Introduction to Kalophony, the Byzantine Ars Nova (häftad)
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Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
331
Utgivningsdatum
2014-10-22
Upplaga
New ed
Förlag
Peter Lang AG, Internationaler Verlag der Wissenschaften
Översättare
Konstantinos Terzopoulos
Medarbetare
Gothni, Ren (series ed.)/Speake, Graham (series ed.)/Gothni, Ren (series ed.)/Speake, Graham (series ed.)
Illustratör/Fotograf
, black-white, Tables
Illustrationer
46, Ill., black-white / Tables
Dimensioner
224 x 150 x 15 mm
Vikt
499 g
Antal komponenter
1
Komponenter
23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam
ISSN
2235-1930
ISBN
9783034309127

Introduction to Kalophony, the Byzantine Ars Nova

The Anagrammatismoi and Mathmata of Byzantine Chant

av Gregorios Th Stathis, Konstantinos Terzopoulos
Häftad,  Engelska, 2014-10-22
1049
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The anagrams, or more generally, the mathmata and morphologically related kalophonic forms of Byzantine melopoea, constitute the artistic creations by which Psaltic Art is known in all its splendour and becomes an object of admiration. Kalophony as ars nova was born following the recovery of the city of Constantinople after the Latin occupation of Byzantium (AD 12041261) during the long reign of Andronicus II (12821328) and reached its final form in the first half of the fourteenth century. During the years 13001350, four key composers and teachers of the Psaltic Art imposed a new attitude of melic composition on the preexisting forms and designated new compositional techniques dominated by the beautifying kallopistic element. They created new compositions in the new spirit of kallpismos and musical verbosity. This new musical creation was christened with the term kalophony and this period is the golden age of Byzantine Chant. Originally published under the title Hoi anagrammatismoi kai ta mathemata tes byzantines melopoias (1979 plus seven reprints), this publication thoroughly investigates and reveals for the first time the entire magnitude of Byzantine kalophony with its individual forms, serving as a systematic introduction to the Greek Byzantine music culture and that of the Byzantine Psaltic Art at the height of its expression.
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Gregorios Stathis is professor emeritus of Byzantine musicology and hymnology at the National and Kapodistrian University of Athens and a preeminent, internationally recognized scholar in the field. He has studied the vast repository of medieval and late Greek music manuscripts containing Byzantine chant notations the world over, including Mount Sinai and Mount Athos. The author of many publications and choirmaster of numerous recordings of Byzantine and post-Byzantine chant, he is most recognized for his award-winning catalogue of the chant manuscripts on Mount Athos, now in its fifth volume, as well as his descriptive catalogue of the chant manuscripts in the monasteries of Meteora. Konstantinos Terzopoulos, one of the authors doctoral students, is a parish priest, an independent scholar and researcher in Byzantine musicology and Orthodox theology and liturgy. He is the author of works on Byzantine chant, Byzantine liturgy and Typikon. He is currently preparing a critical edition and English translation of the homilies of Anastasius Sinaita.

Innehållsförteckning

Contents: A synoptic review of Byzantine ecclesiastical melopa The form of the Mathmatarion The tradition of the kalophonic melos The analysis of the Mathmatarion Incipits of the anagrams and mathmata in the Mathmatarion transcribed by Chourmouzios Reproduction of the kalophonic stichron from the feast of the transfiguration.

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