Visar resultat för..."The Face"

Insults are part of the fabric of daily life. But why do we insult each other? Why do insults cause us such pain? Can we do anything to prevent or lessen this pain? Most importantly, how can we overcome our inclination to insult others? In A Slap in the Face, now issued in paperback with a new preface, William Irvine undertakes a wide-ranging investigation of insults, their history, the role they play in social relationships, and the science behind them. He examines not just memorable zingers, such as Elizabeth Bowen's description of Aldous Huxley as "The stupid person's idea of a clever person," but subtle insults as well, such as when someone insults us by reporting the insulting things others have said about us: "I never read bad reviews about myself," wrote entertainer Oscar Levant, "because my best friends invariably tell me about them." Irvine also considers the role insults play in our society: they can be used to cement relations, as when a woman playfully teases her husband, or to enforce a social hierarchy, as when a boss publicly berates an employee. He goes on to investigate the many ways society has tried to deal with insults--by adopting codes of politeness, for example, and outlawing hate speech--but concludes that the best way to deal with insults is to immunize ourselves against them: we need to transform ourselves in the manner recommended by Stoic philosophers. We should, more precisely, become insult pacifists, trying hard not to insult others and laughing off their attempts to insult us.A rousing follow-up to A Guide to the Good Life, A Slap in the Face will interest anyone who's ever delivered an insult or felt the sting of one--in other words, everyone.

It was always at sundown they were seen. In that twilight hour, when the walls between the worlds grew thin, strange things might slip through the cracks. Sometimes then, so the stories went, enchanted islands would appear in the empty ocean to the west of Wildsea.When Utterly Dark was a baby, she was washed up on the shores of the Autumn Isles and taken in by the Watcher of Wildsea. But everything changes when her guardian suddenly drowns. Now who will keep the Watch, and make sure Wildsea stays safe from the strange forces teeming in the deep ocean around them?A magical new story from the bestselling and prize-winning author of Mortal Engines.

Occasionally I read a book and say to myself that this is a book that I wished I had written. This is such a book! It is a delightful, practical, interesting, and inspiring book! Danai has written a soon-to-be classic in the field! Her writing is excellent! Her use of theories, concepts, history, and models are wonderful!"--Illness, Crisis and LossDanai PapadatouÖ[presents] an approach of Relational Care, care based on an understanding of relationships, that should be essential readingÖ.[S]he writes in an engaging and non-technical language, and manages to convey complex ideas in a manner that is accessible to all. --Colin Murray Parkes, OBE, MD, FRCPsychPresident, Cruse: Bereavement Care(From the Foreword) "[A] wonderful contribution to the literature on caregiving and her well thought out ideas about relational caregiving are on the cutting edge. Congratulations." -- Lynne Ann DeSpelderCoAuthor, The Last Dance: Encountering Death and Dying, 8th edition This is no ordinary academic textbook. It is nothing short of a masterpiece in which Papadatou provides the field of death, dying and bereavement with invaluable and constructive insights into the world of caring for the dying and bereaved."--Grief Matters This is a fascinating book, applying important theoretical modelsÖin order to describe and speculate about how professionals manage to work in an environment where suffering and grief are constantly present. This is an important and substantial addition to the mostly self-help literature about self-care for caregivers."--Doody's Medical Reviews In the Face of Death explores the experiences of health care professionals who care for the seriously ill, the dying, and the bereaved. In this book, Danai Papadatou offers a practical approach to caregiving, as well as a breadth and depth of insight into both the patient's and the caregiver's responses to death. The author discusses the issues and challenges health care professionals face when treating dying and bereaved patients. Topics include: compassion fatigue, the inevitability of suffering and the potential for growth, suffering in the workplace, team functioning in death situations, and team resilience. The main themes are: The Caring Relationship focuses on the relationship between the care provider and the person who is dying or grieving, and proposes a new, relationship-based model of care The Care Provider in Death Situations addresses the health professional's personal responses to death, using a model that illustrates the grieving process of the health professional The Team in the Face of Death provides recommendations for effective, interdisciplinary care services that support dying or bereaved patients as well as the health care provider

THE INSTANT SUNDAY TIMES TOP TEN BESTSELLER'Tony is a champion who knows the hardest battle is always with yourself. Everyone who reads this book will find a change to make in their own life ' ANT MIDDLETON**THE PULL-NO-PUNCHES GUIDE TO LIFE**"When your job is to stand in front of a very big man who wants to knock you unconscious, you learn what's important in life. In the ring there's nowhere to hide. I was never the biggest or the strongest but I made the most of what I had - I had heart and I had grit and I always put time into the mental game. Now I want to take readers into the ring and help them understand that even though it's an extreme environment and somewhere they're unlikely to ever be, there's plenty they can learn there"Over 12 rounds (chapters), former world champion boxer Tony Bellew will take the reader inside the world of elite boxing to reveal what we can all learn about performance. From what the boxing gym can teach us all about being honest about our strengths and weaknesses to how to hit the canvas and get back up again, this is the closest thing to having a world champion boxer in your corner.

A hilarious guessing game of facial reactions created by the author of bestselling This Is Not A BookJean Jullien tickles the funnybone once again with a book of facial overreactions. Faces are presented first, allowing the reader to wager predictions of what may have prompted such an expression, before the dramatic answer is revealed. Why the face? reads the text alongside an agitated boy with eyes and nose scrunched up. Pick up the full-page flap to reveal a whole mess of smelly items, from stinky socks to an oozing trash can, and the text, Whoa, that stinks. Jullien masterfully provides enough clues for the reader to piece together the narrative, including both predictable and surprising scenarios. Based on young children's natural fascination with faces, this book encourages readers to practice empathy and build emotional intelligence, with cleverly simplified and humorously satisfying vignettes. A brilliant addition to Phaidon's growing Jean Jullien board book library.Ages 2-4

Wait The train was moving. Ry could hardly tell at first, but now he knew. It was gaining speed, and he wasn't fast enough to catch it. He had only gotten off for a minute, just to make a phone call-and now it was gone. He was in the middle of nowhere, alone. Maybe it was the middle of nowhere, but to Ry, it felt like the beginning of something. Something that would take him in cars, planes, boats ...over an ocean and back. Something like an adventure.

For years, What the Face Reveals has been a singular collection of previously published original research using the Facial Action Coding System (FACS) to study facial behavior. Accompanying each article is an author commentary, prepared for this book, on the value of bringing FACS-based measurement to their area of study. The new third edition includes new research findings and applications, and extends the focus of earlier volumes to showcase the development of Animal FACS systems and applications of automated FACS measurement. What the Face Reveals is an indispensable reference to anyone who uses FACS in their research, as the studies showcased here employ a variety of methodological and design technique for the use of FACS that could be replicated or extended in other research contexts.New to this Edition:--Revised to include 50% new contributions, reflecting changes in facial measurement in the 21st century--New structure organized around six areas of FACS research: Animal FACS, Automated Measurement, Basic Affective Science, Development, Pain, Psychopathology, and Social and Health Psychology

Money talked in sixteenth-century England, as money still does today. But what the sixteenth century's gold and silver had to say for itself is strikingly different from the modern discourse of money. As David Landreth demonstrates in The Face of Mammon, the material and historical differences between the coins of the English Renaissance and today's paper and electronic money propel a distinctive and complex assessment of the relation between material substance and human value.Although the sixteenth century was marked by the traumatic emergence of conditions that would prove to be characteristic of the modern economy, the discipline of economics had not been invented to assess those conditions. The Face of Mammon considers how literary texts investigated these unexplained material transformations through attention to the materiality of gold and silver money. In new readings of Spenser's Faerie Queene, Marlowe's Jew of Malta, three plays by Shakespeare--King John, The Merchant of Venice, and Measure for Measure--the poetry of John Donne, and the prose of Thomas Nashe, Landreth argues that these texts situate the act of exchange at the center of a system of "common wealth" that sought to integrate political, ethical, and religious values with material ones, and probe the ways in which market value corrodes that system even as it depends upon it.Joining the methods of material-culture studies to those of economic criticism, The Face of Mammon offers a new account of the historical transformations of the concept of value to scholars of early modern literature, culture, and art, as well as to those interested in economic history.

While we have known for centuries that facial expressions can reveal what people are thinking and feeling, it is only recently that the face has been studied scientifically for what it can tell us about internal states, social behavior, and psychopathology. Today's widely available, sophisticated measuring systems have allowed us to conduct a wealth of new research on facial behavior that has contributed enormously to our understanding of the relationship between facial expression and human psychology. The chapters in this volume present the state-of-the-art in this research. They address key topics and questions, such as the dynamic and morphological differences between voluntary and involuntary expressions, the relationship between what people show on their faces and what they say they feel, whether it is possible to use facial behavior to draw distinctions among psychiatric populations, and how far research on automating facial measurement has progressed. The book also includes follow-up commentary on all of the original research presented and a concluding integration and critique of all the contributions made by Paul Ekman. As an essential reference for all those working in the area of facial analysis and expression, this volume will be indispensable for a wide range of professionals and students in the fields of psychology, psychiatry, and behavioral medicine.

Our faces play essential roles in defining us as individuals. They are the most immediately identifiable parts of our bodies. We use our faces to communicate emotions and to interact socially. Sometimes, despite our intentions, our faces reveal our thoughts even when we do not speak. In several medical conditions, the facial aspect confirms diagnosis, and while surgical alteration of craniofacial anomalies can do much to normalize appearance, patients are always confronted with the question of what is normal, and with the fact that beauty itself may be nothing more than a culturally determined concept.This book explores a range of distinct yet related perspectives on the face--the evolutionary, the developmental, the anatomic, the dysmorphic and genetic, the surgical, the psychological; the sociocultural, and the artistic. As a cross-disciplinary study, it is the first to comprehensively address the question of what constitutes a face, and to span the gap between symbolic interpretation and scientific fact. Both broadly informative and in-depth in its discussions, this highly readable book will be of interest to biologists, geneticists, plastic surgeons, craniofacial surgeons, oral and maxillofacial surgeons, psychologists, sociologists, anthropologists, and others with a special interest in the face.

Foreign services globally are undergoing fundamental and rapid gendered change, spurred on by shifting social and governance norms and even the adoption of an explicit feminist foreign policy in some stages. For some, this has resulted in women's rapidly increasing representation at the frontlines of global governance. Yet, compounded by COVID-19, a rise in right-wing misogyny and extremism, and sometimes archaically slow-moving institutions, progress is marred by women's continued, entrenched under-representation in leadership and devastating challenges that have increased in recent years. Women remain frequently side-lined, marginalized, under-valued, and overlooked in international affairs. In short, international affairs has a gender problem, and remains one of the worst-performing sectors of the state. After studying women's leadership and gender relations across four international affairs agencies spanning diplomacy, defense, national security, policing, and intelligence, The Face of the Nation contributes empirical data from the last 30+ years on women's representation in a leading case context--Australia--to understand the disconnect between pockets of progress and undercurrents of resistance. Australia is a global leader in terms of representation of women and policy supports for gender equality in governance. Yet, Australia also demonstrates how deeply gendered, racialized, and heteronormative international institutions remain. Through in-depth interviews with almost 80 global leaders, including with Australia's first female prime minister, Julia Gillard, and first female foreign minister, Julie Bishop, this book delivers a much-needed Intersectional Feminist Institutionalist approach to trace the evolution of inequalities in international affairs and interrogate why women still remain under-represented in international affairs.

There is a long history of face recognition research in psychology. Typically, performance is averaged across individuals to investigate the effect of factors like age or sex on face recognition performance. However, over the last 15 years or so, research has started to consider how and why some people are better at recognising faces than others. Some individuals possess an exceptional ability to recognise faces, known as 'super-recognisers', while others struggle significantly to recognise the people around them, a condition known as prosopagnosia or 'face blindness'. These differences may be attributed to a combination of genetic, neurological, socioemotional and environmental factors. Understanding these individual differences is crucial in fields such as psychology, neuroscience and security, as it helps tailor possible approaches to enhance face recognition skills and, in the future, develop supportive technologies for those who struggle with it.From Super Recognisers to the Face Blind provides readers with a wide-ranging, detailed, and critical overview of individual differences in face recognition ability. It provides insights into why some people are better at recognising faces than others and the possible consequences of these differences, carefully detailing the scientific knowledge on this emerging topic.

Polemon of Laodicea (near modern Denizli, south-west Turkey) was a wealthy Greek aristocrat and a key member of the intellectual movement known as the Second Sophistic. Among his works was the Physiognomy, a manual on how to tell character from appearance, thus enabling its readers to choose friends and avoid enemies on sight. Its formula of detailed instruction and personal reminiscence proved so successful that the book was re-edited in the fourth century by Adamantius in Greek, translated and adapted by an unknown Latin author of the same era, and translated in the early Middle Ages into Syriac and Arabic. The surviving versions of Adamantius, Anonymus Latinus, and the Leiden Arabic more than make up for the loss of the original.The present volume is the work of a team of leading Classicists and Arabists. The main surviving versions in Greek and Latin are translated into English for the first time. The Leiden Arabic translation is authoritatively re-edited and translated, as is a sample of the alternative Arabic Polemon. The texts and translations are introduced by a series of masterly studies that tell the story of the origins, function, and legacy of Polemon's work, a legacy especially rich in Islam. The story of the Physiognomy is the story of how one man's obsession with identifying enemies came to be taken up in the fascinating transmission of Greek thought into Arabic.

Taking up a teaching appointment in Tokyo in 1931, the English poet and literary critic William Empson found himself captivated by the Buddhist sculptures of ancient Japan, and spent the years that followed in search of similar examples all over Korea, China, Cambodia, Burma, India, and Ceylon, as well as in the great museums of the West. Compiling the results of these wide-ranging travels into what he considered to be one of his most important works, Empson was heartbroken when he mislaid the sole copy of the manuscript in the wake of the Second World War. 'The Face of the Buddha' remained one of the great lost books until its surprise rediscovery sixty years later, and is published here for the first time. The book provides an engaging record of Empson's reactions to the cultures and artworks he encountered during his travels, and presents experimental theories about Buddhist art that many authorities of today have found to be remarkably prescient. It also casts important new light on Empson's other works, highlighting in particular the affinities of his thinking with that of the religious and philosophical traditions of Asia.Edited by the global culture historian Rupert Arrowsmith, this edition comes with a comprehensive introduction that makes 'The Face of the Buddha' as accessible to the general reader as it is to the professional scholar, and is fully illustrated throughout with Empson's original photographs.

The Face of Mammon studies the gold and silver coins of sixteenth-century England as they are articulated in literary writing. Landreth argues that the coinage of the sixteenth century is a very different object from the money that we know-- not only formally but conceptually, in that modern money is the object proper to a discourse, economics, that had not yet taken shape in the sixteenth century. Instead, a Renaissance coin is an arena contested among multiple early modern discourses that each seek to encompass it, such as ontology, ethics, and politics. The writers central to this study--among them Spenser, Marlowe, Shakespeare, Nashe, and Donne--use the coin to demonstrate the interdependence of these competing discourses as they converge upon a single, ubiquitous object. For these authors, an understanding of the world that humans make for themselves relies upon understanding how the material world is made. The small circumference of the coin brings these contending worlds into contact.

The human face was said to have been rediscovered with the advent of motion pictures, in which it was often viewed as expressive locus, as figure, and even as essence of the cinema. But how has this modern, technological, mass-circulating medium revealed the face in ways that are also distinct from any other? How has it altered our perception of this quintessential incarnation of the person? The archaic powers of masks and icons, the fashioning of the individual in the humanist portrait, the modernist anxieties of fragmentation and de-figuration--these are among the cultural precedents informing our experience in the movie theatre. Yet the moving, time-based image also offers radical new confrontations with the face: Dreyer's Passion of Joan of Arc, Donen's Funny Face, Hitchcock's The Wrong Man, Bresson's Au hazard, Balthazar, Antonioni's Screen Test, Warhol's filmic portraits of celebrity and anonymity. Such intense encounters, examined in this book, manifest a desire for transparency and plenitude, but--especially in post-classical cinema--also betray a profound ambiguity that haunts the human countenance, confronting interiority as opacity, treading the gap between image and language. The spectacular impact of the cinematic face is uncannily intertwined with a reticence, an ineffability; but is it not for this very reason that--like faces in the world--it still enthralls us?

The human face was said to have been rediscovered with the advent of motion pictures, in which it was often viewed as expressive locus, as figure, and even as essence of the cinema. But how has this modern, technological, mass-circulating medium revealed the face in ways that are also distinct from any other? How has it altered our perception of this quintessential incarnation of the person? The archaic powers of masks and icons, the fashioning of the individual in the humanist portrait, the modernist anxieties of fragmentation and de-figuration--these are among the cultural precedents informing our experience in the movie theatre. Yet the moving, time-based image also offers radical new confrontations with the face: Dreyer's Passion of Joan of Arc, Donen's Funny Face, Hitchcock's The Wrong Man, Bresson's Au hazard, Balthazar, Antonioni's Screen Test, Warhol's filmic portraits of celebrity and anonymity. Such intense encounters, examined in this book, manifest a desire for transparency and plenitude, but--especially in post-classical cinema--also betray a profound ambiguity that haunts the human countenance, confronting interiority as opacity, treading the gap between image and language. The spectacular impact of the cinematic face is uncannily intertwined with a reticence, an ineffability; but is it not for this very reason that--like faces in the world--it still enthralls us?