Howard Gutner – författare

MGM Style is an overview of the career and achievements of Hollywood’s most famous art director. Cedric Gibbons was the supervisor in charge of the art department at Metro-Goldwyn-Mayer film studios from its inception in 1924 until Gibbons chose to retire in 1956. Lavishly illustrated with over 175 pristine duotone photographs, the vast majority of which have never before been published, this is the first volume to trace Gibbons’ trendsetting career. At its height in the late 1930s and early 1940s, Gibbons was regularly acknowledged by his peers as having shaped the craft of art direction in American film; his work was recognized as representing the finest in motion picture sets and settings. Gibbons and his associates constructed the villages, towns, streets, squares and edifices that later appeared in hundreds of films, and whose mixed architecture stood in for army camps and the wild west, Dutch New York and Dickensian London, ancient China and modern Japan. Inspired by the work of Le Corbusier and the Bauhaus masters, as well as the 1925 Exposition Internationale des Arts Décoratifs at Industriels Modernes in Paris and Frank Lloyd Wright’s experiments with open planning, Gibbons championed the notion that movie decor should move beyond the commercial framework of the popular cinema

An introduction to the career of Travis Banton, one of the preeminent costume/fashion designers of Hollywood’s Celebrated “Golden Age.” Working at Paramount Pictures from 1925 through 1938, Banton was responsible for creating the on-screen images of such legendary actresses as Carole Lombard, Claudette Colbert, Mae West, and most notably Marlene Dietrich. His peers were Gilbert Adrian at MGM and Orry-Kelly at Warner Brothers; one of his proteges was the legendary designer Edith Head. Eschewing a potentially lucrative legal career, Banton attend the New York School of Fine and Applied Arts, the first school in New York City to offer courses in fashion design. This led to positions with the most famous and successful couturiéres of the day, the British Lady Duff-Gordon and Madame Frances who, despite her name, lived and worked in the United States. They both served as a training ground for Banton’s eventual move to Paramount Pictures in 1925. This celebration of his career and achievements is long overdue.