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In the tumultuous and vivid history of New Kingdom Egypt, Ramesses III's reign was prosperous and culturally rich. He fended off attacks by the "Sea Peoples" and others who threatened the state, he built the great temple of Medinet Habu, and he left wonderfully complete documents describing contemporary social structure and the economy. Amazingly, we even have an account from a contemporary judicial document that describes events leading to Ramesses III's assassination. This edited collection presents a detailed and informative look at the life, career, and world of one of Egypt's most important pharaohs, providing insight both on his reign and its aftermath and on the study of the political and cultural history of ancient Egypt. This collection offers the best new scholarship on Ramesses III, with contributions from Christopher J. Eyre; Ogden Goelet, Jr.; Peter W. Haider; Carolyn R. Higginbotham; Kenneth A. Kitchen; Bojana Mojsov; Steven R. Snape; Emily Teeter; and James M. Weinstein, as well as from David O'Connor and Eric H. Cline. It will be of interest to those with an informed amateur's interest in Egyptology as well as to scholars of Egyptian and biblical archaeology.

Thriving as a Graduate Writer offers a comprehensive guide to the multifaceted challenges of writing in graduate school. It shows readers how to think about academic writing, how to manage an academic text, and how to establish an effective writing practice. Graduate students from all disciplines will find concrete strategies and motivation for the enterprise of academic writing. Intended for both multilingual writers and those for whom English is a first language, Thriving as a Graduate Writer offers essential writing support in quick, easily digestible chunks.Readers of Thriving as a Graduate Writer will:- Learn how to establish an effective writing practice- ​Discover how to position themselves as competent and engaged writers- Learn how to structure their writing, craft effective sentences, and create movement with a text- Develop processes for draft revisions- Create individual writing strategies that will last throughout their careers

This foundational work in postmodern philosophy and cultural theory explores how contemporary society has replaced reality and meaning with symbols and signs, leading to a condition Baudrillard calls “hyperreality.” In his provocative treatise, Baudrillard examines the implications of a world where simulations (copies without originals) precede and shape what we consider real, blurring the boundary between reality and representation. Through analysis of mass media, consumer culture, and technological influence, he argues that modern life is dominated by "simulacra," images and concepts that no longer refer to any authentic reality but instead reference each other, creating an endless cycle of signification detached from truth. With references ranging from Disneyland to the news media, this book offers a challenging critique of how people in the late twentieth century and beyond perceive, construct, and interact with the world, underlining the instability of meaning in a media-saturated culture.

John Coltrane was a key figure in jazz, a pioneer in world music, and an intensely emotional force whose following continues to grow. This new biography, the first by a professional jazz scholar and performer, presents a huge amount of never-before-published material, including interviews with Coltrane, photos, genealogical documents, and innovative musical analysis that offers a fresh view of Coltrane's genius.Compiled from scratch with the assistance of dozens of Coltrane's colleagues, friends, and family, John Coltrane: His Life and Music corrects numerous errors from previous biographies. The significant people in Coltrane's life were reinterviewed, yielding new insights; some were interviewed for the first time ever. The musical analysis, which is accessible to the nonspecialist, makes its own revelations--for example, that some of Coltrane's well-known pieces are based on previously unrecognized sources. The Appendix is the most detailed chronology of Coltrane's performing career ever compiled, listing scores of previously unknown performances from the 1940s and early 1950s.Coltrane has become a musical inspiration for thousands of fans and musicians and a personal inspiration to as many more. For all of these, Porter's book will become the definitive resource--a reliable guide to the events of Coltrane's life and an insightful look into his musical practices.". . . well researched, musically knowledgeable, and enormously interesting to read. Porter is a jazz scholar with deep knowledge of the tradition he is studying, both conceptually and technically." --Richard Crawford, University of Michigan"Lewis Porter is a meticulous person with love and respect for Afro-American classical music. I applaud this definitive study of my friend John Coltrane's life adn achievements." --Jimmy Heath, jazz saxophonist, composer, educatorLewis Porter is Associate Professor of Music, Rutgers University in Newark. A leading jazz scholar, he is the author of Jazz Readings from a Century of Change and coauthor of Jazz: From Its Origins to the Present. He was a project consultant on The Complete Atlantic Recordings of John Coltrane, which was nominated for a Grammy Award for Best Historical Reissue, and an editor and assisting author of the definitive Coltrane discography by Y. Fujioka.

Defending the Holy Land is the most comprehensive analysis to date of Israel's national security and foreign policy, from the inception of the State of Israel to the present. Author Zeev Maoz's unique double perspective, as both an expert on the Israeli security establishment and esteemed scholar of Mideast politics, enables him to describe in harrowing detail the tragic recklessness and self-made traps that pervade the history of Israeli security operations and foreign policy.Most of the wars in which Israel was involved, Maoz shows, were entirely avoidable, the result of deliberate Israeli aggression, flawed decision-making, and misguided conflict management strategies. None, with the possible exception of the 1948 War of Independence, were what Israelis call "wars of necessity." They were all wars of choice-or, worse, folly.Demonstrating that Israel's national security policy rested on the shaky pairing of a trigger-happy approach to the use of force with a hesitant and reactive peace diplomacy, Defending the Holy Land recounts in minute-by-minute detail how the ascendancy of Israel's security establishment over its foreign policy apparatus led to unnecessary wars and missed opportunites for peace.A scathing and brilliant revisionist history, Defending the Holy Land calls for sweeping reform of Israel's foreign policy and national security establishments. This book will fundamentally transform the way readers think about Israel's troubled history. Zeev Maoz is Professor of Political Science at the University of California, Davis. He is the former head of the Graduate School of Government and Policy and of the Jaffee Center for Strategic Studies at Tel Aviv University, as well as the former academic director of the M.A. Program at the Israeli Defense Forces' National Defense College. Cover photograph: Israel, Jerusalem, Western Wall and The Dome of The Rock. Courtesy of Corbis.

In this classic study, Sidney Fine portrays the dramatic events of the 1936–37 Flint Sit-down Strike against General Motors, which catapulted the UAW into prominence and touched off a wave of sit-down strikes across the United States. Basing his account on an impressive variety of manuscript sources, Fine analyzes the strategy and tactics of GM and the UAW, describes the life of the workers in the occupied plants, and examines the troubled governmental and public reaction to the alleged breakdown of law and order in the strikes. In addition, Fine provides vivid portraits of the major figures on both sides of the conflict: Governor Frank Murphy; Alfred Sloan, Jr.; William Knudsen; Robert Travis; Roy, Victor, and Walter Reuther; Homer Martin; and Wyndham Mortimer. The GM sit-down strike marks the close of one era of labor-management relations in the United States and the beginning of another. A half century after its initial publication, Fine’s work remains the definitive account of that momentous conflict. A new foreword by Kim Moody’s revisits Sit-Down in order to demonstrate its continued relevance to today’s unions, workers, and activists.

In What Music Did, experimental filmmaker and violinist Tony Conrad explores in depth the relationship between music and mathematics. A work of decades that was left unfinished at the time of his death in 2016, Conrad’s expansive history of the interrelationship of music and mathematics is published here for the first time. Editor Patrick Nickleson describes Conrad’s method as that of an anarchic, interarts haberdasher; much of the research comes from musty and out-of-print sources, giving the impression that Conrad followed paths opened up for him in used book shops and conversations, rather than seeking a direct scholarly argument. Throughout the book, readers encounter scenes from over two thousand years of history, mathematics, and music: Pythagoras using pebbles to articulate didactic number games to his disciples; Galileo fretting a hill and listening with a musician’s ear to calculate the rate of acceleration under gravity; Rameau trapping Western music in a five-limit tuning system, and what could have been if he were more adept with numbers. Even when drawing on classical sources to explore canonical figures like Saint Augustine, What Music Did offers idiosyncratic critical insights that highlight our ongoing cultural reverence when answers result in simple whole number ratios like 3:2, 4:3, or 5:4. What Music Did is Tony Conrad’s extended indictment of music’s role, from the Pythagoreans to the twentieth century, in upholding the use of number as a clandestine and circumscribed armature of power.

Montesquieu & Rousseau provides, for the first time in English, two essays by Emile Durkheim on his chief eighteenth-century predecessors in the main stream of Western thought. Durkheim recognized that Montesquieu had laid down the principles of sociology long before that young science had a name and that Rousseau, too, spoke as a sociologist in The Social Contract. With his characteristic blend of reason and fervor, he enlarged upon these forerunners to create the fundamental ideas of modern sociology. The essays are valuable for what they tell us of Montesquieu and Rousseau. They are doubly important to readers who are directly concerned with political philosophy and social science. And, as Henri Peyre points out in the Foreword, they are an example of how the best minds of any age can serve each other.

The advent of the Arab Spring in late 2010 was a hopeful moment for partisans of progressive change throughout the Arab world. Authoritarian leaders who had long stood in the way of meaningful political reform in the countries of the region were either ousted or faced the possibility of political if not physical demise. The downfall of long-standing dictators as they faced off with strong-willed protesters was a clear sign that democratic change was within reach. Throughout the last ten years, however, the Arab world has witnessed authoritarian regimes regaining resilience, pro-democracy movements losing momentum, and struggles between the first and the latter involving regional and international powers.This volume explains how relevant political players in Arab countries among regimes, opposition movements, and external actors have adapted ten years after the onset of the Arab Spring. It includes contributions on Egypt, Morocco, Kuwait, Saudi Arabia, Syria, Algeria, Sudan, Lebanon, Iraq, Jordan, Yemen, and Tunisia. It also features studies on the respective roles of the United States, China, Iran, and Turkey vis-à-vis questions of political change and stability in the Arab region, and includes a study analyzing the role of Saudi Arabia and its allies in subverting revolutionary movements in other countries.

This timely collaboration by three prominent scholars of media-based performance presents a new model for understanding and analyzing theater and performance created and experienced where time-based, live events, and mediated technologies converge–particularly those works conceived and performed explicitly within the context of contemporary digital culture. Performance and Media introduces readers to the complexity of new media-based performances and how best to understand and contextualize the work. Each author presents a different model for how best to approach this work, while inviting readers to develop their own critical frameworks, i.e., taxonomies, to analyze both past and emerging performances. Performance and Media capitalizes on the advantages of digital media and online collaborations, while simultaneously creating a responsive and integrated resource for research, scholarship, and teaching. Unlike other monographs or edited collections, this book presents the concept of multiple taxonomies as a model for criticism in a dynamic and rapidly changing field.

This volume of essays is the first comprehensive publication in English of the work of Miyake Hitoshi, a distinguished scholar of Shugendō (mountain asceticism) and one of the foremost researchers on Japanese folk religion. Miyake defines folk religion as “religion that merges from the necessities of community life.” In Miyake’s systematic methodological and theoretical approach, Shugendō is a classic example of Japanese folk religion, for it blends many traditions (shamanism, Taoism, Buddhism, and Shinto) into a distinctive Japanese religious worldview and is typical of Japanese religion generally. The first part of this book is devoted to Shugendō’s history, organization, ritual, austerities, thought, and cosmology. Related subjects include exorcism and the exclusion of women. The second part of the book provides research and reflection on Japanese folk religion, including essays on the idea of nature, worldly benefits, new religions, death and rebirth, and the structure of folk religion. Shugendō: Essays on the Structure of Japanese Folk Religion clarifies much of the logic behind Japanese religious syncretism. It is essential reading not only for those interested in Japanese history, culture, and religion but also for those studying world religions and folk culture.

This book investigates the relationships between modern mathematics and science (in particular, quantum mechanics) and the mode of theorizing that Arkady Plotnitsky defines as "nonclassical" and identifies in the work of Bohr, Heisenberg, Lacan, and Derrida. Plotinsky argues that their scientific and philosophical works radically redefined the nature and scope of our knowledge. Building upon their ideas, the book finds a new, nonclassical character in the "dream of great interconnections" Bohr described, thereby engaging with recent debates about the "two cultures" (the humanities and the sciences).Plotnitsky highlights those points at which the known gives way to the unknown (and unknowable). These points are significant, he argues, because they push the boundaries of thought and challenge the boundaries of disciplinarity. One of the book's most interesting observations is that key figures in science, in order to push toward a framing of the unknown, actually retreated into a conservative disciplinarity. Plotnitsky's informed, interdisciplinary approach is more productive than the disparaging attacks on postmodernism or scientism that have hitherto characterized this discourse.Arkady Plotnitsky is Professor of English and Director, Theory and Cultural Studies Program, Purdue University. Trained in both mathematics and literary theory, he is author of several books, including In the Shadow of Hegel: Complementarity, History and the Unconscious and Reconfigurations: Critical Theory and General Economy.

Recent feminist and psychoanalytic accounts of mothering have been profoundly shaped by the work of Melanie Klein, D. W. Winnicott, Nancy Chodorow, and Julia Kristeva. Although their work spans many decades, these writers share the goal of understanding object relations, that is, the child's relation to internalized "objects" —most often the mother, as the child's first caretaker. Doane and Hodges chart the development of "mother-centered" psychoanalysis and its influence on feminist thought in a number of fields and show how the effort to elevate the importance of the mother has become implicated in the current effort to restrict possibilities for women to "opportunities" associated with hearth and home. The authors argue that discussions of the maternal role always exist within an ideological framework in which they are purveyed to particular groups at particular times. In our own historical moment, ideas of maternal propriety have been vigorously argued, as in custody battles, where experts debate whether or not individual women are "good enough" mothers. From Klein to Kristeva traces the ways in which object-relations accounts of mothering have worked to encourage the view that "good enough" mothers find "their whole self" at home. What does this view of mothering mean for working women? How does it help promote arguments that "fetal rights" are more important than a mother's own desires? By recovering the historial context of object-relations theory and closely attending to the language of important theorists, Doane and Hodges make visible the extraordinary influence of object relations on the discourses in many fields and demonstrate the power of psychological theory to shape both popular and academic discussions of maternal propriety.

Concepts of International Relations, for Students and Other Smarties is not a stereotypical textbook, but an instructive, entertaining, and motivating introduction to the field of International Relations (IR). Rather than relying on figures or tables, this book piques the reader’s interest with a pithy narrative that presents apposite nutshell examples, stresses historical breaks, and throws in the odd pun. Based on Iver B. Neumann’s introductory lectures to his students at the London School of Economics, this book is proven for the classroom. In a relaxed style, Neumann introduces the long-term historical emergence of concepts such as state (European), state (global), empire, nonstate agents, foreign policy, state system, nationalism, globalization, security, international society, great powers, diplomacy, war and peace, balance of power, international law, power and sovereignty, intervention, gender, and class. He demonstrates how such phenomena have been understood in different ways over time. First, the reader learns how the use of concepts is an integral part of politics. Second, the reader sees how social change has worked in the past, and is working now. Third, the book demonstrates how historical and social context matters in ongoing international relations.

Why do engineers "report" while philosophers "argue" and biologists "describe"? In the Michigan Classics Edition of Disciplinary Discourses: Social Interactions in AcademicWriting, Ken Hyland examines the relationships between the cultures of academic communities and their unique discourses. Drawing on discourse analysis, corpus linguistics, and the voices of professional insiders, Ken Hyland explores how academics use language to organize their professional lives, carry out intellectual tasks, and reach agreement on what will count as knowledge. In addition, Disciplinary Discourses presents a useful framework for understanding the interactions between writers and their readers in published academic writing. From this framework, Hyland provides practical teaching suggestions and points out opportunities for further research within the subject area.As issues of linguistic and rhetorical expression of disciplinary conventions are becoming more central to teachers, students, and researchers, the careful analysis and straightforward style of Disciplinary Discourses make it a remarkable asset.The Michigan Classics Edition features a new preface by the author and a new foreword by John M. Swales.

"Jill Dolan is the theatre's most astute critic, and this new book is perhaps her most important. Utopia in Performance argues with eloquence and insight how theatre makes a difference, and in the process demonstrates that scholarship matters, too. It is a book that readers will cherish and hold close as a personal favorite, and that scholars will cite for years to come."---David Román, University of Southern CaliforniaWhat is it about performance that draws people to sit and listen attentively in a theater, hoping to be moved and provoked, challenged and comforted? In Utopia in Performance, Jill Dolan traces the sense of visceral, emotional, and social connection that we experience at such times, connections that allow us to feel for a moment not what a better world might look like, but what it might feel like, and how that hopeful utopic sentiment might become motivation for social change. She traces these "utopian performatives" in a range of performances, including the solo performances of feminist artists Holly Hughes, Deb Margolin, and Peggy Shaw; multicharacter solo performances by Lily Tomlin, Danny Hoch, and Anna Deavere Smith; the slam poetry event Def Poetry Jam; The Laramie Project; Blanket, a performance by postmodern choreographer Ann Carlson; Metamorphoses by Mary Zimmerman; and Deborah Warner's production of Medea starring Fiona Shaw. While the book richly captures moments of "feeling utopia" found within specific performances, it also celebrates the broad potential that performance has to provide a forum for being human together; for feeling love, hope, and commonality in particular and historical (rather than universal and transcendent) ways.

This second, revised edition of a pioneering volume, long out of print, presents translations of Japanese Zen poems on sorrow, old age, homesickness, the seasons, the ravages of time, solitude, the scenic beauty of the landscape of Japan, and monastic life. Composed by Japanese Zen monks who lived from the last quarter of the thirteenth century to the middle of the fifteenth century, these poems represent a portion of the best of the writing called in Japanese gozan bungaku, “literature of the five mountains.” “Five mountains” or “five monasteries” refers to the system by which the Zen monasteries were hierarchically ordered and governed. For the monks in the monasteries, poetry functioned as a means not only of expressing religious convictions and personal feelings but also of communicating with others in a civilized and courteous fashion. Effacing barriers of time and space, the practice of Chinese poetry also made it possible for Japanese authors to feel at one with their Chinese counterparts and the great poets of antiquity. This was a time when Zen as an institution was being established and contact with the Chinese mainland becoming increasingly frequent—ten of the sixteen poets represented here visited China. Marian Ury has provided a short but substantial introduction to the Chinese poetry of Japanese gozan monasteries, and her translations of the poetry are masterful. Poems of the Five Mountains is an important work for anyone interested in Japanese literature, Chinese literature, East Asian Religion, and Zen Buddhism.

The oldest and most extensive written language of Southeast Asia is Old Javanese, or Kawi. It is the oldest language in terms of written records, and the most extensive in the number and variety of its texts. Javanese literature has taken many forms. At various times, prose stories, sung poetry or other metrical types, chronicles, scientific, legal, and philosophical treatises, prayers, chants, songs, and folklore were all written down. Yet relatively few texts are available in English. The unstudied texts remaining are an unexplored record of Javanese culture as well as a language still alive as a literary medium in Bali. Introduction to Old Javanese Language and Literature represents a first step toward remedying the dearth of Old Javanese texts available to English-speaking students. The ideal teaching companion, this anthology offers transliterated original texts with facing-page English translations. Theanthology focuses on prose selections, since their straightforward style and syntax offer the beginning student the most rewarding experience. Four sections make up the collection. Part I offers several short readings as the most accessible entry point into Old Javanese. Part II contains two moralistic fables from an Old Javanese retelling of the Hindu Pañcatantra cycle. Part III takes up the epic, providing excerpts from one of the books of the Old Javanese retelling of the Mahābhārata. Part IV offers excerpts from two chronicles, the generic conventions of which challenge received notions of history writing because of their supernaturalism and folkloric elements. Includes introduction, glossary, and notes.

Kafū the Scribbler is neither pure biography nor pure criticism nor yet a pure anthology, but a blending of the three. It is an introduction to Nagai Kafū and his city, accompanied by a fairly generous sampling from his works. Marleigh Ryan writes: “In this book Edward Seidensticker presents a unique combination of biography and literary criticism by skillfully interweaving details of the life of Nagai Kafū with studies of his writing. With quotations of from Kafū’s fiction and nonfiction alike, Seidensticker is able to reconstruct many incidents in the author’s life which had previously been little understood. The latter half of the book is given over to translations of short stories and to selections from two novels and a journal. Seidensticker has thoughtfully given cross references to the material in both parts of the book which enable the reader to handle this wealth of material with some dexterity. “Seidensticker’s skill as a translator is so well established that it seems almost unnecessary to comment on it further here but one cannot help being impressed by his rendering of Kafū’s lyrical style. As we realize when reading the critical material, there is remarkably little plot or character development in Kafū’s fiction. His position as leading modern writer is dependent to a considerable degree upon the beauty and grace of his style, and we are fortunate indeed to have such masterful translations as these to convey that style.”* *Ryan, Marleigh. Journal of the American Oriental Society 88, no. 3 (1968): 624. doi:10.2307/596924.

State of War represents a fundamental revision of Japanese history. By illuminating Japan through the lens of war, Thomas Conlan provides insight into how state and society functioned, as opposed to how they were portrayed in ideal. Conlan recreates the experience of war from the perspective of one warrior and then reconstructs how war was fought through statistical analysis of surviving casualty records. State of War also shows that tThe battles of the 14th century mark a watershed in Japanese history. The fiscal exigencies of waging war led to a devolution of political power to the provinces. Furthermore, the outbreak of war caused social status to become performative, based upon the ability to fight autonomously, rather than being prescriptive, or determined by edicts of investiture. TBridging the intellectual gulf between the 14th and 20th centuries, Conlan also explores how the seemingly contradictory categories of “religion” and “war” were integrally related. The 14th-century belief that the outcome of battle was determined by the gods meant that religious institutions warred both ritually and physically, and that religious attitudes frequently underpinned warrior behavior. Based on diverse sources, including documents, picture scrolls, medical and religious texts, and chronicles, State of War rehabilitates warfare as a focal point of historical inquiry and provides a fascinating new overview of premodern Japanese history.

Foucault and the Government of Disability considers the continued relevance of Foucault to disability studies, as well as the growing significance of disability studies to understandings of Foucault. A decade ago, this international collection provocatively responded to Foucault’s call to question what is regarded as natural, inevitable, ethical, and liberating. The book’s contributors draw on Foucault to scrutinize a range of widely endorsed practices and ideas surrounding disability, including rehabilitation, community care, impairment, normality and abnormality, inclusion, prevention, accommodation, and special education. In this revised and expanded edition, four new essays extend and elaborate the lines of inquiry by problematizing (to use Foucault’s term) the epistemological, political, and ethical character of the supercrip, the racialized war on autism, the performativity of intellectual disability, and the potent mixture of neoliberalism and biopolitics in the context of physician-assisted suicide.“[A]n important, prescient, and necessary contribution…a kind of litmus test for the efficacy of Foucault’s concepts in the study of disability, concepts that lead to a refusal of the biological essentialism implied in the disability/impairment binary.”—Foucault Studies“Tremain has done an exceptional job at organizing and procuring important, rigorously argued, and entertaining essays…. This book should be a mandatory read for anyone interested in contemporary philosophical debates surrounding the experience of disability."—Essays in Philosophy“A beautiful exploration of how Foucault’s analytics of power and genealogies of discursive knowledges can open up new avenues for thinking critically about phenomena that many of us take to be inevitable and thus new ways of resisting and possibly at times redirecting the forces that shape our lives. Every scholar, every person with an interest in Foucault or in political theory generally, needs to read this book.”—Ladelle McWhorter, University of Richmond

Half a century after the Holocaust, on European soil, Bosnian Serbs orchestrated a system of concentration camps where they subjected their Bosniak Muslim and Bosnian Croat neighbors to torture, abuse, and killing. Foreign journalists exposed the horrors of the camps in the summer of 1992, sparking worldwide outrage. This exposure, however, did not stop the mass atrocities. Hikmet Karčić shows that the use of camps and detention facilities has been a ubiquitous practice in countless wars and genocides in order to achieve the wartime objectives of perpetrators. Although camps have been used for different strategic purposes, their essential functions are always the same: to inflict torture and lasting trauma on the victims.Torture, Humiliate, Kill develops the author’s collective traumatization theory, which contends that the concentration camps set up by the Bosnian Serb authorities had the primary purpose of inflicting collective trauma on the non-Serb population of Bosnia and Herzegovina. This collective traumatization consisted of excessive use of torture, sexual abuse, humiliation, and killing. The physical and psychological suffering imposed by these methods were seen as a quick and efficient means to establish the Serb “living space.” Karčić argues that this trauma was deliberately intended to deter non-Serbs from ever returning to their pre-war homes. The book centers on multiple examples of experiences at concentration camps in four towns operated by Bosnian Serbs during the war: Prijedor, Bijeljina, Višegrad, and Bileća. Chosen according to their political and geographical position, Karčić demonstrates that these camps were used as tools for the ethno-religious genocidal campaign against non-Serbs. Torture, Humiliate, Kill is a thorough and definitive resource for understanding the function and operation of camps during the Bosnian genocide.

Book of the Disappeared confronts worldwide human rights violations of enforced disappearance and genocide and explores the global quest for justice with forceful, outstanding contributions by respected scholars, expert practitioners, and provocative contemporary artists. This profoundly humane book spotlights our historic inhumanity while offering insights for survival and transformation.

Praise for Andrew Hudgins"Hudgins . . . [is] one of the few poets of the American South who can be both solemn and sidesplitting in a single poem."---Publishers Weekly"Andrew Hudgins is a natural storyteller . . . The surface[s] of Hudgins's poems---their quirky economy, the sheer music of his prosody---are so right because he goes so deep." ---Washington PostA volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.Andrew Hudgins's Diary of a Poem is an engaging collection of essays that offers pleasure and profit to its readers. The title essay discusses the author's amusing travails as he attempts to write an ode about intestines, while other pieces explore the poetry of James Agee, Donald Justice, Allen Tate, and other poets, as well as the musician Johnny Winter, who is the subject of a rollicking segment about rock 'n' roll. More seriously, Hudgins writes with lively good humor about his tomato garden, the unread books piled up precipitously around his bed, and the emotional problems that led to an embarrassingly intimate, yet funny encounter with his father-in-law.Diary of a Poem is lively, charming, often humorous, and a pleasurable read for the general reader and the poetry specialist alike.Author photo by Jo McCulty

"Jerusalem Besieged is a fascinating account of how and why a baffling array of peoples, ideologies, and religions have fought for some four thousand years over a city without either great wealth, size, or strategic importance. Cline guides us through the baffling, but always bloody, array of Jewish, Roman, Moslem, Crusader, Ottoman, Western, Arab, and Israeli fights for possession of such a symbolic prize in a manner that is both scholarly and engaging."-Victor Davis Hanson, Stanford University; author of The Other Greeks and Carnage and Culture"A beautifully lucid presentation of four thousand years of history in a single volume. Cline writes primarily as an archaeologist-avoiding polemic and offering evidence for any religious claims-yet he has also incorporated much journalistic material into this study. Jerusalem Besieged will enlighten anyone interested in the history of military conflict in and around Jerusalem."-Col. Rose Mary Sheldon, Virginia Military Institute"This groundbreaking study offers a fascinating synthesis of Jerusalem's military history from its first occupation into the modern era. Cline amply deploys primary source material to investigate assaults on Jerusalem of every sort, starting at the dawn of recorded history. Jerusalem Besieged is invaluable for framing the contemporary situation in the Middle East in the context of a very long and pertinent history."-Baruch Halpern, Pennsylvania State UniversityA sweeping history of four thousand years of struggle for control of one city"[An] absorbing account of archaeological history, from the ancient Israelites' first conquest to today's second intifada. Cline clearly lays out the fascinating history behind the conflicts."-USA Today"A pleasure to read, this work makes this important but complicated subject fascinating."-Jewish Book World"Jerusalem Besieged is a fascinating account of how and why a baffling array of peoples, ideologies, and religions have fought for some four thousand years over a city without either great wealth, size, or strategic importance. Cline guides us through the baffling, but always bloody, array of Jewish, Roman, Moslem, Crusader, Ottoman, Western, Arab, and Israeli fights for possession of such a symbolic prize in a manner that is both scholarly and engaging."-Victor Davis Hanson, Stanford University; author of The Other Greeks and Carnage and Culture

Michigan’s ferns and lycophytes are among the state’s most fascinating plants. The species in these groups exhibit incredibly diverse life cycles and an amazing array of morphology. Some species such as the Bracken fern are widespread and aggressive, dominating forest understories throughout much of northern Michigan, while other species are exceedingly rare and adapted to life solely in harsh niche habitats where little else can grow.Unlike the well-studied flowering plants and gymnosperms, Michigan’s ferns and lycophytes have long lacked a reliable, up-to-date guidebook, and this book fills that gap. Covering all 120 taxa found in the state, it features detailed keys, species descriptions, and range maps alongside precise illustrations. Readers learn about the etymology of species’ common and scientific names as well as interesting facts about their historic uses by humans and place within the Michigan ecosystem. The book also provides information on the challenging taxonomy of many ferns and lycophytes, with special attention given to the species likely to hybridize and those prone to misidentification. This is a must-have reference for anyone who wishes to learn about these important components of the Great Lakes flora.

"This is a fascinating local story with major implications for studies of nationalism and regional identities throughout Europe more generally."---Dennis Sweeney, University of Alberta"James Bjork has produced a finely crafted, insightful, indeed, pathbreaking study of the interplay between religious and national identity in late nineteenth-century Central Europe."---Anthony Steinhoff, University of Tennessee at ChattanoogaNeither German nor Pole examines how the inhabitants of one of Europe's most densely populated industrial districts managed to defy clear-cut national categorization, even in the heyday of nationalizing pressures at the turn of the twentieth century. As James E. Bjork argues, the "civic national" project of turning inhabitants of Upper Silesia into Germans and the "ethnic national" project of awakening them as Poles both enjoyed successes, but these often canceled one another out, exacerbating rather than eliminating doubts about people's national allegiances. In this deadlock, it was a different kind of identification---religion---that provided both the ideological framework and the social space for Upper Silesia to navigate between German and Polish orientations. A fine-grained, microhistorical study of how confessional politics and the daily rhythms of bilingual Roman Catholic religious practice subverted national identification, Neither German nor Pole moves beyond local history to address broad questions about the relationship between nationalism, religion, and modernity.

Since the publication of Robert Creeley’s first book of poems, Le Fou, more than forty years ago, he has emerged as one of the most important and original voices in contemporary poetry. Tales Out of School selects five extended interviews that point to Creeley’s artistic influences and reveal the subjects that have preoccupied the poet’s imagination. The interviews cover a range of themes, including Creeley’s childhood and early writing, the influence of jazz on his work, the history of the Black Mountain School, the relationship of geography to the creative process, and the influences and friendship of other poets, including Pound, Williams, Ginsberg, Levertov, Duncan, and Olson. Taken together, the interviews provide an active context for and complement an understanding of this significant and prolific poet’s achievement.

Rosa Luxemburg (1870-1919), one of the most remarkable and controversial personalities in the Marxist movement, opposes in this book not the Bolshevik’s quest for power but the way they took power, the way they held power, the way they justified themselves in doing both. In the light of the soviet collapse her penetrating but not unsympathetic criticism becomes a grave indictment and her fears for the Communists uncannily prophetic of events to come.