Not What I Meant But Anyway (häftad)
Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
400
Utgivningsdatum
2022-11-15
Förlag
Columbia Books on Architecture and the City
Medarbetare
Jaque, Andres (foreword)
Illustrationer
280 color images
Dimensioner
216 x 160 x 30 mm
Vikt
863 g
Antal komponenter
1
ISBN
9781941332719
Not What I Meant But Anyway (häftad)

Not What I Meant But Anyway

Häftad,  Engelska, 2022-11-15
272
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From producing sterile goldfish to choreographing the factory assembly line, Revital Cohen and Tuur Van Balen's work could be thought of as situatedthat is to say, it is performed within particular networks. These networkswhether connecting raw materials, mythic conditions, animal genetics, constructions of uncertainty, or colonial inheritancesform a point of departure from which to think of friction, entanglement, porousness, reflection, and self-implication. Not What I Meant But Anyway reveals the methods and processes behind Cohen and Van Balens work and working, prioritizing long and multidimensional research and production over its eventual outcomes. Intermingling conversations between the artists on living and working together, their generated ephemera, and a series of external reflections, the book hints at the intimacies and estrangements inherent to their practice. With contributions from Daisy Hildyard, Andrs Jaque, Lucia Pietroiusti, and Xiaoyu Weng.
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Övrig information

Revital Cohen and Tuur Van Balen (b. 1981, based in London) work across objects, installation, and film to explore processes of production as cultural, personal, and political practices. Their work has been exhibited at the 13th Shanghai Biennale at the Power Station of Art; Palazzo delle Esposizioni, Rome; Walker Art Center, Minneapolis; Philadelphia Museum of Art; The Renaissance Society, Chicago; Serpentine Cinema, London; Fotomuseum Winterthur; Para Site, Hong Kong; Thyssen-Bornemisza Art Contemporary, Vienna; HKW, Berlin; and Congo International Film Festival, Goma, among others. Their work has been featured in many articles, catalogues, and other publications, and is included in the permanent collections of the Museum of Modern Art, New York; Mu.ZEE, Ostend; and M+, Hong Kong.