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Joseph Fasano’s The Last Song of the World delves into the chaos of the modern world, and searches for resilience in the face of environmental and societal devastation. Dripping with images of ancient ruins and mythological figures, these poems serve as vignettes of fatherhood, love, and desire against the backdrop of apocalyptic events.Through the documentation of ongoing violence and natural phenomena, Fasano depicts the ever-present anxieties of parenting with concision and compassion. The Last Song of the World is a love letter to the world that could be—a world as tender as it is bold, as loving as it is brutal, as beautiful as it is horrendous.

Nin Andrews is arguably the leading female voice in American prose poetry. In a 2005 feature on Andrews in Moby Lives, Denise Duhamel wrote, "Nin Andrews is a complete original. Gender-bending and genre-blurring, Andrews is a fabulous fabulist...Her work is always surprising, sharp and wild." In Sleeping with Houdini, Andrews speaks as a little girl who wishes she could vanish at will, just as Houdini did. As she grows, Houdini becomes a personal icon, a magical being, a muse, an ultimate lover, and a metaphor for longing. Nin Andrews is author of the highly acclaimed The Book of Orgasms and other collections.

Why God Is a Woman is a collection of poems written about a magical island where women rule and men are the second sex. It is also the story of a boy who, exiled from the island because he could not abide by its sexist laws, looks back with both nostalgia and bitterness and wonders: Why does God have to be a woman? Celebrated prose poet Nin Andrews creates a world both fantastic and familiar where all the myths, logic, and institutions support the dominance of women. Nin Andrews's books include The Book of Orgasms and Sleeping with Houdini.

Winner of the 1994 Lamont Poetry selection of The Academy of American Poets. "Kelly has a talent for coaxing out the world's ghosts and then fixing them in personal landscapes of fear and uncertainty...Smoothed by nuances of sound and rhythm, her poems exude an ambiguous wisdom, an acceptance of the sad magic that returns us constantly to the lives we might have led."--Library Journal

Poet, teacher, essayist, anthologist, songwriter and singer, Naomi Shihab Nye is one of the country's most acclaimed writers. Her voice is generous; her vision true; her subjects ordinary people, and ordinary situations which, when rendered through her language, become remarkable. In this, her fourth full collection of poetry, we see with new eyes-a grandmother's scarf, an alarm clock, a man carrying his son on his shoulders. Valentine for Ernest Mann You can't order a poem like you order a taco. Walk up to the counter and say, "I'll take two" and expect it to handed back to you on a shiny plate. Still, I like you spirit. Anyone who says, "Here's my address, write me a poem," deserves something in reply. So I'll tell a secret instead: poems hide. In the bottoms of our shoes, they are sleeping. They are the shadows drifting across our ceilings the moment before we wake up. What we have to do is live in a way that lets us find them. Once I knew a man who gave his wife two skunks for a valentine. He couldn't understand why she was crying. "I thought they had such beautiful eyes." And he was serious. He was a serious man who lived in a serious way.Nothing was ugly just because the world said so. He really liked those skunks. So, he re-invented them as valentines and they became beautiful. At least, to him. And the poems that had been hiding in the eyes of skunks for centuries crawled out and curled up at his feet. Maybe if we re-invent whatever our lives give us we find poems. Check your garage, the odd sock in your drawer, the person you almost like, but not quite. And let me know.

A new collection of narrative poems and dramatic monologues that dissolve the boundaries of poetry and prose fiction.

The long-awaited tenth collection of poetry from the Shelley Memorial Prize-winning poet Lucille Clifton.

In poems that span the time from her son's fetal stages through the first year of life, Laurie Kutchin's, The Night Path, focuses on the genesis of life. These poems express the connection between the inner and outer worlds showing the reality that is around us and the transcendence that is possible with this awareness. Winner of Isabella Gardner Poetry Award for 1997.

Buddha alarm clocks, Shiva spice racks, dying gardeners, gunned-down prostitutes, suicidal visionaries, and a god "who is shorter/and a better cook than your God" populate these poems that arrive Plus Shipping. Demanding our perception of the world in payment, Hicok shows us that time has "bones we can count/and a soul made temporal by math."

"Heat Lightning, Progress, Cat, George Orwell"--there's little the poems of Alpay Ulku do not address.