creative industries are increasingly seen as a key economic driver. These industries - including fields as diverse as advertising, art, computer games, crafts, design, fashion, film, museums, music, performing arts, publishing, radio, theatre and TV - are built upon individual creativity and innovation and have the potential to create wealth and employment through the mechanism of intellectual property. Creative Industries: Critical Readings brings together the key writings - drawing on both journals and books - to present an authoritative and wide-ranging survey of this emerging field of study. The set is presented with an introduction and the writings are divided into four volumes, organized thematically: Volume 1: Concepts - focuses on the concept of creativity and the development of government and industry interest in creative industries; Volume 2: Economy - maps the role and function of creative industries in the economy at large; Volume 3: Organization - examines the ways in which creative institutions organize themselves; and Volume 4: Work - addresses issues of creative work, labour and careers This major reference work will be invaluable to scholars in economics, cultural studies, sociology, media studies and organization studies.
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Brian Moeran is Professor and Director of the Creative Encounters Research Programme, Copenhagen Business School. The author of numerous articles on the social processes surrounding the creative industries, his most recent book with Berg is the multivolume reference set, Advertising: Critical Readings (Berg, 2010). Ana Alacovska is at Copenhagen Business School. Her current research is on the travel guide publishing industry at the intersection of print and digital cultures.


VOLUME 1: CONCEPTS 1. From Culture Industry to Creative Industries 1) Adorno, Theodor W. and Horkheimer, Max (1972) 'The Culture Industry: Enlightenment as Mass Deception' in their The Dialectic of Enlightenment. London: Verso, pp. 120-124, 136-149, 154-167 2) Adorno, Theodor W. (1975) 'Culture Industry Reconsidered' New German Critique 6: 12-19 3) Miege, Bernard (1987) 'The Logics at Work in the New Cultural Industries' Media, Culture and Society 9: 273 -289 4) Lacroix, Jean-Guy and Gaetan Tremblay (1997) 'The Emergence of Cultural Industries into the Foreground of Industrialization and Commodification: Elements of Context' Current Sociology 45 (4): 803-820 5) Hirsch, Paul M. (2000) 'Cultural Industries Revisited.' Organization Science 11 (3): 356-361 6) Jeffcutt, Paul, Pick, John, and Robert Protherough (2000) 'Culture and Industry: Exploring the Debate' Culture and Organization 6 (2): 129-143 7) Bustamante, Enrique (2004) 'Cultural Industries in the Digital Age: Some Provisional Conclusions' Media, Culture & Society 26 (6): 803-820 2. Creative Industries and Policy 8) DiMaggio, Paul and Michael Useem (1978) 'Cultural Property and Public Policy: Emerging Tensions in Government Support for the Arts.' Social Research 45: 356-389 9) Scott, Allen (1996) 'The craft, Fashion, and Cultural Products Industries of Los Angeles: Competitive Dynamics and Policy Dilemmas in a Multi-Sectoral Image Producing Complex.' Economic Development Quarterly 7: 296-309 10) Garnham, Nicholas (1987) 'Concepts of Culture: Public Policy and the Cultural Industries.' Cultural Studies 1 (1) 23-37 11) Hesmondhalgh, David and Andy C. Pratt (2005) 'Cultural Industries and Cultural Policy' International Journal of Cultural Policy 11 (1): 1-13 12) Ahearne, Jeremy (2003) 'Cultural Policy in the Old Europe: France and Germany' International Journal of Cultural Policy 9 (2): 127-131 13) Power, Dominic (2003) 'The Nordic 'Cultural Industries': a Cross-National Assessment of the Place of the Cultural Industries in Denmark, Finland, Norway and Sweden' Geografiska Annaler. Series B, Human Geography 85 (3): 167-180 14) Cunningham, Stuart (2002) 'From Cultural to Creative Industries: Theory, Industry, and Policy Implications' Media Information Australia (Incorporating Culture & Policy) 102: 54-65 15) O'Connor, Justin and Gu Xin (2006) 'A New Modernity? The Arrival of 'Creative Industries' in China' International Journal of Cultural Studies 9: 271-283 16) Miller, Toby (2004) 'A View From a Fossil: the New Economy, Creativity and Consumption - Two or Three Things I Don't Believe in' International Journal of Cultural Studies 7 (1): 55-65 3. Creative Industries and Creativity 17) Olsen, Fred (1954) 'The Nature of Creative Thinking.' The Phi Delta Kappan 35 (5): 198-200 18) Negus, Keith and Michael Pickering (2000) 'Creativity and Cultural Production.' International Journal of Cultural Policy 6 (2): 259-282 19) Nixon, Sean (2006) 'The Pursuit of Newness: Advertising, Creativity and the 'Narcissism of Minor Differences.' Cultural Studies 20 (1): 89-106 20) Negus, Keith (1998) 'Cultural Production and Corporation: Musical Genres and the Strategic Management of Creativity in the US Recording Industry.' Media, Culture & Society 20 (3): 359-379 21) Tschmuck, Peter (2003) 'How Creative are the Creative Industries? A Case of the Music Industry.' The Journal of Arts Management, Law, and Society 33 (2): 127-141 22) Osborne, Thomas (2003) 'Against 'Creativity': a Philistine Rant.' Economy and Society 32 (4): 507-525 VOLUME 2: ECONOMY 1. Culture and Economy 1) Caves, Richard E. (2003) 'Contracts Between Art and Commerce.' The Journal of Economic Perspectives 17 (2): 73-84 2) Miege, Bernard (1979) 'The Cultural Commodity.' Media, Culture and Society 1: 297-311 3) du Gay Paul and Mike Pryke (2002) 'Cultural Economy: an Introduction,' in their edited Cultural Economy. London: Sage, pp.1-12 4) Loefgren, Orvar (2003) 'The New Economy: a Cultural History.' Global Netw