Visar resultat för..."Portico"

WINNER OF THE PORTICO PRIZE 'A distinctive new voice for fans of 'Fleabag' or Sally Rooney' Independent'Raw, intimate and authentic' The Sunday Times'Gorgeous . . . Andrews's writing is transportingly voluptuous, conjuring tastes and smells and sounds like her literary godmother, Edna O'Brien.' New York TimesWhen Lucy wins a place at university, she thinks London will unlock her future. It is a city alive with pop up bars, cool girls and neon lights illuminating the Thames at night. At least this is what Lucy expects, having grown up seemingly a world away in working-class Sunderland, amid legendary family stories of Irish immigrants and boarding houses, now defunct ice rinks and an engagement ring at a fish market. Yet Lucy's transition to a new life is more overwhelming than she ever expected. As she works long shifts to make ends meet and navigates chaotic parties from East London warehouses to South Kensington mansions, she still feels like an outsider among her fellow students. When things come to a head at her graduation, Lucy takes off for Ireland, seeking solace in her late grandfather's cottage and the wild landscape that surrounds it, wondering if she can piece together who she really is. Lyrical and boundary-breaking, Saltwater explores the complexities of mother-daughter relationships, the challenges of shifting class identity and the way that the strongest feelings of love can be the hardest to define.'Luminous' Observer'Lyrically poetic' Evening Standard'Disarmingly honest . . . I wish I had read this when I was 19.' Guardian

A leading authority on Jewish food, Leah Koenig celebrates la cucina Ebraica Romana within the pages of her new cookbook. Portico: Cooking and Feasting in Rome’s Jewish Kitchen features over 100 deeply flavourful recipes and beautiful photographs of Rome’s Jewish community, the oldest in Europe. The city’s Jewish residents have endured many hardships, including 300 years of persecution inside the Roman Jewish Ghetto. Out of this strife grew resilience, a deeply knit community and a uniquely beguiling cuisine. Today, the community thrives on Via del Portico d’Ottavia (the main road in Rome’s Ghetto)—and beyond.Leah Koenig’s recipes showcase the cuisine’s elegantly understated vegetables, saucy braised meats and stews, rustic pastas, resplendent olive oil–fried foods and never-too-sweet desserts. Home cooks can explore classics of the Roman Jewish repertoire with Stracotto di Manzo (a wine-braised beef stew), Pizza Ebraica (fruit-and-nut-studded bar cookies) and of course, Carciofi alla Giudia, the quintessential Jewish-style fried artichokes. A standout chapter on fritters—showcasing the unique gift Roman Jews have for delicate frying—includes sweet honey-soaked matzo fritters, fried salt cod and savoury potato pastries (burik) introduced by the thousands of Libyan Jews who immigrated to Rome in the 1960s and ’70s. Every recipe is masterfully tailored to the home cook, while maintaining the flavour and integrity of tradition. Suggested menus for feasts round out the usability and flexibility of these dishes.

In the Odes, Horace writes of his own work, "I have built a monument more enduring than bronze,"-a striking metaphor that hints at how the poetry and built environment of ancient Rome are inextricably linked. This fascinating work of original scholarship makes the precise and detailed argument that painted illustrations of the Trojan War, both public and private, were a collective visual resource for selected works of Virgil, Horace, and Propertius. Carefully researched and skillfully reasoned, the author's claims are bold and innovative, offering a strong interpretation of the relationship between Roman visual culture and literature that will deepen modern readings of Augustan poets. The Museum of Augustus first provides a comprehensive reconstruction of paintings from the remaining fragments of the cycle of Trojan frescoes that once decorated the Temple of Apollo in Pompeii. It then finds the echoes of these paintings in the Augustan-dated Portico of Philippus, now destroyed, which was itself a renovation of Rome's de facto temple of the Muses-in other words, a museum, both in displaying art and offering a meeting place for poets. It next examines the responses of the Augustan poets to the decorative program of this monument that was intimately connected with their own literary aspirations. The book concludes by looking at the way Horace in the Odes and Virgil in the Georgics both conceptualized their poetic projects as temples to rival the museum of Augustus.

The portico is one of the most characteristic and significant features of western architecture and, yet, perhaps, also one of the least closely observed. Redolent of Antiquity and comprising the essential vocabulary of classical architecture in the form of the orders – columns, entablatures and, usually, pediments – it evokes past glories and epitomizes the modular system of design that is central to that architecture. It has often played a key role in, or acted as a barometer of, stylistic innovations. Used widely in Antiquity, especially in temples, the portico suffered a decline following the dissolution of Roman imperial authority in the West. However, sufficient literary and physical remains survived which, when viewed in particular ways, enabled it to regain a central position in architecture, following the Renaissance. Revived in Italy, it was subsequently adopted elsewhere in Europe and eventually in this country, and it is to the tentative introduction of the portico to Britain in the early seventeenth century, its widespread use throughout the eighteenth and much of the nineteenth centuries, and the beginning of its decline towards the end of our period, that this study is devoted.

'Consuming and sexy' The Times'Unusually raw . . . so honest and hopeful' Financial Times☀️ ☀️ ☀️THE BOOK OF THE SUMMERA girl grows up in the north-east of England amid scarcity, fearing her own desires and feeling undeserving of love. Years later, living in tiny rented rooms and working in noisy bars across London and Paris, she meets someone who offers her a new way to experience the world.But when he invites her to join him in Barcelona, the promise of care makes her uneasy. In the shimmering Mediterranean heat, she is faced with both pleasure and shame, and must find out if she is able to change.'Addictive, immediate, brilliant' Helen Mort'A sharp and beguiling love story . . . Milk Teeth is a transporting, gorgeous novel' Independent

'A beautiful exploration of grief and family, written in exquisite prose and told with compassion and tenderness.' Brit Bennett, author of The Vanishing Half'Tender and honest, pulsing with love. Nzelu is the future of Black British writing.' Derek Owusu, author of That Reminds MeFrom award-winning author Okechukwu Nzelu comes a spellbinding literary novel that asks, how do you move forward when the past keeps pulling you back?Achike Okoro feels like his life is coming together at last. His top-floor flat in Peckham is as close to home as he can imagine and after years of hard work, he's about to get his break as an actor. He's even persuaded his father, Chibuike, to move in with him, grateful to offer the man who raised him as a single parent a home of his own. Between filming trips, Achike is snatching a few days in London with Ekene, his best friend of twenty years, the person who makes him feel whole. Achike can put the terrible things that happened behind him at last; everything is going to be alright. Maybe even better.But after a magical night, when Achike and Ekene come within a hair's breadth of admitting their feelings for each other, a devastating event rips all three men apart. In the aftermath, it is Ekene and Chibuike who must try to rebuild. And although they have never truly understood each other, grief may bring them both the peace and happiness they've been searching for... A heartbreaking and immensely uplifting novel about lovers, fathers and sons. If you love The Vanishing Half, Shuggie Bain or Moonlight then you'll adore this this incredibly moving book that shows the power of family - both the one into which we are born and those we choose for ourselves.What readers are saying about Here Again Now:'A deeply intimate novel. Nzelu's incisive style probes beneath his characters' layers to expose vulnerability, joy, and love... Here Again Now is a revelation.' Courttia Newland'I loved these heartbreaking characters, their flaws were never glossed over in Nzelu's work, and their humanity shines out all the brighter for that. I cannot recommend this novel enough.' Paterson Joseph'Okechukwu Nzelu is truly coming into his power as a novelist. It's a beautiful and memorable book. Watch him soar.' Niven Govinden'WOW, Nzelu is a BEAUTIFUL writer. A truly stunning love story. Heavy themes captured with grace and lightness. Tender, erotic, a total pleasure to read. Pre-order and be smug when it wins all the awards.' Daisy Buchanan'His most assured, daring work. Telling a riveting and heartbreaking tale... A gloriously moving book which willsurely collect every award going.' Harper's Bazaar'A novel of great tenderness and understanding. Nzelu's words feel both wise and fresh on the page.' Elizabeth Day 'An elegiac take on the unpredictabilities of the heart and a love that survives loss.' Paul Mendez'A book so beautiful, it makes your heart ache on every page. Utterly brilliant, I loved it.' Julie Owen Moylan'One to watch next year.' Stylist'A powerful and heartbreaking novel; Okechukwu Nzelu is a vital voice.' Andrew McMillan'Nzelu confirms his place as one of the most exciting and versatile writers of his generation.' Angela Chadwick'A transgenerational story of grief as tender, potent and nimble as love.' Kit Fan

'A beautiful exploration of grief and family, written in exquisite prose and told with compassion and tenderness.' Brit Bennett, author of The Vanishing Half'Tender and honest, pulsing with love. Nzelu is the future of Black British writing.' Derek Owusu, author of That Reminds MeFrom award-winning author Okechukwu Nzelu comes a spellbinding literary novel that asks, how do you move forward when the past keeps pulling you back?Achike Okoro feels like his life is coming together at last. His top-floor flat in Peckham is as close to home as he can imagine and after years of hard work, he's about to get his break as an actor. He's even persuaded his father, Chibuike, to move in with him, grateful to offer the man who raised him as a single parent a home of his own. Between filming trips, Achike is snatching a few days in London with Ekene, his best friend of twenty years, the person who makes him feel whole. Achike can put the terrible things that happened behind him at last; everything is going to be alright. Maybe even better.But after a magical night, when Achike and Ekene come within a hair's breadth of admitting their feelings for each other, a devastating event rips all three men apart. In the aftermath, it is Ekene and Chibuike who must try to rebuild. And although they have never truly understood each other, grief may bring them both the peace and happiness they've been searching for... A heartbreaking and immensely uplifting novel about lovers, fathers and sons. If you love The Vanishing Half, Shuggie Bain or Moonlight then you'll adore this this incredibly moving book that shows the power of family - both the one into which we are born and those we choose for ourselves.What readers are saying about Here Again Now:'A deeply intimate novel. Nzelu's incisive style probes beneath his characters' layers to expose vulnerability, joy, and love... Here Again Now is a revelation.' Courttia Newland'I loved these heartbreaking characters, their flaws were never glossed over in Nzelu's work, and their humanity shines out all the brighter for that. I cannot recommend this novel enough.' Paterson Joseph'Okechukwu Nzelu is truly coming into his power as a novelist. It's a beautiful and memorable book. Watch him soar.' Niven Govinden'WOW, Nzelu is a BEAUTIFUL writer. A truly stunning love story. Heavy themes captured with grace and lightness. Tender, erotic, a total pleasure to read. Pre-order and be smug when it wins all the awards.' Daisy Buchanan'His most assured, daring work. Telling a riveting and heartbreaking tale... A gloriously moving book which willsurely collect every award going.' Harper's Bazaar'A novel of great tenderness and understanding. Nzelu's words feel both wise and fresh on the page.' Elizabeth Day 'An elegiac take on the unpredictabilities of the heart and a love that survives loss.' Paul Mendez'A book so beautiful, it makes your heart ache on every page. Utterly brilliant, I loved it.' Julie Owen Moylan'One to watch next year.' Stylist'A powerful and heartbreaking novel; Okechukwu Nzelu is a vital voice.' Andrew McMillan'Nzelu confirms his place as one of the most exciting and versatile writers of his generation.' Angela Chadwick'A transgenerational story of grief as tender, potent and nimble as love.' Kit Fan

This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the sixteenth and early seventeenth centuries, it tells the story of how an element of the garden—the pergola—became a pictorial topos in portico decoration, and evolved, hand in hand with its real cousin in the garden, into an object for cultural emulation among the educated patrons of early modern Rome. The liminality of both the portico and the pergola at the interface of architecture and garden is key to the interpretation of these architectural and painted forms, which rests on the intersecting frameworks of the classical tradition, natural history, and the cultural identity of the aristocracy. In the mediating space of the Renaissance portico, the illusionism pergola created an art gallery, a natural history museum, and a virtual garden where one could engage in leisurely strolls, learned conversations, appreciation of art, and scientific investigation, as well as extensive travel across time and space. The book proposes the interpretation that the illusionistic pergola was an artistic formula for the early modern perception of nature.

In the Western world, cities have arguably never been more anxious: practical anxieties about personal safety and metaphysical anxieties about the uncertain place of the city in culture are the small change of journalism and political debate. Cities have long been regarded as problems, in need of drastic solutions. In this context, the contemporary revival of city centres is remarkable. But in a culture that largely fears the urban, how can the contemporary city be imagined? How is it supposed to be used or inhabited? What does it mean? Taking England since WWII as its principal focus, this provocative and original book considers the Western city at a critical moment in its history.

In the Western world, cities have arguably never been more anxious: practical anxieties about personal safety and metaphysical anxieties about the uncertain place of the city in culture are the small change of journalism and political debate. Cities have long been regarded as problems, in need of drastic solutions. In this context, the contemporary revival of city centres is remarkable. But in a culture that largely fears the urban, how can the contemporary city be imagined? How is it supposed to be used or inhabited? What does it mean? Taking England since WWII as its principal focus, this provocative and original book considers the Western city at a critical moment in its history.

The description for this book, Hadrian and the City of Rome, will be forthcoming.

Few sources reveal the life of the ancient Romans as vividly as do the houses preserved by the eruption of Vesuvius. Wealthy Romans lavished resources on shaping their surroundings to impress their crowds of visitors. The fashions they set were taken up and imitated by ordinary citizens. In this illustrated book, Andrew Wallace-Hadrill explores the rich potential of the houses of Pompeii and Herculaneum to offer new insights into Roman social life. Exposing misconceptions derived from contemporary culture, he shows the close interconnection of spheres we take as discrete: public and private, family and outsiders, work and leisure. Combining archaeological evidence with Roman texts and comparative material from other cultures, Wallace-Hadrill raises a range of new questions. How did the organization of space and the use of decoration help to structure social encounters between owner and visitor, man and woman, master and slave? What sort of "households" did the inhabitants of the Roman house form? How did the world of work relate to that of entertainment and leisure? How widely did the luxuries of the rich spread among the houses of craftsmen and shopkeepers?Through analysis of the remains of over two hundred houses, Wallace-Hadrill reveals the remarkably dynamic social environment of early imperial Italy, and the vital part that houses came to play in defining what it meant "to live as a Roman."

The Greek military victories at Marathon, Salamis, and Plataia during the Persian Wars profoundly shaped fifth-century politics and culture. By long tradition, the victors commemorated their deliverance by dedicating thank-offerings in the sanctuaries of their gods, and the Athenians erected no fewer than ten new temples and other buildings. Because these buildings were all at some stage of construction during the political ascendency of Perikles, in the third quarter of the fifth century, modern writers refer to them collectively as the Periklean building program. In Trophies of Victory, T. Leslie Shear, Jr., who directed archaeological excavations at the Athenian Agora for more than twenty-five years, provides the first comprehensive account of the Periklean buildings as a group. This richly illustrated book examines each building in detail, including its archaeological reconstruction, architectural design, sculptural decoration, chronology, and construction history. Shear emphasizes the Parthenon's revolutionary features and how they influenced smaller contemporary temples.He examines inscriptions that show how every aspect of public works was strictly controlled by the Athenian Assembly. In the case of the buildings on the Acropolis and the Telesterion at Eleusis, he looks at accounts of their overseers, which illuminate the administration, financing, and organization of public works. Throughout, the book provides new details about how the Periklean buildings proclaimed Athenian military prowess, aggrandized the city's cults and festivals, and laid claim to its religious and cultural primacy in the Greek world.

Volume 1 of 2. Lorenzo Ghiberti, sculptor and towering figure of the Renaissance, was the creator of the celebrated Bronze Doors of the Baptistery at Florence, a work that occupied him for twenty years and became known (at Michelangelo's suggestion, according to tradition) as the Doors of Paradise. Here Richard Krautheimer takes what Charles S. Seymour, Jr., describes as "a fascinating journey into the mind, career, and inventiveness of one of the indisputably outstanding sculptors of all the Western tradition." This one-volume edition includes an extensive new preface and bibliography by the author.Richard Krautheimer, Professor Emeritus of the Institute of Fine Arts at New York University, currently lives in Rome. He is the author of numerous works, including the Pelican Early Christian and Byzantine Architecture and Rome: Profile of a City, 312-1308 (Princeton).Princeton Monographs in Art and Archaeology, 31.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Volume 1 of 2. Lorenzo Ghiberti, sculptor and towering figure of the Renaissance, was the creator of the celebrated Bronze Doors of the Baptistery at Florence, a work that occupied him for twenty years and became known (at Michelangelo's suggestion, according to tradition) as the Doors of Paradise. Here Richard Krautheimer takes what Charles S. Seymour, Jr., describes as "a fascinating journey into the mind, career, and inventiveness of one of the indisputably outstanding sculptors of all the Western tradition." This one-volume edition includes an extensive new preface and bibliography by the author.Richard Krautheimer, Professor Emeritus of the Institute of Fine Arts at New York University, currently lives in Rome. He is the author of numerous works, including the Pelican Early Christian and Byzantine Architecture and Rome: Profile of a City, 312-1308 (Princeton).Princeton Monographs in Art and Archaeology, 31.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.