Shawl

Two masterful short stories: one depicts the horrors of the Holocaust, the other the lifetime of emptiness that pursues a ''survivor'' - by a Pulitzer Prize finalist

The Shawl is considered a modern classic - a masterpiece in two acts. The horror and desolation evoked through piercing imagery - first through the abomination of a Holocaust concentration camp murder, second through the eyes of the murdered child''s mother, thirty years later, now ''a madwoman and a scavenger'' - offers the reader a chilling insight into the empty suffering of a ''survivor''.

In ''The Shawl'', a woman named Rosa Lublin watches a concentration camp guard murder her child, a child barely old enough to walk. The shawl that was the child''s security blanket and lone possession reappears in the second story, ''Rosa''. Rosa appears thirty years later, living in a Miami hotel and feeling the strain of a lifetime of pain: the hollowness of seeing her baby killed, of managing her harrowing memories she''s being told to forget, and of even now being treated as a specimen and not a human being.