This is a revised second edition of Edward Mullen's landmark scholarly presentation of Juan Francisco Manazo's autobiography and poetry. Taking into account the extensive scholarship that has accrued in the intervening decades, this is an accessible, essential resource for scholars and students of Caribbean literatures.

This project is an attempt to bring together the many fragments of history concerning the Yoruba religious community and their rise to prominence in Salvador, Bahia, Brazil, from the mid-nineteenth to the late-twentieth centuries.

This book explores the reception experiences of post-1958 Afro-Cubans in South Florida in relation to their similarly situated “white” Cuban compatriots. Utilizing interviews, ethnographic observations, and applying Census data analyses, Aja begins not with the more socially diverse 1980 Mariel boatlift, but earlier, documenting that a small number of middle-class Afro-Cuban exiles defied predominant settlement patterns in the 1960 and 70s, attempting to immerse themselves in the newly formed but ultimately racially exclusive “ethnic enclave.” Confronting a local Miami Cuban “white wall” and anti-black Southern racism subsumed within an intra-group “success” myth that equally holds Cubans and other Latin Americans hail from “racial democracies,” black Cubans immigrants and their children, including subsequent waves of arrival and return-migrants, found themselves negotiating the boundaries of being both “black” and “Latino” in the United States.

Through a collection of theoretically engaging and empirically grounded texts, this book examines African-descended populations in Latin America and Afro-Latin@s in the United States in order to explore questions of black identity and representation, transnationalism, and diaspora in the Americas.

Through a collection of theoretically engaging and empirically grounded texts, this book examines African-descended populations in Latin America and Afro-Latin@s in the United States in order to explore questions of black identity and representation, transnationalism, and diaspora in the Americas.

Quince Duncan is one of the most significant yet understudied Black writers in the Americas. A third-generation Afro-Costa Rican of West Indian heritage, he is the first novelist of African descent to tell the story of Jamaican migration to Costa Rica. Duncan’s work has been growing in popularity among scholars and teachers of Afro-Latin American literature and African Diaspora Studies.This translation brings two of his major novels to English-speaking audiences for the first time, Weathered Men and The Four Mirrors. The book will be invaluable for those eager to develop further their background in Afro-Latin American literature, and it will enable students and faculty members in other fields such as comparative literature to engage with the burgeoning area of Afro-Latin American literary studies.

This edited volume chronicles the movements of Black and Afro-descendant women across intellectual, geographic, temporal, gender, and cultural boundaries. In the interdisciplinary tradition of Black Feminism, the contributors explore the redefinition and evolution of Black women and place. Researchers, activists, and academics present diverse perspectives on the strategies through which Black and Afro-descendant women confront racism and sexism in their communities. The chapters also examine the knowledge and pathways generated by Black and Afro-descendant women in both historical and contemporary contexts.The book is organized in three sections. “Historical Trajectories” situates the experiences of Black women in the legacies of the past that continue to shape present-day activism. “Community Experiences” reflects on the importance of Black and Afro-descendant women’s work in sustaining the social fabric of their communities. Finally, “Narrative as Methodology” offers innovative approaches to narrating the personal experiences of Black and Afro-descendant women in education, research, and activism.Dr. Jaira J. Harrington is an Assistant Professor of Black Studies at the University of Illinois Chicago, USA. She has published in Latin American and Caribbean Ethnic Studies, Kalfou: A Journal of Comparative Ethnic Studies, Race & Class, and Revista Relicário Uberlândia. A seasoned educator on gender, race, labor, activism, and Black communities in Latin America, she teaches courses on Black diaspora, global Black feminisms, and the politics of Blackness in Latin America. She is currently completing her first book, Inscribed and Erased: Domestic Workers’ Rights in Brazil. Dr. Angie Edell Campos Lazo is a Lecturer of Social Work at the Universidad Nacional Mayor de San Marcos, Perú and an Afro-Peruvian activist. Her dissertation, Black Bodies in Professional Workspaces: Professionalization of Afro-Peruvian Women in the City of Lima, examines contemporary racism through the educational and professional experiences of Afro-Peruvian women. Her research centers Afro-Peruvian human rights, Afro-descendant women’s activism, and youth political participation. A recognized scholar-activist and community leader, she has published widely in the Afro-Latin American studies field.

This book examines contemporary Afro-Latin@ literature and its depiction of the multifaceted identity encompassing the separate identifications of Americans and the often-conflicting identities of blacks and Latin@s.  The Afro-Latin@ Experience in Contemporary American Literature and Culture highlights the writers’ aims to define Afro-Latin@ identity, to rewrite historical narratives so that they include the Afro-Latin@ experience and to depict the search for belonging.  Their writing examines the Afro-Latin@ encounter with race within the US and exposes the trauma resulting from the historical violence of colonialism and slavery.

This book examines contemporary Afro-Latin@ literature and its depiction of the multifaceted identity encompassing the separate identifications of Americans and the often-conflicting identities of blacks and Latin@s.  The Afro-Latin@ Experience in Contemporary American Literature and Culture highlights the writers’ aims to define Afro-Latin@ identity, to rewrite historical narratives so that they include the Afro-Latin@ experience and to depict the search for belonging.  Their writing examines the Afro-Latin@ encounter with race within the US and exposes the trauma resulting from the historical violence of colonialism and slavery.

This is a revised second edition of Edward Mullen's landmark scholarly presentation of Juan Francisco Manazo's autobiography and poetry. Taking into account the extensive scholarship that has accrued in the intervening decades, this is an accessible, essential resource for scholars and students of Caribbean literatures.

This project is an attempt to bring together the many fragments of history concerning the Yoruba religious community and their rise to prominence in Salvador, Bahia, Brazil, from the mid-nineteenth to the late-twentieth centuries.

This book explores the reception experiences of post-1958 Afro-Cubans in South Florida in relation to their similarly situated “white” Cuban compatriots. Utilizing interviews, ethnographic observations, and applying Census data analyses, Aja begins not with the more socially diverse 1980 Mariel boatlift, but earlier, documenting that a small number of middle-class Afro-Cuban exiles defied predominant settlement patterns in the 1960 and 70s, attempting to immerse themselves in the newly formed but ultimately racially exclusive “ethnic enclave.” Confronting a local Miami Cuban “white wall” and anti-black Southern racism subsumed within an intra-group “success” myth that equally holds Cubans and other Latin Americans hail from “racial democracies,” black Cubans immigrants and their children, including subsequent waves of arrival and return-migrants, found themselves negotiating the boundaries of being both “black” and “Latino” in the United States.

Through a collection of theoretically engaging and empirically grounded texts, this book examines African-descended populations in Latin America and Afro-Latin@s in the United States in order to explore questions of black identity and representation, transnationalism, and diaspora in the Americas.

Through a collection of theoretically engaging and empirically grounded texts, this book examines African-descended populations in Latin America and Afro-Latin@s in the United States in order to explore questions of black identity and representation, transnationalism, and diaspora in the Americas.

Quince Duncan is one of the most significant yet understudied Black writers in the Americas. A third-generation Afro-Costa Rican of West Indian heritage, he is the first novelist of African descent to tell the story of Jamaican migration to Costa Rica. Duncan’s work has been growing in popularity among scholars and teachers of Afro-Latin American literature and African Diaspora Studies.This translation brings two of his major novels to English-speaking audiences for the first time, Weathered Men and The Four Mirrors. The book will be invaluable for those eager to develop further their background in Afro-Latin American literature, and it will enable students and faculty members in other fields such as comparative literature to engage with the burgeoning area of Afro-Latin American literary studies.

This edited volume chronicles the movements of Black and Afro-descendant women across intellectual, geographic, temporal, gender, and cultural boundaries. In the interdisciplinary tradition of Black Feminism, the contributors explore the redefinition and evolution of Black women and place. Researchers, activists, and academics present diverse perspectives on the strategies through which Black and Afro-descendant women confront racism and sexism in their communities. The chapters also examine the knowledge and pathways generated by Black and Afro-descendant women in both historical and contemporary contexts.The book is organized in three sections. “Historical Trajectories” situates the experiences of Black women in the legacies of the past that continue to shape present-day activism. “Community Experiences” reflects on the importance of Black and Afro-descendant women’s work in sustaining the social fabric of their communities. Finally, “Narrative as Methodology” offers innovative approaches to narrating the personal experiences of Black and Afro-descendant women in education, research, and activism.Dr. Jaira J. Harrington is an Assistant Professor of Black Studies at the University of Illinois Chicago, USA. She has published in Latin American and Caribbean Ethnic Studies, Kalfou: A Journal of Comparative Ethnic Studies, Race & Class, and Revista Relicário Uberlândia. A seasoned educator on gender, race, labor, activism, and Black communities in Latin America, she teaches courses on Black diaspora, global Black feminisms, and the politics of Blackness in Latin America. She is currently completing her first book, Inscribed and Erased: Domestic Workers’ Rights in Brazil. Dr. Angie Edell Campos Lazo is a Lecturer of Social Work at the Universidad Nacional Mayor de San Marcos, Perú and an Afro-Peruvian activist. Her dissertation, Black Bodies in Professional Workspaces: Professionalization of Afro-Peruvian Women in the City of Lima, examines contemporary racism through the educational and professional experiences of Afro-Peruvian women. Her research centers Afro-Peruvian human rights, Afro-descendant women’s activism, and youth political participation. A recognized scholar-activist and community leader, she has published widely in the Afro-Latin American studies field.

This book examines contemporary Afro-Latin@ literature and its depiction of the multifaceted identity encompassing the separate identifications of Americans and the often-conflicting identities of blacks and Latin@s.  The Afro-Latin@ Experience in Contemporary American Literature and Culture highlights the writers’ aims to define Afro-Latin@ identity, to rewrite historical narratives so that they include the Afro-Latin@ experience and to depict the search for belonging.  Their writing examines the Afro-Latin@ encounter with race within the US and exposes the trauma resulting from the historical violence of colonialism and slavery.

This book examines contemporary Afro-Latin@ literature and its depiction of the multifaceted identity encompassing the separate identifications of Americans and the often-conflicting identities of blacks and Latin@s.  The Afro-Latin@ Experience in Contemporary American Literature and Culture highlights the writers’ aims to define Afro-Latin@ identity, to rewrite historical narratives so that they include the Afro-Latin@ experience and to depict the search for belonging.  Their writing examines the Afro-Latin@ encounter with race within the US and exposes the trauma resulting from the historical violence of colonialism and slavery.