LONDON (inbunden)
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Format
Inbunden (Hardback)
Språk
Engelska
Antal sidor
248
Utgivningsdatum
2020-09-03
Förlag
FUEL Publishing
Medarbetare
Keiller, Patrick
Illustratör/Fotograf
unspecified 225 Illustrations
Illustrationer
225 Illustrations, unspecified
Dimensioner
206 x 168 x 28 mm
Vikt
749 g
Antal komponenter
1
ISBN
9781916218437

LONDON

av Patrick Keiller, Fuel, Damon Murray, Stephen Sorrell
Inbunden,  Engelska, 2020-09-03
261
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London is Patrick Keillers highly imaginative psychogeographic journey through (and history of) London, as undertaken by an unnamed narrator and his companion, Robinson. The unseen pair complete a series of excursions around the city, in an attempt to investigate what Robinson calls the problem of London, in so doing the palimpsest of the city is revealed. London is a unique take on the essay-film format, with scathing reflections on the recent past, enlivened by offbeat humour and wide-ranging literary anecdotes. The amazing locations reveal the familiar London of the near past: Concorde almost touches suburban houses as it takes off; Union Jacks fly from Wembley Stadiums Twin Towers and pigeons flock around tourists in Trafalgar Square. These images, in combination with the script, allow us to see beyond the London presented on the page. It is both a fascinating reflection on the diverse histories of Britains capital and an illuminating record of 1992, the year of John Major's re-election, IRA bombs and the first crack in the House of Windsor. The book is the first time the film has been fully reproduced in print and contains an introduction from the director.
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Patrick Keiller, Fuel, Damon Murray, Stephen Sorrell

Övrig information

Patrick Keiller was born in 1950, in Blackpool and studied at the Bartlett School of Architecture, University College London. In 1979 he joined the Royal College of Arts Department of Environmental Media as a postgraduate student. For a time he taught architecture at the University of East London and fine art at Middlesex University. His work in film is typified by the use of subjective camera and voice-over, a technique that was refined in his acclaimed films London (1994), Robinson in Space (1997) and Robinson in Ruins (2010).

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