From Modernism to Postmodernism

Katarina Bogunovic Hocevar works as an Assistant Professor at the Department of Musicology at the Faculty of Arts, University of Ljubljana. Her research interests include the history of 19th and first half of 20th century music, the history of Slovene music and the aesthetics of music.Gregor Pompe studied comparative literature, German language and musicology at the Faculty of Arts, University of Ljubljana. He works as an Associate Professor at the Department of Musicology at the Faculty of Arts in Ljubljana. His scientific interest focuses on the problem of musical semantics, the history of opera and contemporary music.Nejc Sukljan studied musicology and general history at the Faculty of Arts, University of Ljubljana. He works as an Assistant at the Department of Musicology at the Faculty of Arts, University of Ljubljana.

Preface ............................................................................................................................9 Theoretical Basis Gregor Pompe Postmodernism in Society and Art: An Overview ................................................17 Helmut Loos Modernity Postmodernity. Controversial Core Structures of Musical Thinking ...................................................................................................33 Petra eferin The Creative Practice (of Architecture): Insisting on the In-Between ................43 Nika Gligo Globalization and/or Pluralism: But What about Musics, Their Styles, Techniques and Musicology? ....................................................................................55 From Modernism Graina Daunoraviien Mikalojus Konstantinas iurlionis (1875911) Musical Works as an Example of European Modernism in its Early Stages ......................................71 Manuel Farolfi Modernism at Work in Pierre Boulezs Writings, 1948952 ........................... 107 Hei Yeung John Lai Rethinking Form: A Structural Analysis of Constellation-Miroir, Formant 3 of Boulezs Third Piano Sonata ........................................................... 127 Ka-man Choi Textual Permutation in Mauricio Kagels Anagrama (1957958): New Modes of Serial Thought ............................................................................... 153 6 Contents Cristina Scuderi Contemporary Opera and Musical Theatre on Italian Stages Between the Second Postwar Period and the End of the 1960s: Notes for an Overview ..... 165 to Postmodernism Jija Jone From Modernism to Postmodernism: The Modulation and Correlation between Two Styles in the Context of Musical Works by Sacred Minimalists .................................................................. 177 Moeko Hayashi Modernism, Postmodernism and Globalism: Takemitsu, November Steps ..... 193 Gregor Pompe Bernd Alois Zimmermanns Requiem fur einen jungen Dichter and Leonard Bernsteins Mass: European and American postmodernism, or pluralism vs. eclecticism ......................................................................................... 207 Jana Majerova Musical Quotation as a Fundamental Way for Expressing a Message in the Work of Alfred Schnittke ............................................................. 231 Simone Heilgendorff Wien Modern, Festival dAutomne a Paris, and Warsaw Autumn after the Year 2000 in a Comparative Perspective: European or National Forums for Contemporary Art Music and Culture? .......................... 253 Alessandro Miani A Language-Based Approach to Music and Intertextuality ............................... 267 Milena Bozhikova Contemporary Music between History and Eschatology .................................. 279 Postmodernism in Eastern Europe Jis KudiPeris Vasks as Neo-Romantic: Characteristic Style Signs of Latvian Composer Symphonic Music in the Context of Postmodern Culture and Art ........................................................................................................ 303 Kamil Rupeikait The Semantics of the Music of Anatolijus enderovas ....................................... 327 Joanna Schiller-Rydzewska Different Faces of Postmodernism in the Works of Contemporary Composers of the Gdask Milieu ......................................................................... 337 Tatiana Pirnikova The Way from Modernist Positions to the Intimate Lyrical Position of the Composer Oto Ferenczy .............................................................................. 353 Niall OLoughlin Lojze Lebi: Modernism and the Vernacular ...................................................... 361 Ira Prodanov Krajinik Opera Mileva by Aleksandra Vrebalov: A Tale of Womans Otherness ...........