Visar resultat för..."mississippi"
8 781 produkter
8 781 produkter
Del 6 - Penn Cage
Mississippi Blood
Häftad, Engelska, 2018
123 kr
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A father on trial for murder. A son whose world is falling apart. The No.1 New York Times bestselling final volume of the ground-breaking Natchez Burning Trilogy by Greg Iles. He’ll risk everything for the darkest secrets in history Former prosecutor Penn Cage sees his world collapsing around him. The woman he loves is gone and his father, Dr Tom Cage, is about to be tried for the murder of a former lover.The Double Eagle group, a savage splinter cell of the KKK, will stop at nothing to ensure that Tom either takes the fall for their past deeds, or takes his secrets to an early grave.Unable to trust anyone – not even his own mother – Penn battles to discover the secret history of both the Cage family and the South itself, risking the only thing he has left to gamble: his life.
Inbunden, Engelska, 2017
499 kr
Skickas inom 5-8 vardagar
An important reconsideration of landscape photography in 19th-century America, exploring crucial but neglected geographies, practitioners, and themesAlthough pictures of the West have dominated our perception of 19th-century American landscape photography, many photographers were working in the eastern half of the United States during that period. Their pictures, with the exception of Civil War images, have received relatively scant attention. Redressing this imbalance is East of the Mississippi, the first book to focus exclusively on the arresting eastern photographs that helped shape America’s national identity. Celebrating natural wonders such as Niagara Falls and the White Mountains as well as capturing a cultural landscape fundamentally altered by industrialization, these works also documented the impact of war, promoted tourism, and played a role in an emerging environmentalism. Showcasing more than 180 photographs from 1839 to 1900 in a rich variety of media and formats—from daguerreotypes, salted paper prints, tintypes, cyanotypes, and albumen prints to stereo cards and photograph albums—this volume traces the evolution of eastern landscape photography and introduces the artists who explored this subject. Also considered are the dynamic ties with other media—for instance, between painters and photographers such as the Bierstadt and Moran brothers—and the distinctive development of landscape photography in America.Published in association with the National Gallery of Art, Washington, D.C.Exhibition Schedule:National Gallery of Art, Washington, D.C.(03/12/17–07/16/17)New Orleans Museum of Art(10/05/17–01/07/18)
Häftad, Engelska, 2009
289 kr
Skickas inom 5-8 vardagar
In Thomas Jefferson on Wine, John Hailman celebrates a founding father's lifelong interest in wine and provides unprecedented insight into Jefferson's character from this unique perspective. In both his personal and public lives, Jefferson wielded his considerable expertise to influence the drinking habits of his friends, other founding fathers, and the American public away from hard liquor toward the healthier pleasures of wine.An international wine judge and nationally syndicated wine columnist, Hailman discusses how Jefferson's tastes developed, which wines and foods he preferred at different stages of his life, and how Jefferson became the greatest wine expert of the early American republic. Hailman explores the third president's fascination with scores of wines from his student days at Williamsburg to his lengthy retirement years at Monticello, often using Jefferson's own words from hundreds of immensely readable and surprisingly modern letters on the subject. A new epilogue covers the ongoing saga of the alleged wine swindle involving bottles of Bordeaux purported to belong to Jefferson.
Häftad, Engelska, 2009
279 kr
Skickas inom 10-15 vardagar
The Beat! was the first book to explore the musical, social, and cultural phenomenon of go-go music. In this new edition, updated by a substantial chapter on the current scene, authors Kip Lornell and Charles C. Stephenson, Jr., place go-go within black popular music made since the middle 1970s--a period during which hip-hop has predominated. This styling reflects the District's African American heritage. Its super-charged drumming and vocal combinations of hip-hop, funk, and soul evolved and still thrive on the streets of Washington, D.C., and in neighboring Prince George's County, making it the most geographically compact form of popular music.Go-go--the only musical form indigenous to Washington, D.C.--features a highly syncopated, nonstop beat and vocals that are spoken as well as sung. The book chronicles its development and ongoing popularity, focusing on many of its key figures and institutions, including established acts such as Chuck Brown (the Godfather of Go-Go), Experience Unlimited, Rare Essence, and Trouble Funk; well-known DJs, managers, and promoters; and filmmakers who have incorporated it into their work. Now updated and back in print, The Beat! provides longtime fans and those who study American musical forms a definitive look at the music and its makers.
Häftad, Engelska, 2016
388 kr
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For the first time in English, the classic volume that developed a radical new understanding of free jazz and African American culture.1971, French jazz critics Philippe Carles and Jean-Louis Comolli cowrote Free Jazz/Black Power, a treatise on the racial and political implications of jazz and jazz criticism. It remains a testimony to the long ignored encounter of radical African American music and French left-wing criticism. Carles and Comolli set out to defend a genre vilified by jazz critics on both sides of the Atlantic by exposing the new sound's ties to African American culture, history, and the political struggle that was raging in the early 1970s. The two offered a political and cultural history of black presence in the United States to shed more light on the dubious role played by jazz criticism in racial oppression.This analysis critiques the critics, building a work of cultural studies in a time and place where the practice was virtually unknown. The authors reached radical conclusions--free jazz was a revolutionary reaction against white domination, was the musical counterpart to the Black Power movement, and was a music that demanded a similar political commitment. The impact of this book is difficult to overstate, as it made readers reconsider their response to African American music. In some cases it changed the way musicians thought about and played jazz. Free Jazz/ Black Power remains indispensable to the study of the relation of American free jazz to European audiences, critics, and artists.
Häftad, Engelska, 2020
255 kr
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Mississippi Off the Beaten Path features the things travelers and locals want to see and experience––if only they knew about them. From the best in local dining to quirky cultural tidbits to hidden attractions, unique finds, and unusual locales, Mississippi Off the Beaten Path takes the reader down the road less traveled and reveals a side of Mississippi that other guidebooks just don't offer.
Häftad, Engelska, 2026
321 kr
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Whistle Stop traces the remarkable life of trumpeter and composer Kenny Dorham (1924–1972), whose journey from rural Texas to the forefront of modern jazz mirrors the broader story of Black resilience and creativity in twentieth-century America. Dorham was born in Freestone County to a sharecropping family whose roots stretch back to Reconstruction, when his great-grandfather owned and farmed land in East Texas. Raised there and in segregated East Austin, Dorham found his voice on the trumpet at Anderson High School, and after brief stops at Wiley College and in the army, he landed in New York just as bebop was transforming American music.Dorham quickly became a cornerstone of that transformation. From performing with Charlie Parker, Art Blakey, and Max Roach to mentoring younger talents like Joe Henderson, he played a defining role in shaping modern jazz. A gifted composer, collaborator, and teacher, Dorham also helped lay the foundation for formal jazz education. Yet despite his immense contributions and the respect given him by other musicians, he remained underrecognized by critics—even as he continued to influence the musical generations that followed him.Drawing on interviews, archival research, and family history, Whistle Stop offers a vivid portrait not only of a jazz innovator, but of a Texas family whose story stretches across emancipation, migration, segregation, and cultural transformation. More than fifty years after his passing, Kenny Dorham’s music and legacy continue to inspire—his whistle stop in jazz history still echoing.
Häftad, Engelska, 2026
199 kr
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'Smart, funny, and driven by unforgettable characters ... a must-read' Bonnie Garmus, author of Lessons in Chemistry'With exquisite storytelling and unforgettable characters, The Calamity Club is a joyful, heartbreaking, heartwarming read. I loved it so much' Jennie Godfrey, author of The List of Suspicious Things'As witty, bold, and transportive as it is heartbreaking and compassionate, The Calamity Club is storytelling at its finest. Stockett's masterfully drawn characters are simply unforgettable' Shelley Read, author of the international bestseller Go as a River "You give a girl a taste of fresh air and then you take it away-she'll grow fierce and wild to get it back."
Oxford, Mississippi, 1933.Eleven-year-old Meg Lefleur has learned the hard way to rely on no one.Ever since her beloved mother failed to come home last Christmas Eve, she's been one of the 'unadoptable' girls at the town's orphanage, where she fights each day to keep her wits sharp and her spirit unbowed.When she meets Birdie, a young woman who has come to Oxford determined to remind her socialite sister of the impoverished family she left behind, for the first time in a long while it seems someone else might care about Meg's future.But as the Depression tightens its grip, Birdie begins to suspect her sister's charmed life may be founded on a tapestry of lies. Then, Birdie encounters Charlie, a woman haunted by loss who has been pushed to the brink with nothing left to lose.Drawn together by circumstance, they find unexpected kinship among a disreputable, determined band of women.But in a town steeped in hypocrisy, even the smallest act of defiance can have dangerous consequences ...Bold, heartwarming, and riotously funny, The Calamity Club is an unforgettable story of resilience and friendship, and a sisterhood of underestimated women who risk everything to take back control of their fates._PRAISE FOR THE HELP'Daring, vitally important and very courageous, I loved and admired The Help. Fantastic' MARIAN KEYES'Outstanding, immensely funny, very compelling, brilliant' Daily Telegraph'A laugh-out-loud, vociferously angry must-read' Marie Claire'Touching, disgraceful, funny. Highly recommended' Daily Mail
Pocket, Svenska, 2025
99 kr
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Barndomsvännerna Keith och Hugh växte upp tillsammans i 60-talets Biloxi, det korrupta semesterparadiset i Mississippi dominerat av den så kallade Dixiemaffian. Det var innan deras liv tog vitt skilda riktningar och de skulle mötas i rättssalen, på olika sidor av lagen. ”Pojkarna från Biloxi” är en nervkittlande thriller i sann Grisham-anda, en berättelse om vänskap, identitet och spel, med livet som insats.
Pocket, Svenska, 2021
90 kr
Pete Banning var stadens älsklingsson, en krigsveteran nyss hemkommen från andra världskriget, bonde, familjefar och trogen medlem i den lokala kyrkan. En kylig oktobermorgon 1946 går han upp tidigt, åker in till staden och begår ett chockerande brott. När Pete Banning grips svarar han till den som frågar: "Jag har inga kommentarer" och hur än hans advokat försöker lirka ur honom något som möjligtvis kan förklara hans handlingar vägrar han att berätta mer.
"Sista dagen" är en storslagen roman med John Grishams osvikliga känsla för den lilla människan och dennes kamp för rättvisa.
Inbunden, Svenska, 2024
249 kr
Skickas
Barndomsvännerna Keith och Hugh växte upp tillsammans i 60-talets Biloxi, det korrupta semesterparadiset i Mississippi dominerat av den så kallade Dixiemaffian. Det var innan deras liv tog vitt skilda riktningar och de skulle mötas i rättssalen, på olika sidor av lagen. ”Pojkarna från Biloxi” är en nervkittlande thriller i sann Grisham-anda, en berättelse om vänskap, identitet och spel, med livet som insats.
Häftad, Engelska, 2018
433 kr
Skickas inom 5-8 vardagar
Kerry D. Soper reminds us of The Far Side's groundbreaking qualities and cultural significance in Gary Larson and ""The Far Side."" In the 1980s, Gary Larson (b. 1950) shook up a staid comics page by introducing a set of aesthetic devices, comedic tones, and philosophical frames that challenged and delighted many readers, even while upsetting and confusing others. His irreverent, single panels served as an alternative reality to the tame comedy of the family-friendly newspaper comics page, as well as the pervasive, button-down consumerism and conformity of the Reagan era.In this first full study of Larson's art, Soper follows the arc of the cartoonist's life and career, describing the aesthetic and comedic qualities of his work, probing the business side of his success, and exploring how The Far Side brand as a whole--with its iconic characters and accompanying set of comedic and philosophical frames--connected with its core readers. In effect, Larson reinvented his medium by creatively working within, pushing against, and often breaking past institutional, aesthetic, comedic, and philosophical parameters.Due to the comic's great success, it opened the door for additional alternative voices in comics and other popular mediums. With its intentionally awkward, minimalistic lines and its morbid humor, The Far Side expanded Americans' comedic palette and inspired up-and-coming cartoonists, comedians, and filmmakers. Soper re-creates the cultural climate and media landscape in which The Far Side first appeared and thrived, then assesses how it impacted worldviews and shaped the comedic sensibilities of a generation of cartoonists, comedy writers, and everyday fans.
Inbunden, Engelska, 2018
1 414 kr
Skickas inom 10-15 vardagar
Contributions by Phil Bevin, Blair Davis, Marc DiPaolo, Michele Fazio, James Gifford, Kelly Kanayama, Orion Ussner Kidder, Christina M. Knopf, Kevin Michael Scott, Andrew Alan Smith, and Terrence R. WandtkeIn comic books, superhero stories often depict working-class characters who struggle to make ends meet, lead fulfilling lives, and remain faithful to themselves and their own personal code of ethics. Working-Class Comic Book Heroes: Class Conflict and Populist Politics in Comics examines working-class superheroes and other protagonists who populate heroic narratives in serialized comic books. Essayists analyze and deconstruct these figures, viewing their roles as fictional stand-ins for real-world blue-collar characters.Informed by new working-class studies, the book also discusses how often working-class writers and artists created these characters. Notably Jack Kirby, a working-class Jewish artist, created several of the most recognizable working-class superheroes, including Captain America and the Thing. Contributors weigh industry histories and marketing concerns as well as the fan community's changing attitudes towards class signifiers in superhero adventures.The often financially strapped Spider-Man proves to be a touchstone figure in many of these essays. Grant Morrison's Superman, Marvel's Shamrock, Alan Moore and David Lloyd's V for Vendetta, and The Walking Dead receive thoughtful treatment. While there have been many scholarly works concerned with issues of race and gender in comics, this book stands as the first to deal explicitly with issues of class, cultural capital, and economics as its main themes.
Häftad, Engelska, 1989
375 kr
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Conversations with Robertson Davies is a long overdue anthology of interviews with Canada's most respected literary figure. Journalist, essayist, reviewer, playwright, and novelist, Robertson Davies has not only been a leading figure in Canadian literature since World War II, but, since the publication of Fifth Business in 1970, he has become known throughout the world.Conversations with Robertson Davies will be of interest both to the student of Canadian literature and culture and to the scholar examining Davies's plays and novels as well as to the general reader who would like to know more about the awesome man behind the Salterton and Deptford trilogies, What's Bred in the Bone, and The Lyre of Orpheus.A majority of this anthology of twenty-eight interviews has never before appeared in print. Along with these previously unpublished interviews, the reader finds a selection of the best print interviews: Tom Harpur of the Toronto Star proves Davies's spiritual beliefs, Ann Saddlemyer looks into his dreams, and author Terence M. Green questions Davies on the supernatural.
Häftad, Engelska, 2025
225 kr
Skickas inom 5-8 vardagar
Jean Giraud (1938–2012) started drawing comics in the late 1950s for a variety of French comics magazines. Under his real name, he found success in 1963 with the western series Blueberry, written by Jean-Michel Charlier and published in Pilote magazine. In the 1970s, he started producing science fiction works under the name of Moebius, which brought him international success, and which included works such as Arzach. He died in 2012, as a global celebrity in the comics world and a major influence across visual media.This first book-length, English-language study of Moebius finally brings international attention to an artist whose influence on the medium was profound and immediate, making him a role model for aspiring comics creators throughout his career. He was widely imitated while at Métal Hurlant in the 1970s, was "prominent among the spiritual fathers of the comic book rebels" in the 1990s, and again an example for the independent artists identified as the "new bande dessinée" in France in the early 2000s. Featuring close readings of key texts, including Blueberry, the Airtight Garage of Jerry Cornelius, and "The Long Tomorrow," this volume examines Moebius’s style and aesthetic achievement. Notably, this volume explores the tension between Giraud and Moebius—one name for westerns, the other for science fiction; one name for the domestic market, another as a global brand; one name for the brush, another for the pen; one for the mainstream and the other for the underground. Labarre challenges those dichotomies, especially in the later phases of Moebius’s career, unveiling the complex evolution of this understudied but influential artist.
299 kr
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Häftad, Engelska, 2015
418 kr
Skickas inom 10-15 vardagar
The Thing. Daredevil. Captain Marvel. The Human Fly. Drawing on DC and Marvel comics from the 1950s to the 1990s and marshaling insights from three burgeoning fields of inquiry in the humanities--disability studies, death and dying studies, and comics studies--José Alaniz seeks to redefine the contemporary understanding of the superhero. Beginning in the Silver Age, the genre increasingly challenged and complicated its hypermasculine, quasi-eugenicist biases through such disabled figures as Ben Grimm/The Thing, Matt Murdock/Daredevil, and the Doom Patrol.Alaniz traces how the superhero became increasingly vulnerable, ill, and mortal in this era. He then proceeds to a reinterpretation of characters and series--some familiar (Superman), some obscure (She-Thing). These genre changes reflected a wider awareness of related body issues in the postwar United States as represented by hospice, death with dignity, and disability rights movements. The persistent highlighting of the body's ""imperfection"" comes to forge a predominant aspect of the superheroic self. Such moves, originally part of the Silver Age strategy to stimulate sympathy, enhance psychological depth, and raise the dramatic stakes, developed further in such later series as The Human Fly, Strikeforce: Morituri, and the landmark graphic novel The Death of Captain Marvel, all examined in this volume. Death and disability, presumed routinely absent or denied in the superhero genre, emerge to form a core theme and defining function of the Silver Age and beyond.
Inbunden, Engelska, 2018
1 230 kr
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In 1963, the Sunday after four black girls were killed by a bomb in a Birmingham church, George William Floyd, a Church of Christ minister, preached a sermon based on the Golden Rule. He pronounced that Jesus Christ was asking Christians to view the bombing from the perspective of their black neighbors and asserted, ""We don't realize it yet, but because Martin Luther King Jr. is preaching nonviolence, which is Jesus's way, someday Martin Luther King Jr. will be seen as the best friend the white man in the South has ever had."" During the sermon, members of the congregation yelled, ""You devil, you!"" and, immediately, Floyd was dismissed. Although not every anti-segregation white minister was as outspoken as Pastor Floyd, many signed petitions, organized interracial groups, or preached gently from a gospel of love and justice. Those who spoke and acted outright on behalf of the civil rights movement were harassed, beaten, and even jailed.Based on interviews and personal memoirs, Southern White Ministers and the Civil Rights Movement traces the efforts of these clergymen who--deeply moved by the struggle of African Americans--looked for ways to reconcile the history of discrimination and slavery with Christian principles and to help their black neighbors. While many understand the role political leaders on national stages played in challenging the status quo of the South, this book reveals the significant contribution of these ministers in breaking down segregation through preaching a message of love.
Häftad, Engelska, 2022
394 kr
Skickas inom 10-15 vardagar
Contributions by Joshua Coleman, Christine Hand Jones, Kevin C. Neece, Charlotte Pence, George Plasketes, Jeffrey Scholes, Jeff Sellars, Toby Thompson, and Jude WarneAfter performing with Ronnie Hawkins as the Hawks (1957–1964), The Band (Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and Levon Helm) eventually rose to fame in the sixties as backing musicians for Bob Dylan. This collaboration with Dylan presented the group with a chance to expand musically and strike out on their own. The Band’s fusion of rock, country, soul, and blues music—all tinged with a southern flavor and musical adventurousness—created a unique soundscape. The combined use of multiple instruments, complex song structures, and poetic lyrics required attentive listening and a sophisticated interpretive framework. It is no surprise, then, that they soon grew to be one of the biggest bands of their era.In Rags and Bones: An Exploration of The Band, scholars and musicians take a broad, multidisciplinary approach to The Band and their music, allowing for examination through sociological, historical, political, religious, technological, cultural, and philosophical means. Each contributor approaches The Band from their field of interest, offering a wide range of investigations into The Band’s music and influence.Commercially successful and critically lauded, The Band created a paradoxically mythic and hauntingly realistic lyrical landscape for their songs—and their musicianship enlarged this detailed landscape. This collection offers a rounded examination, allowing the multifaceted music and work of The Band to be appreciated by audiences old and new.
Inbunden, Engelska, 2023
445 kr
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Robert Dance’s new evaluation of Joan Crawford looks at her entire career and—while not ignoring her early years and tempestuous personal life—focuses squarely on her achievements as an actress, and as a woman who mastered the studio system with a rare combination of grit, determination, beauty, and talent.Crawford’s remarkable forty-five-year motion picture career is one of the industry’s longest. Signing her first contract in 1925, she was crowned an MGM star four years later and by the mid-1930s was the most popular actress in America. In the early 1940s, Crawford’s risky decision to move to Warner Bros. was rewarded with an Oscar for Mildred Pierce. This triumph launched a series of film noir classics. In her fourth decade she teamed with rival Bette Davis in Whatever Happened to Baby Jane?, proving that Crawford, whose career had begun by defining big-screen glamour, had matured into a superb dramatic actress. Her last film was released in 1970, and two years later she made a final television appearance, forty-seven years after walking through the MGM gate for the first time. Crawford made a successful transition into business during her later years, notably in her long association with Pepsi-Cola as a board member and the brand’s leading ambassador. Overlooked in previous biographies has been Crawford’s fierce resolve in creating and then maintaining her star persona. She let neither her age nor the passing of time block her unrivaled ambition, and she continually reimagined herself, noting once that, for the right part, she would play Wally Beery’s grandmother. But she was always the consummate star, and at the time of her death in 1977, she was a motion picture legend and a twentieth-century icon.
Häftad, Engelska, 1996
312 kr
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Elizabeth Spencer is captivated by Italy. For her it has been a second home. A one-time resident who returns there, this native-born Mississippian has found Italy to be an enchanting land whose culture lends itself powerfully to her artistic vision.Some of her most acclaimed work is set there. Her American characters encounter but never quite wholly adjust to the mysteries of the Italian mores. Collected here in one volume are Spencer's six Italian tales. Their plots are so alluring and enigmatic that Boccaccio would have been charmed by their delightful ironies and their sinister contrasts of dark and light.Spencer is grounded in two bases-Italy and the American South. Her characters too, mostly Southerners, rove in search of connection and fulfillment.In The Light in the Piazza (a novella which has become both Spencer's signature piece and a Hollywood film) a stranger from North Carolina, traveling with her beautiful daughter, encounters the intoxicating beauty of sunlit Florence and discovers a deep conflict in the moral dilemma it presents. ""I think this work has great charm,"" Spencer has said, ""and it probably is the real thing, a work written under great compulsion, while I was under the spell of Italy. But it took me, all told, about a month to write.""In Knights and Dragons (another novella and a companion piece to The Light in the Piazza) an American woman in Rome and Venice struggles for release from her husband's sinister control over her. Spencer sets this tale in the cold and wintry dark and here portrays the other face of Italy. In ""The Cousins,"" ""The Pincian Gate,"" ""The White Azalea,"" and ""The Visit,"" Spencer shows the exceptional artistry that has merited acclaim for her as one of America's first-class writers of the short story.
Häftad, Engelska, 2027
267 kr
Kommande
Inbunden, Engelska, 2009
363 kr
Skickas inom 5-8 vardagar
From the earliest rudimentary conveyances to the floating palaces of the present day, a period of 200 years, steamboats have carved out a very special place in American history, especially along the Mississippi River and its tributaries, where they brought passengers, cargo, mail, entertainment, and news—both good and bad—to the settlements of a still-developing nation.With paddle-wheels churning, tall smokestacks billowing, calliopes singing, and steam whistles sounding, the steamboats of the Mighty Mississippi proudly ruled the river. Some offered all the comforts of home (and more); others did the work for the industries that transformed the United States into the industrial giant it became. They carried presidents and kings, socialites and commoners, cotton and coal, lumber and steel. They enabled some of our nation’s major cities to grow and flourish.Told through historic photographs in these pages, the story of steamboats that plied the Mississippi and the glorious era they symbolized is vividly captured and enshrined for generations to come.
Inbunden, Engelska, 2010
1 306 kr
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Hal Ashby (1929-1988) is considered to be the lost genius of the New Hollywood generation. While his name does not bear the familiarity of, say, Robert Altman or Martin Scorsese, his diverse films are among the best known and most beloved of the era. From the cult classic Harold and Maude (1971) to the iconic political satire Being There (1979), from the subversive sex comedy Shampoo (1975) to the anti-Vietnam romance Coming Home (1979), Ashby rejected mainstream conventions while his films attracted both popular and critical praise.A true actors' director, Ashby drew A-list stars and elicited powerful performances from Jack Nicholson in The Last Detail (1973), Warren Beatty and Julie Christie in Shampoo, Jon Voight and Jane Fonda in Coming Home, and Peter Sellers in Being There.Hal Ashby: Interviews for the first time brings together the best interviews conducted over the course of Ashby's career. Ashby discusses his filmmaking philosophy, memories of working his way up the Hollywood ladder in the 1950s, and his troubled productions in the 1980s.
Häftad, Engelska, 2026
165 kr
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'Eli Cranor is that rare writer who can make you gasp, cry and cheer often in the same paragraph' S. A. COSBYSpecial Agent Rae Johnson grew up on football fields alongside her father, a national-championship-winning coach. Which is exactly why she was chosen to investigate the illicit money flowing into the University of Central Mississippi's football program. But her case takes a dire turn when UCM's star quarterback is flung off a college bar's roof and lands on a bag full of money.Hoping to turn a routine fraud case into a career-defining bust, Rae ingratiates herself with the fans, coaches, players, and politicians who make up the university's complex social hierarchy. With rumors of corruption rustling through the kudzu vines, Rae soon realizes there's more to the game than what she'd learned as a child. And in order to win, she'll have to put all her father's lessons to the ultimate test.Praise for Eli Cranor:'A gritty, authentic triumph, one howling to be turned into a film or TV series' FINANCIAL TIMES'Atmospheric and tense thriller that has TV series written all over it' THE SUN 'Southern noir at its finest, a cauldron of terrible choices and even more terrible outcomes' NEW YORK TIMES'Cranor's characters bristle with desperation and frustrated masculinity, a volatile cauldron of emotion that brings tension to every page' STEPH CHA'Not to be missed.' MEGAN ABBOTT'A major work from a bright, young talent' USA TODAY
E-bok
Engelska, 2002118 kr
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As the fiftieth anniversary approaches, there''s a renewed interest in this infamous 1955 murder case, which made a lasting mark on American culture, as well as the future Civil Rights Movement. Chris Crowe''s IRA Award-winning novel and his gripping, photo-illustrated nonfiction work are currently the only books on the teenager''s murder written for young adults.
Häftad, Engelska, 2000
315 kr
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In 1989, the Caribbean writer Edouard Glissant visited Rowan Oak, William Faulkner's home in Oxford, Mississippi. His visit spurred him to write a revelatory book about the work of one of our greatest but still least-understood American writers."A fascinating way to read Faulkner. . . .[Glissant's] case is nothing less than that, no matter how Faulkner's personal Furies twisted his public speech, Faulkner was a great, world-beating multiculturalist."—Jonathan Levi, Los Angeles Times Book Review"A sharp, challenging, and wholly unique tour of Yoknapatawpha County." —Kirkus Reviews"Passionate. . . . Glissant's prose sometimes vies with Faulkner's for intricacy and evocative nuance." —Scott McLemee, Newsday"Glissant tries to engage Faulkner on many fronts simultaneously, positioning himself as a critic, a fellow artist and as a descendant of slaves. . . He makes a convincing case that Faulkner is not just another 'dead white male author.'"—Scott Yarbrough, Raleigh News & Observer"[An] ambitious and, at times, rambunctious expedition into Yoknapatawpha County." —Christine Schwartz Hartley, New York Times Book Review
Häftad, Engelska, 2014
358 kr
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In 1977, Dave Sim (b. 1956) began to self-publish Cerebus, one of the earliest and most significant independent comics, which ran for 300 issues and ended, as Sim had planned from early on, in 2004. Over the run of the comic, Sim used it as a springboard to explore not only the potential of the comics medium but also many of the core assumptions of Western society. Through it he analyzed politics, the dynamics of love, religion, and, most controversially, the influence of feminism--which Sim believes has had a negative impact on society. Moreover, Sim inserted himself squarely into the comic as Cerebus's creator, thereby inviting criticism not only of the creation, but also of the creator.What few interviews Sim gave often pushed the limits of what an interview might be in much the same way that Cerebus pushed the limits of what a comic might be. In interviews Sim is generous, expansive, provocative, and sometimes even antagonistic. Regardless of mood, he is always insightful and fascinating. His discursive style is not conducive to the sound bite or to easy summary. Many of these interviews have been out of print for years. And, while the interviews range from very general, career-spanning explorations of his complex work and ideas, to tightly focused discussions on specific details of Cerebus, all the interviews contained herein are engaging and revealing.
Häftad, Engelska, 2017
400 kr
Skickas inom 5-8 vardagar
On Sunset Boulevard, originally published in 1998, describes the life of acclaimed filmmaker Billy Wilder (1906–2002), director of such classicsas Sunset Boulevard, The Lost Weekend, The Seven Year Itch, and Sabrina. This definitive biography takes the reader on a fast-paced journey fromBilly Wilder’s birth outside of Krakow in 1906 to Vienna, where he grew up, to Berlin, where he moved as a young man while establishing himself as a journalist and screenwriter, and triumphantly to Hollywood, where he became as successful a director as there ever was.Double Indemnity, Sunset Boulevard, Some Like It Hot, and The Apartment—Wilder’s cinematic legacy is unparalleled. Not only did he direct these classics and twenty-one other films, he co-wrote all of his own screenplays. Volatile, cynical, hilarious, and driven, Wilder arrived in Hollywood an all-but-penniless refugee who spoke no English. Ten years later he was calling hisown shots, and he stayed on top of the game for the next three decades. Wilder battled with Humphrey Bogart, Marilyn Monroe, Bing Crosby, and Peter Sellers; kept close friendships with William Holden, Audrey Hepburn, Jack Lemmon, and Walter Matthau; amassed a personal fortune by way of blockbuster films and shrewd investments in art (including Picassos, Klees, and Mirós); and won Oscars—yet Wilder, ever conscious of his thick accent, always felt the sting of being an outsider.On Sunset Boulevard traces the course of a turbulent but fabulous life, both behind the scenes and on the scene, from Viennese cafes and Berlin dance halls in the twenties to the Hollywood soundstages of the forties and the on-location shoots of the fifties and sixties. Crammed with Wilder’s own caustic wit, On Sunset Boulevard reels out the story of one of cinema’s most brilliant and prolific talents.
Häftad, Engelska, 2012
342 kr
Skickas inom 5-8 vardagar
Conversations with William H. Gass captures the imagination and philosophical acumen of one of America's most important aestheticians, critical theorists, fiction writers, and essayists.From his first major novel, Omensetter's Luck (1966), to his numerous collections of essays and philosophical inquiries, to his controversial novel The Tunnel (1995), Gass (b. 1924) has proved himself a meticulous craftsman. Throughout these interviews, he reveals an aesthetic that combines ideas from sources as disparate as Ludwig Wittgenstein, Rainer Maria Rilke, Gertrude Stein, and Plato.The interviews make clear the unity behind Gass's views is by his own design. Conversations retrace his undergraduate years at Kenyon College and his subsequent philosophical investigation of metaphor at Cornell University.Gass has never strayed from his belief that metaphor is central and fundamental to thought and to aesthetics. In these interviews he reiterates time and again his belief that the ultimate understanding of the relationship of language to the world pivots on one's understanding of metaphor.n interviews, in profiles, and in his own essays, Gass does not hide from questions about his art and personal motivations, no matter how frequently they are asked, nor does he toy with his interviewers. Revealing how he never shies from an intellectual joust, this collection includes a rousing, contentious debate with John Gardner, fellow literary pundit and fiction writer.The distinction of Gass's prose is matched by the clarity and brilliance of the mind behind it. These talks allow an unobstructed view. Anyone interested in Gass's writing will delight in hearing the brutally honest voice of the mind that produced it.