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'When I think of Sylvia Plath, I am in awe of her intelligence, her language, her wit, her consonantal music - her sheer gift, and what must have been her drive, as its guardian, possessor, possessee, to realise it.' Sharon OldsThe Poems of Sylvia Plath is a landmark publication: the definitive edition of the poet's work for scholars, students and general readers.Sylvia Plath's first Collected Poems was published in 1981. This new volume draws on decades of research and almost doubles the content of that edition. The book is in two parts: the first contains the poems Plath composed in the last ten years of her life and upon which her reputation is founded, and the second includes those poems written in childhood and through her student years. In both sections, the editors have dated, corrected and arranged each poem chronologically, drawing on manuscripts, typescripts and related archival material. Critical notes document and cast new light on Plath's extraordinary evolution as a poet, from her childhood compositions, through the early blossoming of her talent and ambition, and into the molten core that was to shape the poems of her last few years, securing her place in literary history.

Every day from nine to five I sit at my desk facing the door of the office and type up other people's dreams.An office assistant in a hospital pursues a secret vocation. A girl endures a series of initiation ceremonies to join her high school sorority. A married woman seeks relief from the dull realities of daily life. From her mid-teens Sylvia Plath wrote stories, twenty-four of which are collected here, along with works of journalism and extracts from her journal. 'All the pieces presented here are revealing . . . It ought to round out one's knowledge of the writer, and, perhaps, offer some surprises. Luckily it does both.' Margaret Atwood, New York Times'A beautiful, delicate, commanding poet.' Lena Dunham'She embodied a seismic shift in consciousness which enabled us to feel and think as we do today, and of which she was a supremely vulnerable and willing casualty. She changed our world.' Margaret Drabble, Guardian

Introduced by Patricia Lockwood: Gothic tales from the mistress of the weird behind frogman-romance Mrs Caliban for fans of Shirley Jackson, Lucia Berlin and Patricia Highsmith.'Wonderful.' Margaret Atwood'Genius.' Patricia Lockwood'Remarkable.' Joseph Heller'Perfect.' Max Porter''Immensely skillful'. Ursula K. Le Guin'Tender, erotic, singular.' Carmen Maria Machado'Still outpaces, out-weirds, and out-romances anything today.' Marlon James'One of the greatest short story writers we have.' The Times'You are in masterly hands as Ingalls lures you into a swamp of violence and magic.' Sunday TimesAfter a one-night-stand with the Angel Gabriel, a monk is transformed into a pregnant woman.Lost in the fog, two visitors are lured into a ruined candlelit mansion.A wife confiscates her husband's homemade sex doll, only to demand her own.Great-aunts warn of the deadly skin of the pearlkillers.Rachel Ingalls' incomparable novellas are masterpieces: surrealist, subversive, tragicomic. Prepare to meet what lurks beneath .'Macabre, fantastic and haunting . . . One of the most brilliant practitioners of American Gothic since Poe . . . Read her at your peril.' Independent'Fables whose unadorned sentences belie their irreducible strangeness . . . In her vision of intimacy and interdependence, you're simply not safe until everybody else is dead . . . Brilliant.' New Yorker'Resists definition . . . Her work combines subtlety and horror, magic and stark realism, Greek tragedy and happily-ever-afters . . . Rare and fine. ' Guardian'Idiosyncratic, haunting, masterly . . . A modern fabulist making myths which explode into strangeness.' Observer

The complete edition of Sylvia Plath's prose including much unpublished and previously uncollected material, edited by Peter K. Steinberg.The Collected Prose stands alongside the Journals (2000) and the two volume Letters (2017 and 2018) to support a more complete understanding of Sylvia Plath's ambition and achievement as a writer. Expanding on the selection published as Johnny Panic and the Bible of Dreams (1977), this volume draws together all of Sylvia Plath's shorter prose, much of which is previously uncollected and unpublished. The volume embraces her experiments with the short story and pieces of non-fiction from the 1940s through to her more polished compositions of the fifties and early sixties, including fragments of fiction as well as her journalism and book reviews. Themes and associations become apparent as the volume offers new, intertextual ways of reading across Plath's oeuvre, colouring and shading our understanding and appreciation of her extraordinary talent.'To see so much of [Plath's] surviving fiction and journalism, so many of her essays and reviews, finally published under one cover is to be surprised all over again by the breadth of her vision, ambition and talent . . . A major literary event and an invaluable scholarly resource.' Heather Clark, TLSFrom reviews of The Letters of Sylvia Plath, Volume I: 1940-1956 and Volume II: 1956-1963:'Sylvia Plath was not only a great poet, she also forged some of the best prose of the twentieth century. . . she wrote letters of extraordinary wit and vivacity. Their publication is a major literary event.' The Times'These letters are by turns poignant, revelatory, banal, hilarious and self-absorbed, documenting as they do the changing moods, ambitions and intellectual and creative development of one of the twentieth century's most celebrated poets.' Evening Standard'Such was the impact of [Plath's] exploration of both inner and outer landscapes in staggeringly intense, brutal and lyrical language that her loss to the literary world has been mourned ever since.' Financial Times

The complete edition of Sylvia Plath's prose including much unpublished and previously uncollected material, edited by Peter K. Steinberg.The Collected Prose stands alongside the Journals (2000) and the two volume Letters (2017 and 2018) to support a more complete understanding of Sylvia Plath's ambition and achievement as a writer. Expanding on the selection published as Johnny Panic and the Bible of Dreams (1977), this volume draws together all of Sylvia Plath's shorter prose, much of which is previously uncollected and unpublished. The volume embraces her experiments with the short story and pieces of non-fiction from the 1940s through to her more polished compositions of the fifties and early sixties, including fragments of fiction as well as her journalism and book reviews. Themes and associations become apparent as the volume offers new, intertextual ways of reading across Plath's oeuvre, colouring and shading our understanding and appreciation of her extraordinary talent.'To see so much of [Plath's] surviving fiction and journalism, so many of her essays and reviews, finally published under one cover is to be surprised all over again by the breadth of her vision, ambition and talent . . . A major literary event and an invaluable scholarly resource.' Heather Clark, TLSFrom reviews of The Letters of Sylvia Plath, Volume I: 1940-1956 and Volume II: 1956-1963:'Sylvia Plath was not only a great poet, she also forged some of the best prose of the twentieth century. . . she wrote letters of extraordinary wit and vivacity. Their publication is a major literary event.' The Times'These letters are by turns poignant, revelatory, banal, hilarious and self-absorbed, documenting as they do the changing moods, ambitions and intellectual and creative development of one of the twentieth century's most celebrated poets.' Evening Standard'Such was the impact of [Plath's] exploration of both inner and outer landscapes in staggeringly intense, brutal and lyrical language that her loss to the literary world has been mourned ever since.' Financial Times

Despite being widely studied on both undergraduate and postgraduate courses the writing of Sylvia Plath has been relatively neglected in relation to the attention given to her life and what drove her to suicide. Tracy Brain aims to remedy this by introducing completely new approaches to Plath's writing, taking the studies away from the familiar concentration to reveal that Plath as a writer was concerned with a much wider range of important cultural and political topics. Unlike most of the existing literary criticism it shifts the focus away from biographical readings and encompasses the full range of Plath's poetry, prose, journals and letters using a variety of critical methods.

Despite being widely studied on both undergraduate and postgraduate courses the writing of Sylvia Plath has been relatively neglected in relation to the attention given to her life and what drove her to suicide. Tracy Brain aims to remedy this by introducing completely new approaches to Plath's writing, taking the studies away from the familiar concentration to reveal that Plath as a writer was concerned with a much wider range of important cultural and political topics. Unlike most of the existing literary criticism it shifts the focus away from biographical readings and encompasses the full range of Plath's poetry, prose, journals and letters using a variety of critical methods.

A Times, Resident and Rough Trade Book of the YearLonglisted for the Penderyn Music Book Prize 2026“A warm and engaging memoir” Guardian“A beautifully told odyssey” Daily Express“A brilliant book” Mark Ellen, Word in Your EarThe long overdue reflection of life in The Smiths from their legendary drummer.As a band, the Smiths need no introduction. Formed in 1982 and disbanded in 1987, all four of their studio albums reached the top five in the UK charts. They are widely lauded as one of the most influential groups of all time.Mike is the last member of the band to release their autobiography and this is his no-holds-barred story of what it was like to play the drums in the Smiths. Throughout his honest and witty reflections, Mike answers the question he and bassist Andy Rourke used to often ask each other: ‘Where did it all go right?’A lot of the Smiths’ past is already canonised. Rather than retelling those well-documented iconic moments, in The Drums, Mike conveys ‘the feeling’ of his time in the band. His off-piste, frank and witty perspective allows him to re-contextualise fan favourite moments through a beautifully vulnerable, human insight into his life.The written history of the Smiths is not missing an encyclopedic account of everything that happened over the years; but Mike’s honest, entertaining and deeply human memoir is what Smiths fans have been waiting for. This book truly conveys what it felt like to be a member of the Smiths.In The Drums, Mike Joyce finally gives us the perspective of the self-confessed biggest Smiths fan in the world who from the start was just some lad from the suburbs of Fallowfield who played the drums.