Cultural Economics & the Creative Economy – serie
Visar alla böcker i serien Cultural Economics & the Creative Economy. Handla med fri frakt och snabb leverans.
9 produkter
9 produkter
540 kr
Skickas inom 10-15 vardagar
This book is an economic analysis of plagiarism in music, focusing on social efficiency and questions of inequity in the revenue of authors/artists.
540 kr
Skickas inom 10-15 vardagar
This book is an economic analysis of plagiarism in music, focusing on social efficiency and questions of inequity in the revenue of authors/artists.
Untold Story of the Korean Film Industry
A Global Business and Economic Perspective
Inbunden, Engelska, 2021
1 273 kr
Skickas inom 10-15 vardagar
This is one of the first books to compare the film policies and industries of the world’s six largest film industries – featuring Korea as the central character – with the aim of defining the contours of what constitutes an effective film policy.
Untold Story of the Korean Film Industry
A Global Business and Economic Perspective
Häftad, Engelska, 2022
1 311 kr
Skickas inom 10-15 vardagar
This is one of the first books to compare the film policies and industries of the world’s six largest film industries – featuring Korea as the central character – with the aim of defining the contours of what constitutes an effective film policy.
1 311 kr
Skickas inom 10-15 vardagar
The book also discusses the evolution of art in the twenty-first century, considering for example how the platform economy affects the arts, whether or not the established arts are joining the entertainment industry, and the current level of diversity in art.
1 311 kr
Skickas inom 10-15 vardagar
The book also discusses the evolution of art in the twenty-first century, considering for example how the platform economy affects the arts, whether or not the established arts are joining the entertainment industry, and the current level of diversity in art.
534 kr
Skickas inom 10-15 vardagar
This book provides a novel approach to the understanding and realization of the values of art. It argues that art has often been instrumentalized for state-building, to promote social inclusion of diversity, or for economic purposes such as growth or innovation. To counteract that, the authors study the values that artists and audiences seek to realize in the social practices around the arts. They develop the concept of cultural civil society to analyze how art is practiced and values are realized in creative circles and co-creative communities of spectators. The insights are illustrated with case-studies about hip-hop, Venetian art collectives, dance festivals, science-fiction fandom, and a queer museum. The authors provide a four-stage scheme that illustrates how values are realized in a process of value orientation, imagination, realization, and evaluation.The book relies on an interdisciplinary approach rooted in economics and sociology of the arts, with an appreciation forbroader social theories. It integrates these disciplines in a pragmatic approach based on the work of John Dewey and more recent neo-pragmatist work to recover the critical and constructive role that cultural civil society plays in a plural and democratic society. The authors conclude with a new perspective on cultural policy, centered around state neutrality towards the arts and aimed at creating a legal and social framework in which social practices around the arts can flourish and co-exist peacefully.
Cultural Funding and Financing
A Guide to New and Traditional Models in Arts and Culture
Inbunden, Engelska, 2026
550 kr
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This edited open access volume offers a comprehensive analysis of new and traditional funding models for the arts and culture. In the economic and political contexts of reduced art funding, the book takes an objective value-based approach to demonstrate how financial sustainability in the arts can be achieved via a range of top-down or bottom-up mechanisms which are valued either in terms of institutional or crowd-based legitimacy. The book aims to offer both a scholarly interpretation of established and emerging funding and financing practices within the cultural and creative sector, as well as guidance for artists, creators, and cultural programmers through various case studies and multiple examples of current practices. Contributions are divided into three sections. Section one outlines the most important traditional tools and models, while the second part covers the key contemporary practices premised on the use of digital platforms. The final part introduces several case studies, looking at how museums use digital tools, how public and private partnerships fund cultural heritage, how cultural institutions raise money, the monetisation of video games, and a community crowdfunding project. The objective of this volume is to demonstrate that while traditional models show no signs of being supplanted, digitalisation has facilitated the emergence of new forms. Such an evolution has consequences for creators of works as well as those willing to support them. The contributions address these issues by investigating and analysing the individual or combined adoption of traditional and new funding and financing models in a post-digital context.
Low-End Markets for Art and Cultural Goods
Understanding the Economic, Cultural and Social Dynamics of Low-Value Goods
Inbunden, Engelska, 2026
779 kr
Kommande
This open access book offers the first comprehensive, interdisciplinary examination of the art market’s entry segment – where objects of modest monetary value circulate yet hold significant cultural, social, and economic meaning. The volume reframes the “low-end” market as a dynamic ecosystem shaped by heterogeneity, shifting categories, and alternative logics of value creation. Contributors explore how everyday cultural goods, from antiques and decorative arts to prints, collectibles, and vernacular objects, challenge conventional hierarchies of taste and prestige.Through case studies spanning flea markets, auction platforms, galleries, and digital marketplaces, the book interrogates mechanisms of trust, scarcity, branding, and symbolic capital in contexts where traditional markers of authenticity and consecration are absent or contested. Drawing on cultural economics, art history, sociology, anthropology, and heritage studies, among others, the chapters discuss the impact of informal economies, digitization, and sustainability imperatives on art markets and consumer behavior. By documenting these overlooked segments, the volume addresses survival bias in art market research and opens new pathways for understanding cultural value beyond elite consumption. This book will be an essential volume for scholars working in cultural economics, art market studies, economic sociology, and creative industries more broadly.