Archaeopress Ancient Near Eastern Archaeology – serie

This book brings together the main discussions that took place at an international conference on the iconology of war in the ancient Near East, a subject never addressed at an international meeting before. The articles span the 3rd to the 1st millennium, with a special stress on the Neo-Assyrian period. They try to respond to many questions about representations of war: what is ‘warrior’ iconography and on what basis it can be defined? Did the war scenes follow a specific directory whereby they adopted the most varied forms? Can we determine the most usual conditions for the creation of pictures of wartime (such as periods of great change)? Were the war scenes referring to specific historical events or were they generic representations? What can a society accept from the representations of war? What did war images silence and why? What is a ‘just’ punishment for enemies and thus the ‘just’ representation of it? Who has control of the representation and therefore also the memory of war? Who is the real subject of war representations? What emerges from all the articles published here is the relevance of textual data in any analysis of iconological material. And this is not only true for iconology, but for all the archaeological material discovered at historical sites.

This book focuses on the characteristics and the development of the stone vessel industry in the Near East during the Iron Age and the Persian period (c. 1200 – 330 BCE). Three main aspects of this industry are investigated. First, the technology behind the manufacture of stone vessels, the tools and techniques, and how these changed across time. Second, the mechanisms of exchange of stone vessels and how these were affected by the changing political landscape through time. Third, the consumption patterns of stone vessels in both elite and non-elite contexts, and how these patterns changed through time. The aim is to evaluate how the formation of new regional states, occurred in the Iron Age I-II, and their subsequent inclusion within large-scale empires, in the Iron Age III and Persian period, transformed the Near Eastern societies by exploring how the stone vessel industry was affected by these transformations. For the period and area under analysis, such a comprehensive study of stone vessels, covering a wide area and connecting this industry to the broader socioeconomic and political landscapes, has never been attempted before.

Composite Artefacts in the Ancient Near East: Exhibiting an imaginative materiality, showing a genealogical nature examines the complex relationship between environment, materials, society and materiality with particular reference to the composite artefacts in the ancient Near East. On the one hand are the objective and natural attributes of materials, possibly exalted from their transformation: a form of fascination immanent in all kind of technical activity which promotes the transition from the ordinary into an ‘extra-ordinary’ realm, imbuing the object with new meaning. On the other hand is the idea that properties of materials are not fixed attributes of ‘matters’, but are processual as well as relational: the qualities of artefacts are subjective and are included in the worldview of artisans making them, as well as in the mind of who observes who appreciate them. Thus, the craftsmanship is oriented towards the achievement of sophisticated products through assemblage techniques and the blending of contrasting properties and qualities of materials. The term ‘composite’ is a combination of the power of technology and the ability to form new images: the strict relationship between creativity, technology and manufacture produces novel interactions and solutions.Although the primary concern of this volume is to provide specific case studies in which theoretical assumptions and hypotheses can be applied to the ancient evidence, most of the papers take not only the general perspective, such as the relationship between materials and humans, but also a defined body of evidence – material, textual and visual through which they address the issue. This volume represents a first attempt to conceptualise the construction and use of composite artefacts: the richness of approaches, the development of new issues depending on specific case studies, and the overturning of widely accepted ideas, show the interest towards this category of objects and the opportunity to enlarge this field study in the future.

This volume is a tribute to the career of Professor Olivier Rouault who has conducted extensive research in the fields of both Assyriology and Ancient Near Eastern archaeology. The book is composed of 25 papers written by his colleagues, friends and former students from Belgium, France, Great Britain, Italy, Israel, Japan, The Netherlands, Poland, Syria and the United States. The contributions presented here combine archaeological, iconographic and Assyriological studies from the Neolithic to the 1st millennium BC, covering whole of Mesopotamia and regions of Anatolia and the Levant. Nine papers deal with the data of Terqa, Mari and Qasr Shemamok, sites close to Professor Olivier Rouault’s main field of research. He published cuneiform tablets from Mari and Terqa and worked as a director of archaeological missions at Terqa and Qasr Shemamok. The book is divided into six main topics: Palace and Administration, Temples and Cults, Families and Societies, Literatures and Historiography, Representation and Symbolic Aspects, Cultural Markers and Stratigraphy – all the topics that attracted Professor Olivier Rouault during his fruitful career. More intimate texts recounting memories of moments shared with Olivier punctuate the reading of these contributions.

A wide-ranging exploration of Time as experienced and contemplated. Included are offerings on ancient Mesopotamian archaeology, literature and religion, Biblical texts and archaeology, Chinese literature and philosophy, and Islamic law. In addition, the majority of the papers specifically address issues of differences and similarities between cultures, with or without actual cultural contact.This volume is the publication of a conference designed to commemorate the 100th anniversary of the founding of the Midwest branch of the American Oriental Society, held at St. Mary’s University in Notre Dame, Indiana, in February 2017.

Working at Home in the Ancient Near East brings together the papers and discussions from an international workshop organized within the framework of the 10th International Congress on the Archaeology of the Ancient Near East held in Vienna in April 2016. The volume examines the organization, scale, and the socio-economic role played by institutional and non-institutional households, as well as the social use of domestic spaces in Bronze Age Mesopotamia. The invited speakers – archaeologists, philologists, and historians specializing in ancient Mesopotamia – who approached these topics from different perspectives and by analyzing different datasets were encouraged to exchange their views and to discuss methodological concerns and common problems.This volume includes seven archaeological- and philological-oriented essays focusing on specific sites and archives, from northern Mesopotamia to southern Babylonia. The contributions assembled in the present volume seek to bridge the gap between archaeological records and cuneiform sources, in order to provide a more accurate reconstruction of the Mesopotamian economies during the 3rd and 2nd millennium BC.

Research into furniture has been neglected by archaeologists. Fixed installations lack clear definitions and are often subjectively identified. These studies pay tribute to the late Jean-Claude Margueron, and consider furniture by exploring spatial perception, functionality, and architectural complexities.

‘Extra-scribal’ writing encompasses a myriad of writing practices, from potmarking to graffiti to text erasure, often overlooked by scholars. This volume examines Bronze Age eastern Mediterranean and Aegean writing on atypical media, highlighting interdisciplinary insights from various fields and theoretical models.

Music in the Ancient Near East brings together a series of innovative studies exploring musical practices across Mesopotamia, Egypt, the Levant, and beyond. Moving beyond general introductions, this volume presents a rich, interdisciplinary “melange” of archaeological finds, textual evidence, iconography, and experimental approaches to reconstruct the sounds, meanings, and social roles of music in antiquity.Developed through an unusually collaborative and dialogic process, the contributions examine themes including gender, sexuality, disability, ritual, and cultural exchange. From travelling musicians and shared instrument traditions to new discoveries such as an Iron Age bone whistle, the volume highlights the interconnected musical landscape of the ancient Near East and the dynamic role of music in everyday and sacred life.

New Research on Old Collections in Southwest Asian Archaeology presents a compilation of papers by early career researchers exploring the potential and challenges of working with legacy collections which often remain overlooked in museum and archival stores. These papers stem from a workshop held at the British Museum over three consecutive days in July and August 2023 and offer different approaches to object biographies, provenance research, and the reinterpretation of well-known sites and archival material. By (re-)engaging with these overlooked materials, the volume positions research on legacy collections as a meaningful, sustainable research practice in archaeology of ancient Southwest Asia.

‘Stone Tools in the Ancient Near East and Egypt: Ground stone tools, rock-cut installations and stone vessels from Prehistory to Late Antiquity’ is about groundstone tools, stone vessels, and devices carved into rock throughout the Near East and Egypt from Prehistory to the late periods. These categories of objects have too often been overlooked by archaeologists, despite their frequent occurrence in the archaeological record. Most importantly, a careful study of these tools reveals crucial insights into ancient societies. From the procuring of raw materials to patterns of use and discard, they provide us with a wealth of information about the activities they were involved in and how these activities were organised. These tools reveal patterns in the trade of both raw materials and finished products, inform us about economic aspects of food production and consumption, cast light on industrial activities, help establish intercultural connections, and offer hints about the relationship between sites and their environment. The aim of this book is to explore all aspects of these ubiquitous tools and to stimulate debate about the new methodologies needed to approach this material.

Image and Identity in the Ancient Near East: Papers in memoriam Pierre Amiet gathers the papers of two colloquia – one held in Pierre Amiet’s honour in Lyon in 2016 and the other held in Paris in 2017, as well as articles by colleagues who wished to dedicate a final tribute to him. The volume consists of two parts. The studies in the first part analyse the body as a biological entity as well as a social, sexual and cultural identity (persona). They show the emotional power of images, the means and media used to achieve this suggestive power, and the different audiences that are the privileged recipients of the different types of production. They also investigate the emotions as they are expressed through the gestures and attitudes of the characters represented. The second part includes articles that are more closely related to the themes that Pierre Amiet has tackled. Two articles deal with his favourite research theme, glyptics. One article takes up the problem of the formation of the state which Pierre Amiet had dealt with in several of his glyptic studies. Other papers are concerned with the organisation of craftsmen and statuary.