Visar resultat för..."David Crystal"

Featuring Latinate and Celtic words, weasel words and nonce-words, ancient words ('loaf') to cutting edge ('twittersphere') and spanning the indispensable words that shape our tongue ('and', 'what') to the more fanciful ('fopdoodle'), Crystal takes us along the winding byways of language via the rude, the obscure and the downright surprising.In this unique new history of the world's most ubiquitous language, linguistics expert David Crystal draws on words that best illustrate the huge variety of sources, influences and events that have helped to shape our vernacular since the first definitively English word was written down in the fifth century ('roe', in case you are wondering).

When and why did 'thou' disappear from Standard English? Would a Victorian Cockney have said 'observation' or 'hobservation'? Was Jane Austen making a mistake when she wrote 'Jenny and James are walked to Charmonth this afternoon'?This superbly well-informed - and also wonderfully entertaining - history of the English language answers all these questions, showing how the many strands of English (Standard English, dialect and slang among them) developed to create the richly-varied language of today.

Did you know that the English language has over 150 words for the adjective 'drunk' developed over 1,000 years? Be prepared to learn words you have never heard before, find out fascinating facts behind everyday words, and be surprised at how lively and varied the English language can be. Published to critical acclaim in 2009, the Historical Thesaurus of the Oxford English Dictionary is the first comprehensive thesaurus in the world to arrange words by meaning in order of first recorded use. Using its unique perspective on how the English language has developed, Words in Time and Place takes 15 themes and explores the language in these areas over time - explaining when new words appeared, where they came from, and what such changes say about times in which they emerged. The themes chosen are varied, universal topics and show the semantic range of the thesaurus and what it can tell us about the words used in areas of everyday life. Learn about the different words for dying and money, or types of pop music, as well as words for a privy, oaths, and words for being drunk. Written by the world's leading expert on the English language, David Crystal, the book carries his trademark style of engaging yet authoritative writing. Each chapter features an introduction to the language of that topic, followed by a timeline of vocabulary taken from the historical thesaurus showing all the synonyms arranged in chronological order. The timelines are annotated with additional quotations, facts, and social and historical context to give a clear sense of how words entered the English language, when, and in which context they were used.Words in Time and Place showcases the unique and excellent resource that is the Historical Thesaurus and reveals the linguistic treasures to be found within. This fascinating book will appeal to anyone with an interest in words and in the development of the English language.

In this fascinating survey of everything from how sounds become speech to how names work, David Crystal answers every question you might ever have had about the nuts and bolts of language in his usual highly illuminating way. Along the way we find out about eyebrow flashes, whistling languages, how parents teach their children to speak, how politeness travels across languages and how the way we talk show not just how old we are but where we’re from and even who we want to be.

Now in its third edition, The Cambridge Encyclopedia of the English Language provides the most comprehensive coverage of the history, structure and worldwide use of English. Fully updated and expanded, with a fresh redesigned layout, and over sixty audio resources to bring language extracts to life, it covers all aspects of the English language including the history of English, with new pages on Shakespeare's vocabulary and pronunciation, updated statistics on global English use that now cover all countries and the future of English in a post-Brexit Europe, regional and social variations, with fresh insights into the growing cultural identities of 'new Englishes', English in everyday use with new sections on gender identities, forensic studies, and 'big data' in corpus linguistics, and digital developments, including the emergence of new online varieties in social media platforms such as Facebook, Twitter and WhatsApp. Packed with brand new colour illustrations, photographs, maps, tables and graphs, this new edition is an essential tool for a new generation of twenty-first-century English language enthusiasts.

An absolutely joyous, gasp-out-loud achievement. - Stephen FryShakespeare's flame is infectious. An olympic torch, for us all, to be enlightened, words which share the shadow and light of humanity's hues. - LionHeart, artist, poet and BBC Radio London presenterSilver Medal Winner at the 2024 Nautilus Book Awards. Shakespeare had an ear and hand that was able to capture our everyday thoughts and emotions, pin them to a page, and express them so well that still today they can make us feel stunned to be seen.'Better three hours too soon than a minute too late.''Make not your thoughts your prisons.''Wisely and slow. They stumble that run fast.''And I have heard it said, unbidden guests are often welcomest when they're gone.' With a quote for every day of the year, this beautiful book gathers the finest lines from the lesser-known corners of Shakespeare's plays and poems. While you may not be familiar with these 400-year-old phrases, you will be surprised by the immediate, easy resonance they have with modern day-to-day life and, hopefully, inspired to learn a few quotes, say them out loud, and drop them into conversation.Each page bears a gift of Shakespearean delight - around which lies a treasure trove of trivia, miscellaneous fact, and opportunities for reflection. The Crystals - son and father - draw attention to points of daily life, literary, linguistic, and theatrical interest through their entertaining commentary. They offer notes of context for anyone who wants to know who originally said the words, in which play, and why. And finally, the authors provide three indexes, allowing readers to help find the right quote for a task, or to follow-up on a quote's original source.Shakespeare's words are a mirror for us to peer into, to see if any part of ourselves, familiar or strange, is visible. Each day as you read his lines, you'll get glimpses of loves you've known, jealousies you've felt, relationships you've had, and situations you've encountered that bring a smile - or a wince - of familiarity.Everyday Shakespeare shares the simple lines that encapsulate the wondrous complexity of life, and the enduring appeal of the Bard.Shakespeare was not of an age, but for all time. - Ben Jonson

Winner of Best Book, Publication, or Recording prize at the Falstaff Awards 2015 and shortlisted for the 2016 SLA Information Book Award.This innovative dictionary is written by leading experts in linguistics and Shakespeare, David and Ben Crystal. It provides students with invaluable support while they read and understand Shakespeare's plays. Key features include:• Over 4000 difficult words explained with clear definitions from the 12 most-studied plays including Macbeth, Hamlet, Romeo and Juliet, A Midsummer Night's Dream, and Henry V• Language and usage notes include fascinating insights into Shakespeare's world and the Elizabethan theatre• 24 full colour illustrated pages on themes such as dress, armour, maps, music and more, bringing Shakespearean times to life• Easy to use with its clear signposting, accessible design, and expertly levelled contemporary look and feel• For children aged 11-16 and a great supporting resource for GCSE preparation

Clear demonstration of how language structures link together, description of features and usage and cautions against easy mistakes. Includes new sections on ethnic variation and electronic communications and analyses of grammar in whole texts to reflect the modern world realistically Updated to reflect developments in terminology following the National Curriculum and Key Stage 3 framework. Lively writing style, grammatical examples from a rich range of sources and humorous illustrations.

This new, thoroughly revised edition of the acclaimed Cambridge Encyclopedia of Language incorporates the major developments in language study which have taken place since the mid 1990s. Two main new areas have been added: the rise of electronic communication in all its current forms from email to texting, and the crisis affecting the world's languages, of which half are thought to be so seriously endangered that they will die out this century. • All language statistics have been updated, and additional information provided about their linguistic affiliation • All topics involving technology have been revised to take account of recent developments, notably in phonetics, language disability, and computing • Maps have been revised to include new countries or country names • Special attention has been paid to fast-moving areas such as language teaching and learning • The text design has been completely updated with many new illustrations throughout

'What grammarians say should be has perhaps less influence on what shall be than even the more modest of them realize ...' No book had more influence on twentieth-century attitudes to the English language in Britain than Henry Fowler's Dictionary of Modern English Usage. It rapidly became the standard work of reference for the correct use of English in terms of choice of words, grammar, and style. Much loved for his firm opinions, passion, and dry humour, Fowler has stood the test of time and is still considered the best arbiter of good practice. In this new edition of the original Dictionary, David Crystal goes beyond the popular mythology surrounding Fowler's reputation to retrace his method and arrive at a fresh evaluation of his place in the history of linguistic thought. With a wealth of entertaining examples he looks at Fowler's stated principles and the tensions between his prescriptive and descriptive temperaments. He shows that the Dictionary does a great more than make normative recommendations and express private opinion. In addition he offers a modern perspective on some 300 entries, in which he shows how English has changed since the 1920s. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This is the definitive survey of the English language - in all its forms. Crystal writes accessibly about the structure of the language, the uses of English throughout the world and finally he gives a brief history of English. The book has been fully revised and there is a fascinating new chapter on 'The effect of technology' on the English language. 'Illuminating guided tour of our common treasure by one of its most lucid and sensible professionals' The Times 'A splendid blend of erudition and entertainment' THES

A delightfully discursive, Bill Bryson-esque and personal journey through the groves and the thickets of the English language, by our foremost scholar of the history and structure of the English language.David Crystal has been described (by the Times Higher Education Supplement) as a sort of 'latter day Dr Johnson', a populist linguist who has promoted the study of the English language in an academic and broadcasting career that has so far spanned 40 years and nearly 100 books.Now he has written an engaging travel book of more general appeal. Inspired by W. G. Sebald's ‘The Rings of Saturn’ and by Bill Bryson's books, he has combined personal reflections, historical allusions and traveller observations to create a mesmerising (and entertaining) narrative account of his encounters with the English language and its speakers throughout the world – from Bangor to Bombay and from Stratford to San Francisco.‘By Hook or by Crook’ is an attempt to capture the exploratory, seductive, teasing, tantalising nature of language study. As such, it will appeal to the ever-growing market who like to be entertained as well as instructed.

Learning to talk is probably the greatest milestone in a child's development: a deeply moving and often hilarious experience for all parents. In this charming and informative book, Britain's leading expert on the English language talks you through every stage in your child's language development. Over thirty years after its original publication, this new and updated edition of Listen to your Child shows us that while the world our children are growing up in may have changed, one thing has not: parents still need to listen. Gathering decades of research from psychologists and linguists, Professor Crystal shows how the more we know about language acquisition - from 'cooking' and 'babbling' to melodic 'scribble talk' and simple words and then to incessant chatter - the more there is to delight in.From birth to the early school years, Listen to your Child provides a painless introduction to the study of child language acquisition as well as invaluable advice for parents.

A vital resource for scholars, students and actors, this book contains glosses and quotes for over 14,000 words that could be misunderstood by or are unknown to a modern audience. Displayed panels look at such areas of Shakespeare's language as greetings, swear-words and terms of address. Plot summaries are included for all Shakespeare's plays and on the facing page is a unique diagramatic representation of the relationships within each play.

Samuel Johnson's Dictionary, published in 1755, marked a milestone in a language in desperate need of standards. No English dictionary before it had devoted so much space to everyday words, been so thorough in its definitions, or illustrated usage by quoting from Shakespeare and other great writers. Johnson's was the dictionary used by Jane Austen and Charles Dickens, Wordsworth and Coleridge, the Brontës and the Brownings, Thomas Hardy and Oscar Wilde. This new edition, edited by David Crystal, will contain a selection from the original, offering memorable passages on subjects ranging from books and critics to dreams and ethics.

Wordsmiths and Warriors explores the heritage of English through the places in Britain that shaped it. It unites the warriors, whose invasions transformed the language, with the poets, scholars, reformers, and others who helped create its character. The book relates a real journey. David and Hilary Crystal drove thousands of miles to produce this fascinating combination of English-language history and travelogue, from locations in south-east Kent to the Scottish lowlands, and from south-west Wales to the East Anglian coast. David provides the descriptions and linguistic associations, Hilary the full-colour photographs. They include a guide for anyone wanting to follow in their footsteps but arrange the book to reflect the chronology of the language. This starts with the Anglo-Saxon arrivals in Kent and in the places that show the earliest evidence of English. It ends in London with the latest apps for grammar. In between are intimate encounters with the places associated with such writers as Chaucer, Shakespeare, and Wordsworth; the biblical Wycliffe and Tyndale; the dictionary compilers Cawdrey, Johnson, and Murray; dialect writers, elocutionists, and grammarians, and a host of other personalities. Among the book's many joys are the diverse places that allow warriors such as Byrhtnoth and King Alfred to share pages with wordsmiths like Robert Burns and Tim Bobbin, and the unexpected discoveries that enliven every stage of the authors' epic journey.

It's the most simple, unassuming, innocent-looking verb: 'to be'. Yet it is jam-packed with more different meanings, forms, and uses than any other English word. As he reveals be's multiple incarnations, David Crystal takes us to the heart of our flexible and changing language. He tells the intriguing story in 26 chapters, each linked to a particular usage. We meet circumstantial be ('how are you?'), numerical be ('two and two is four'), quotative be ('so I was like, "wow"'), and ludic be ('oh no he isn't!'), and a whole swarm of other meanings. Bringing the ideas to life are a host of examples from sources as varied as Beowulf, Jane Austen, pantomime, Hamlet (of course), and Star Wars, with cartoons from Ed McLachlan and Punch peppered throughout. Full of fascinating nuggets of information, it is a book to delight any lover of words and language.

Banter, chit-chat, gossip, natter, tete-a-tete: these are just a few of the terms for the varied ways in which we interact with one another through conversation. David Crystal explores the factors that motivate so many different kinds of talk and reveals the rules we use unconsciously, even in the most routine exchanges of everyday conversation. We tend to think of conversation as something spontaneous, instinctive, habitual. It has been described as an art, as a game, sometimes even as a battle. Whichever metaphor we use, most people are unaware of what the rules are, how they work, and how we can bend and break them when circumstances warrant it.

Lynne Truss's 'Eats, Shoots and Leaves' injected new life into the long-standing arguments over rights and wrongs in English usage. Now David Crystal brings together his own distinctive style and unique expertise to provide the first thorough-going assessment of the ongoing debate.With a lively, humorous, and accessible approach, Crystal charts the battles past and present, illustrating the characters and attitudes involved from a wide range of written sources. He combines a chronological survey of key influences in the area of usage with discussion of particular themes such as punctuation, spelling, and pronunciation. And he looks ahead to the future in the context of recent education policy shifts.A positive and compelling case is made for variation in usage of English based on appropriateness of situation, arguing that 'zero tolerance' in relation to language is a profoundly flawed approach. Crystal offers an original and authoritative counter-argument to the prescriptivist agenda that has been expounded in many accounts of English usage over the years.The Fight for English is the book that everyone concerned with English usage has been eagerly awaiting.

Words, Words, Words is all about the wonder of words. Drawing on a lifetime's experience, David Crystal explores language in all its rich varieties through words: the very building blocks of our communication. Language has no life of its own: it only exists in the mouths and ears, hands, eyes and brains of its users. As we are guided expertly and passionately through the mysteries and delights of word origins, histories, spellings, regional and social variations, taboo words, jargon, and wordplay, the contribution we all play in shaping the linguistic world around us becomes evident.Words, Words, Words is a celebration of what we say and how we say it. It invites us to engage linguistically with who we are: to understand what words tell us about where we come from and what we do. And as they continually shape our lives, it suggests ways that we can look at words anew and get involved with collecting and coining words ourselves.

This book takes a long hard look at the text-messaging phenomenon and its effects on literacy, language, and society. Young people who seem to spend much of their time texting sometimes appear unable or unwilling to write much else. Media outrage has ensued. "It is bleak, bald, sad shorthand," writes a commentator in the UK Guardian. "It masks dyslexia, poor spelling, and mental laziness." Exam answers using textese and reports that examiners find them acceptable have led to headlines in the tabloids and leaders in the qualities. Do young people text as much as people think? Do adults? Does texting spell the end of literacy? Is there a panic in the media? David Crystal looks at the evidence. He investigates how texting began and who uses it, why and what for. He shows how to interpret its mix of pictograms, logograms, abbreviations, symbols, and wordplay, and how it works in different languages. He explores the ways similar devices have been used in different eras and discovers that the texting system of conveying sounds and meaning goes back a long way, all the way in fact to the origins of writing - and he concludes that far from hindering literacy, texting may turn out to help it. Contents List

What do the following have in common?Let there be light - A fly in the ointment - A rod of iron - New wine in old bottlesLick the dust - How are the mighty fallen - Kick against the pricks - Wheels within wheelsThey are all in the King James Bible. This astonishing book "has contributed far more to English in the way of idiomatic or quasi-proverbial expressions than any other literary source." So wrote David Crystal in 2004. In Begat he returns to the subject not only to consider how a work published in 1611 could have had such influence on the language, but how it can still do so when few regularly hear the Bible and fewer still hear it in the language of Stuart England.No other version of the Bible however popular (such as the Good News Bible) or imposed upon the church (like the New English Bible) has had anything like the same influence. David Crystal shows how its words and phrases have over the centuries found independent life in the work of poets, playwrights, novelists, politicians, and journalists, and how more recently they have been taken up with enthusiasm by advertisers, Hollywood, and hip-hop. Yet the King James Bible owes much to earlier English versions, notably those by John Wycliffe in in the fourteenth century and William Tyndale in the sixteenth. David Crystal reveals how much that is memorable in the King James Bible stems from its forebears. At the same time he shows how crucial were the revisions made by King James's team of translators and editors. "A person who professes to be a critic in the delicacies of the English language ought to have the Bible at his finger's ends," Lord Macaulay advised Lady Holland in 1831. Begat shows how true that remains. It will be a revelation to all who read it.

This dictionary is the first comprehensive description of Shakespearean original pronunication (OP), enabling practitioners to deal with any queries about the pronunciation of individual words. It includes all the words in the First Folio, transcribed using IPA, and the accompanying website hosts sound files as a further aid to pronunciation. It also includes the main sources of evidence in the texts, notably all spelling variants (along with a frequency count for each variant) and all rhymes (including those occurring elsewhere in the canon, such as the Sonnets and long poems). An extensive introduction provides a full account of the aims, evidence, history, and current use of OP in relation to Shakespeare productions, as well as indicating the wider use of OP in relation to other Elizabethan and Jacobean writers, composers from the period, the King James Bible, and those involved in reconstructing heritage centres. It will be an invaluable resource for producers, directors, actors, and others wishing to mount a Shakespeare production or present Shakespeare's poetry in original pronunciation, as well as for students and academics in the fields of literary criticism and Shakespeare studies more generally.

What do the following have in common?Let there be light - Whited sepulchres - A rod of iron - New wine into old bottles Lick the dust - How are the mighty fallen - A thorn in the flesh - Wheels within wheelsThey're all in the King James Bible. This astonishing book has 'contributed far more to English in the way of idiomatic or quasi-proverbial expressions than any other literary source.' wrote David Crystal in 2004. In Begat he returns to the subject: he asks how a work published in 1611 could have had such an influence on the language and looks closely at what that influence has been. He comes to some surprising conclusions.No other version of the Bible however popular (such as the Good News Bible) or imposed upon the church (like the New English Bible) has had anything like the same impact. David Crystal shows how its words and phrases got independent life in the work of poets, playwrights, novelists, and politicians, and how more recently they have been taken up by journalists, advertisers, Hollywood, and hip-hop. He reveals the great debt the King James Bible owes to its English forebears, especially John Wycliffe's in the fourteenth century and William Tyndale's in the sixteenth. He also shows that the revisions and changes made by King James's translators were crucial to its universal success."A person who professes to be a critic in the delicacies of the English language ought to have the Bible at his finger's ends," Lord Macaulay advised Lady Holland in 1831. David Crystal shows how true this is. His book is a revelation.

Much more than a word list, the Oxford American Writer's Thesaurus is a browsable source of inspiration as well as an authoritative guide to selecting and using vocabulary. This essential guide for writers provides real-life example sentences and a careful selection of the most relevant synonyms, as well as new usage notes, hints for choosing between similar words, a Word Finder section organized by subject, and a comprehensive language guide. The text is alsopeppered with thought-provoking reflections on favorite (and not-so-favorite) words by noted contemporary writers, including Joshua Ferris, Francine Prose, David Foster Wallace, Zadie Smith, and SimonWinchester, many newly commissioned for this edition.The third edition revises and updates this innovative reference, adding hundreds of new words, senses, and phrases to its more than 300,000 synonyms and 10,000 antonyms. New features in this edition include over 200 literary and humorous quotations highlighting notable usages of words, and a revised graphical word toolkit feature showing common word combinations based on evidence in the Oxford Corpus. There is also a newintroduction by noted language commentator Ben Zimmer.

In this text, David Crystal examines why we devote so much time and energy to language games, how professionals make a career of them, and how young children instinctively take to them. Crystal makes a simple argument - that since playing with language is so natural, a natural way to learn language is to play with it - while he discusses puns, cross-words, lipograms, comic alphabets, rhymes, funny voices taken from dialect and popular culture, limericks, anagrams, and scat singing.

A many-faceted exploration of spoken eloquence: how it works, how it has evolved, and how to tap its remarkable powerWe all know eloquence when we hear it. But what exactly is it? And how might we gain more of it for ourselves? This entertaining and, yes, eloquent book illuminates the power of language from a linguistic point of view and provides fascinating insights into the way we use words. David Crystal, a world-renowned expert on the history and usage of the English language, probes the intricate workings of eloquence. His lively analysis encompasses everyday situations (wedding speeches, business presentations, storytelling) as well as the oratory of great public gatherings.  Crystal focuses on the here and now of eloquent speaking—from pitch, pace, and prosody to jokes, appropriateness, and how to wield a microphone. He explains what is going on moment by moment and examines each facet of eloquence. He also investigates topics such as the way current technologies help or hinder our verbal powers, the psychological effects of verbal excellence, and why certain places or peoples are thought to be more eloquent than others. In the core analysis of the book, Crystal offers an extended and close dissection of Barack Obama’s electrifying “Yes we can” speech of 2008, in which the president demonstrated full mastery of virtually every element of eloquence—from the simple use of parallelism and an awareness of what not to say, to his brilliant conclusion constructed around two powerful words: dreams and answers.