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INFPs are guided by strong principles; you will find them frequently lost in their imagination and daydreams. In this book you will find seven short stories specially selected to please the tastes of the INFP. These are stories by renowned authors that will surely bring reflections, insights and fun to people with this kind of personality.This book contains:Letter to Menoeceus by Epicurus.The Skylight Room by O. Henry.The Model Millionaire by Oscar Wilde.The Little Girl by Katherine Mansfield.Kew Gardens by Virginia Woolf.Two Friends by Guy de Maupassant.The Rocking-Horse Winner by D. H. Lawrence.For more books that will suit you, be sure to check out our Two Classic Novels your Myers-Briggs Type Will Love collection!***Cover Image: William Shakespeare (1564 - 1616), the greatest writer in the English language and INFP.

This book explores the history of Russian peasant bride theft - abduction, capture - from the adoption of Christianity in Kievan Rus in the late tenth century to the very early twentieth century. It argues that bride theft in eighteenth and nineteenth century Russia was practised in large part by, but not exclusively by, Old Believers, the schismatics who rejected the Church reforms of the mid-seventeenth century and shunned contact with the Orthodox Church; and that the point of bride theft, where the bride was often a willing party, often married secretly at night by an Orthodox priest acting illegally, was to absolve the bride and her parents of the responsibility for engaging in a formal Orthodox ritual which Old Believers regarded as sinful. The book also considers how bride theft originated much earlier in Russia and was a continuing tradition in some places, and how all this fitted into the Russian peasant economy. Throughout the book provides rich details of particular bride theft cases, of Russian peasant life, and of Russian folklore, in particular bridal laments.

This book explores the history of Russian peasant bride theft - abduction, capture - from the adoption of Christianity in Kievan Rus in the late tenth century to the very early twentieth century. It argues that bride theft in eighteenth and nineteenth century Russia was practised in large part by, but not exclusively by, Old Believers, the schismatics who rejected the Church reforms of the mid-seventeenth century and shunned contact with the Orthodox Church; and that the point of bride theft, where the bride was often a willing party, often married secretly at night by an Orthodox priest acting illegally, was to absolve the bride and her parents of the responsibility for engaging in a formal Orthodox ritual which Old Believers regarded as sinful. The book also considers how bride theft originated much earlier in Russia and was a continuing tradition in some places, and how all this fitted into the Russian peasant economy. Throughout the book provides rich details of particular bride theft cases, of Russian peasant life, and of Russian folklore, in particular bridal laments.

Formerly a British colony, the island of Cyprus is now a divided country, where histories of political and cultural conflicts, as well as competing identities, are still contested. Cyprus provides the ideal case study for this innovative exploration, extensively illustrated, of how the practice of photography in relation to its political, cultural and economic contexts both contributes and responds to the formation of identity. Contributors from Cyprus, Greece, the UK and the USA, representing diverse disciplines, draw from photography theory, art history, anthropology and sociology to explore how the island and its people have been represented photographically. They reveal how the different gazes- colonial, political, gendered, and within art photography- contribute to the creation of individual and national identities and, by extension, to the creation and re-creation of imagery of Cyprus as place. While Photography and Cyprus focuses on one geographical and cultural territory, the questions this book asks and the themes and arguments it follows apply also to other places characterized by their colonial heritage. The intriguing example of Cyprus thus serves as a fitting test-ground for current debates relating to photography, place and identity.

To understand Russian history without understanding serfdom--the peasant-lord relationship that shaped Russia for centuries--is impossible. Still, before Jerome Blum, no scholar had tackled the subject in depth. Monumental in scope and pathbreaking in its analysis, Lord and Peasant in Russia garnered immediate attention upon its publication in 1961, a year that also marked the one hundredth anniversary of the emancipation of the Russian serfs. As one reviewer remarked, "No better book on the subject exists; it is indispensable to the serious student of Russia." On a scale befitting Russia--a sixth of the earth's land mass--Blum's book explored in almost seven hundred pages the legal and social evolution of its predominantly agricultural population, the types of peasant status, and the multifaceted nature of the master-peasant relationship. More important, Blum was the first to articulate the necessity of placing serfs front and center in the study of Russian history. As a reviewer for the Economist wrote, "Mr. Blum has written not just a monograph on landlords and peasants in Russia but a history of Russia from a particular point of view.There is no denying that the history of a country where ...a bare 13 percent of the population was urban can with impunity be written in terms of landlords and peasants." In 1962, it was awarded the Herbert Baxter Adams Prize of the American Historical Association; it remains a cornerstone of Russian historiography.