Kultur

Commentarorium de bello gallico de Iulius Caesar... in lingua latina

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Bach composed the first version of this piece in 1723 using the key of E-flat major for the Christmas Vespers in Leipzig which contained several Christmas texts. Over the years he removed the Christmas-specific texts to make it suitable for year-r...

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Vivaldi's Magnificat probably dates from shortly after the 1726 death of composer C.P. Grua, which resulted in his having to provide sacred music for the Venetian orphanage and convent he enjoyed a long-standing relation with: the Ospedale della P...

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For the "Credo in E minor, RV 591," Vivaldi borrows some material he composed for his "Magnificat," which places it later - probably after 1727. This completely choral work has much in common stylistically with the very famous ...

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The most famous of three settings of the Gloria text by Vivaldi, this one (RV 589) most likely dates from about the same time as its predecessor, during the composer's tenure at the Ospedale della Pieta convent in Venice (1713-40). It's also notab...

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Masterpiece of sacred music structured around the Ordinary of the Catholic Mass. Authoritative Breitkopf & Hartel edition. Translation of texts.

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The material in Missa Brevis is drawn from the sixth of William Blitheman's varients on the plainsong Gloria Tibi Trinitas, which is to be found in the Mulliner Book. This piece appears in its original form at the beginning of the score. Arranged ...

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Raymond Leppard's realization of Cavalli's Magnificat for double mixed voices chorus and orchestra of trumpets, trombones, strings and keyboard continuo. Here arranged with a piano accompaniment.

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Franz Schubert's Stabat Mater, edited by Brian Newbould, was composed in 1815. It is scored for SATB choir and orchestra (2 oboes, 2 clarinets, 2 bassoons, 3 trombones, strings), with this vocal score displaying a piano reduction part.

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Vocal score of Franz Schubert's Mass in G (D.167), arranged for or a soprano solo and SATB choir with piano reduction of the orchestral accompaniment, and is Schubert's shortest setting of the Mass.

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Antony Pitts' setting of Adoro te is a hauntingly atmospheric setting of text by Thomas Aquinas, which has been translated into English by Bishop James Woodford. Its beautiful simplicity and relative brevity makes it an ideal addition to a choral ...

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Morten Lauridsen's setting of Lux aeterna - a five-movement, non-liturgical requiem for a SATB choir and chamber orchestra/organ - is a rich and intensely moving work. Choral textures are fully explored, from the sonorous, slow unfolding of the 'I...

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O Nata Lux is a serene a cappella motet celebrating the Redeemer, and is part of the larger Lux Aeterna for Chorus, Orchestra and Organ. The changes in meter accommodate the natural rhythm of the chant. This piece is from Faber's Choral Signature ...

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Giovanni Battista Pergolesi's setting of The Magnificat for Solo Voices, Mixed Chorus and Orchestra. This Vocal Score includes a piano reduction for rehearsal purposes only. The full score and Orchestral parts are available for hire. * Full Score ...

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Firmly rooted in the tradition of large-scale English choral works, Hymnus was Nicholas Maw's first large-scale work for choir and orchestra. Written in 1996, the 30-minute work is made up of two settings of early-Christian texts, St Ambrose's Hym...

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Masterworks from Seville collects together sheet music of 10 motets from Spain's most highly regarded composers of the Renaissance-era, including Pedro and Francisco Guerrero, Morales, Escobar and Ceballos. Arranged for SATB mixed voices choir wit...

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Written for the choir of New College, Oxford, Ut Unum Sint! (That they may be one) sets words from St John's gospel in which Christ prays that all may be one. This was the title of Pope John Paul II's encyclical on church unity. Combining atmosphe...

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Haec Dies (This is the day which the Lord hath made) is a lively and rhythmic piece. It was commissioned by the choir of Clare College, Cambridge and has recently been recorded by them on the Harmonia Mundi label. It sets a joyful Latin text suita...

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Hodie was written for Portsmouth Grammar School and is an ideal opener for Christmas concerts. The soaring vocal lines are underpinned by a rhythmic and harmonically rich organ part, resulting in a joyous and accessible work suitable for choral so...

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'This Is Art' is a 506 page paperback book created for Artists and Art Students. The Lorem Ipsum is repeated throughout the entire book as a dedication to Marcus Tullius Cicero (106 BC - 45 BC) for his philosophical work titled ‘De Fini...

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The first of four volumes comprising an annotated, critical edition of the complete works of William Gager of Christ Church, Oxford (1555-1622), dramatist, poet, and like Sir Philip Sydney, pamphleteer who sought to defend the theater against Puri...

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The second of four volumes that comprise an annotated critical edition of the full output (exclusively in Latin) of Elizabethan dramatist, poet, and pamphleteer William Gager (1555-1622), with facing English translations. Volume 2 contains the pla...

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The third of four volumes in the annotated critical edition of the complete works (all in Latin, with facing English translations) of Elizabethan author Gager (1555-1622), dramatist, poet, and pamphleteer who sought to defend the theater against P...

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This book features a major new choral/orchestral work from the composer of Adiemus and The Armed Man. The 13th-century Latin sequence, set by many famous composers of the past, receives a fresh expression and intensity in Karl Jenkins' setting. Th...

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This play is a unique text for students in their first semester of Latin. Each scene uses new forms and vocabulary, thus reinforcing the students? grasp of grammar by placing it in a living context. At the same time it provides an enticing introdu...

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Aeschylus' Tragedies are here presented in the original Greek, with Latin translations, notes, scholia, and readings assembled by one of the eminent classical scholars of the nineteenth century, Samuel Butler (1774-1839). Based upon the monumental...

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Aeschylus' Tragedies are here presented in the original Greek, with Latin translations, notes, scholia, and readings assembled by one of the eminent classical scholars of the nineteenth century, Samuel Butler (1774-1839). Based upon the monumental...

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Aeschylus' Tragedies are here presented in the original Greek, with Latin translations, notes, scholia, and readings assembled by one of the eminent classical scholars of the nineteenth century, Samuel Butler (1774-1839). Based upon the monumental...

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